“Ursula Le Guin at her best . . . This is an important collection of eloquent, elegant pieces by one of our most acclaimed contemporary writers.” —Elizabeth Hand, The Washington Post Book World “I have decided that the trouble with print is, it never changes its mind,” writes Ursula K. Le Guin in her introduction to Dancing at the Edge of the World. But she has, and here is the record of that change in the decade since the publication of her last nonfiction collection, The Language of the Night. And what a mind—strong, supple, disciplined, playful, ranging over the whole field of its concerns, from modern literature to menopause, from utopian thought to rodeos, with an eloquence, wit, and precision that makes for exhilarating reading. “If you are tired of being able to predict what a writer will say next, if you are bored stiff with minimalism, if you want excess and risk and intelligence and pure orneriness, try Le Guin.” —Mary Mackey, San Francisco Chronicle
This thorough revision of this classic text is even clearer and more helpful than the first edition. Long has updated the language, expanded the key chapter on biblical exegesis, and has included more examples of sermon forms, illustrations, and conclusions.
The National Book Award-winning novel of a young girl’s coming of age, from the author of Send Me Down a Miracle. Twelve-year-old Miracle McCloy never liked the story of her remarkable birth, but her grandmother Gigi has always loved telling it. An expert in occult magic, Gigi insists that when Miracle was saved from her dead mother’s womb, it was an omen of greatness to come. But how can Miracle become a prodigy like her father when sometimes she feels like she doesn’t even exist? When her father suddenly vanishes without a trace, Miracle’s life starts feeling less miraculous by the day. The only time she feels whole is when she’s dancing—an activity her grandmother strictly forbids. But shortly after her thirteenth birthday, a life-threatening incident puts her whole world in a harsh new light. And though she does not emerge unscathed, Miracle might finally see the truth about her past, her family, and herself. “Extraordinary . . . Nolan does a masterful job of drawing readers into the girl’s mind and of making them care deeply about her chances for the future.” —School Library Journal (starred review) “Elaborately drawn characters that will surprise readers at every turn . . . Compelling.” —Booklist (starred review)
This introductory-level textbook from one of the best-known professors of preaching in the U.S. helps the reader understand the sermon in terms of the movement of time, place, shape, space, conflict, complication, and the "sudden shift" of the text.
Set in a time of immense change, Dancing on the Edge tells the story of a black jazz group, the Louis Lester Band, as they rise to fame, entertaining guests at exclusive high society gatherings in 1930s London. While many recoil at the presence of black musicians in polite society, the capital's more progressive socialites, including younger members of the Royal Family, take the band under their wing. In this explosive five-part series, Stephen Poliakoff returns to television with his most ambitious work to date. Dancing on the Edge provides a new angle on an extraordinary time in history, giving us a piercingly original vision of Britain in the 1930s; a time of glamour, hardship, vibrant new music and financial meltdown. Combining the rich characterisation of Shooting The Past with the epic sweep of The Lost Prince and inspired by true stories of the era, Dancing on the Edge was produced by Ruby Film and Television for BBC2. Also included is the innovative epilogue to the whole drama, Interviewing Louis, where music journalist Stanley conducts a combative in-depth interview with Louis Lester. This funny and disturbing drama complements the main story perfectly while leading us towards a shocking and unexpected conclusion.
From the bestselling author of The Elegant Gathering of White Snows comes a poignant, outrageous, refreshingly liberating story about one woman whose life takes an unexpected turn.... Meg Fratano has just witnessed the unthinkable: her husband of twenty—seven years making love to another woman. In her bed. And all Meg wanted to do was watch. Quietly, secretly, watch. Then she realized her life would never be the same. Meg isn’t sure what she wants, but she knows it’s not what she had. After almost three decades of marriage and two children, she has finally awakened to how unhappy she is. Now, with the help of friends old and new, and even her teenage daughter—a former brat who has blossomed into a startlingly wise young woman—Meg just might break through the chains of everyone’s expectations for her and find the strength to take the first step on her own path. To strip away a lifetime of inhibitions. To dance naked at the edge of dawn...
In our increasingly pluralistic and multicultural society, there is a need for preaching that is capable of crossing cultural boundaries and engaging multiple contexts. Jared Alcántara's exciting new work proposes an intercultural and improvisational account of preaching in conversation with the legacy of Gardner C. Taylor.