Discover a unique love story that unfolded in the heart of Mumbai city, where destiny brought together two lives on a remarkable journey. Follow Aarav and Riya as they navigate the intricate steps of life and love, teaching us that the most beautiful melodies emerge when hearts intertwine in the dance of love's rhythm. With every step they take, they waltz through the symphony of their shared experiences, leaving behind a trail of inspiration for others to follow. Join them on a journey that celebrates the courage to embrace the unknown and dance fearlessly into the embrace of love
The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire’s political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas’ religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC
The first book to put the sacred and sensuous bronze statues from India’s Chola dynasty in social context From the ninth through the thirteenth century, the Chola dynasty of southern India produced thousands of statues of Hindu deities, whose physical perfection was meant to reflect spiritual beauty and divine transcendence. During festivals, these bronze sculptures—including Shiva, referred to in a saintly vision as “the thief who stole my heart”—were adorned with jewels and flowers and paraded through towns as active participants in Chola worship. In this richly illustrated book, leading art historian Vidya Dehejia introduces the bronzes within the full context of Chola history, culture, and religion. In doing so, she brings the bronzes and Chola society to life before our very eyes. Dehejia presents the bronzes as material objects that interacted in meaningful ways with the people and practices of their era. Describing the role of the statues in everyday activities, she reveals not only the importance of the bronzes for the empire, but also little-known facets of Chola life. She considers the source of the copper and jewels used for the deities, proposing that the need for such resources may have influenced the Chola empire’s political engagement with Sri Lanka. She also investigates the role of women patrons in bronze commissions and discusses the vast public records, many appearing here in translation for the first time, inscribed on temple walls. From the Cholas’ religious customs to their agriculture, politics, and even food, The Thief Who Stole My Heart offers an expansive and complete immersion in a community still accessible to us through its exquisite sacred art. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
Molly and Nellie unite for the last time, in this heart-warming saga complete with hilarity, friendship and a perfect wedding. In You Stole My Heart Away, Joan Jonker brings us the final instalment of her hugely popular Molly and Nellie series, as the two friends get up to more mischief in their beloved Liverpool. Perfect for fans of Katie Flynn and Nadine Dorries. Molly Bennett and Nellie McDonough are very happy with their lot in life. Their expanding families and abundance of friends always keep them busy. And as they walk arm in arm to the shops every day they are greeted with warmth by their neighbours, for wherever they go they bring fun and laughter with them. Their rock-solid friendship has lasted over twenty years, through good times and bad, and never once have Molly and Nellie fallen out. The two best mates love a bit of excitement so when they learn there is a wedding in the offing which will bring the Bennett, McDonough and Corkhill families even closer it gives the intrepid pair a good reason to save up for a visit into Liverpool and to the shop selling wedding hats. As Nellie says to Corker: 'It had better be a posh wedding to match me posh new hat.' What readers are saying about You Stole My Heart Away: 'This book was fantastic. I laughed all the way through - walked round the house with a smile on my face. Well done Joan' 'Great book, just what I wanted, a real story to read over and over again'
Wonderful reading for those who have had their hearts stomped on and shreded and tossed aside. For those who have experienced, the ultimate highs of being in love and those who have yet to ponder the depths of the heart and love. Carmen V. Stern Other books include: From Wife to Dominatrix Love, Lust, Desire Heart & Hammer - the Adventures of Mistress Carmen and coming soon... God is in the Details
Melinda Grey has always wanted to become a professional dancer. She lives in a one-room apartment in Saint Luciaalone with her dreams. But Melinda is disciplined, and it is not long before she finally has a chance to transform her future and make her aspirations come true. Unfortunately, her scheming stepfather has different ideas. John Derwood wants nothing more than to destroy Melindas life. Derwood is a devious blackmailer who married Melindas mother ten years ago. Known for his shady dealings and for turning Melindas mother against her, he reappears suddenly in Melindas life, much to her chagrin. Determined to make her miserable, Derwood tells her he has evidence that will make her wish she was dead. But through all the darkness, a bright light shines. Mark Hammond, owner of a local dance studio, soon sweeps Melinda off her feet, showing her how to love without abandon for the first time in her young life. In this romantic tale filled with complications, danger, and misguided intentions, a young woman immersed in a deep personal struggle must decide whether she can trust the man she loves with the secrets from her pastwithout jeopardizing their future together.
What would you be willing to sacrifice for happiness? For love? While traveling overseas to help the poor, twenty-six-year-old Elia gets more than expected when she meets the daredevil dancer, Misha Kravetz. Elia should run from her crush on this gorgeous and exotic man, but the magnet pulling her heart to his can't be ignored. Uninvited passion ignites, but will she give up the comforts of Canada to live in a poor village without running water? Family, friends? The ambivalent boyfriend who awaits her return? As penniless as Cinderella, Misha's future rides on his talent. He must prove himself on the world stage to provide any hope for his widowed mom and impoverished neighbors. Dance mentors demand he stays focused on winning competitions and declare women off-limits. That's a tough order for a hot ticket. Even as desire pulls them together, colossal obstacles separate Elia and Misha while rivals in both love and dance plot to ruin their futures. A clash of cultures, language, lifestyle. Time runs out and Elia returns to Canada, where surprising events test her love of two very different men. Pure passion. Risky relationships. Cunning foes. Who and what will win? Find out in Daredevil Dancer, a sweet contemporary romance, the first in the Jet Lag Love series.
Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.
CAUTION This book may introduce you to the stark realities of a modern-day pilgrim who seeks the fuller life at the feet of Jesus. No pat answers. No attempt to resolve the mysterious interface between God's will and his willingness to let us muddle through the mess of life. The author tells the simple but engaging story of her struggles, aspirations, frustrations, and satisfaction of walking with Jesus the best that she could. Don't be annoyed at her humanity¯accept it as a humble gift and insight into your own experience. Barb brings us fascinating insights into the different stages of her faith's development and a challenge to reflect upon our own. Certainly good food for great thoughts! Rev. Stephen W. Chaloner, B.Th M.T.S. Regional Director PAOC Africa ----------------------------------------------------------- As I read through this book I kept thinking that this evolution should be read and even studied as a reflection, which is necessary for a person entering the ministry. As Wilson shares her life, family, and ministry events and memories, she has taken the opportunity to openly expose her experiences centered against the backdrop of the seven life stages of recurrent development (1) in the context of her Faith walk. The transparency is refreshing, when in my reading, I found that generally speaking, clergies have a hard time sharing openly their life experiences. Wilson, in her book, encourages pastors, ministers, and clergies to come clean as we live and preach and teach in our respective contexts. By the "storytelling" of her life and faith development, she has given the reader a glimpse of her faith and relationship with Jesus Christ and how this relates to family, friends, community, and ministry interaction with other people; thus, allowing the reader to face life with hope. I would recommend anyone entering a ministry in any context to read this book in order to gain an appreciation of what shapes a ministry and some ways of processing our lived experiences, and forgiving ourselves for our sins and shortcomings. Thank you, Barbara, for giving us your readers, insights from a distance in the "Making of a Pastor/Chaplain" (1) Robert Kegan, "The Evolving Self, Problem and Process in Human Development." Phillip J. Robillard, Minister of "Faith Community" in downtown Toronto, Ontario. ----------------------------------------------------------- Sometimes, we may take the events of our lives for granted; and, we may be lulled into leaving well enough alone, even though deep down we have a sense that something is missing or not quite right. At other times, we may thirst for a greater depth of meaning in what we are about. As we examine our lives, we may become more aware of experiences, good or bad, associated with past, present or foreseen events. What we may be less aware of, in the moment, is the part we can play in shaping our personal experience of whatever takes place into a more satisfying life journey. This book illustrates how the author, Barbara Wilson, reflected deeply on pivotal life events which, if left unexamined, would have diminished greatly the personal meaning she was able to harvest in her journey through life. She believed in and exercised her inner capacity to move beyond the erstwhile story line of the world into which she was born, by re-visioning and re-shaping experienced events into a living story with satisfactory space both for personal meaning-making and for enabling her to live her preferred values. Her candid reflection on events in her life, many of them painful, others full of joy, as well as her insightful evaluations of these stepping stones and her courageous choices for new directions will inspire and motivate many to take a second look at how they, too, can answer for themselves the pivotal questions: Am I satisfied with my life experience? Who do I want to be now? Who do I want to become? How do I reshap
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