Dance in the No Theater: Dance Analysis.- V.2 Plays and Scores.- V.3 Dance Patterns
Author: Cornell University. East Asia Program
Publisher:
Published: 1982
Total Pages: 0
ISBN-13: 9780939657292
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Author: Cornell University. East Asia Program
Publisher:
Published: 1982
Total Pages: 0
ISBN-13: 9780939657292
DOWNLOAD EBOOKAuthor: Monica Bethe
Publisher:
Published: 1982
Total Pages: 308
ISBN-13:
DOWNLOAD EBOOKAuthor: Zeami Motokiyo
Publisher: Volume Edizioni srl
Published: 2014-03-07
Total Pages: 37
ISBN-13: 8897747108
DOWNLOAD EBOOKThe japanese Noh drama by the Master Zeami Motokiyo about the Buddhist priest Rensei and the warrior of the Taira Clan Atsumori. The story of redention of the warrior Kumagai Jiro Naozane that killed the young Atsumori. One of the most popular and touching Zeami's Noh drama inspired by "The Tales of Heike". Contents: Preface by Massimo Cimarelli Atsumori by Zeami Motokiyo Pearson Part I Interlude Part II Glossary Notes
Author: Monica Bethe
Publisher:
Published: 1992
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Cassie Abate
Publisher: Bloomsbury Publishing
Published: 2022-07-28
Total Pages: 217
ISBN-13: 1350193364
DOWNLOAD EBOOKWhat does a musical theatre choreographer actually do? They just 'make up the steps', right? This book firstly debunks the misunderstandings around what musical theatre choreographers actually do, demonstrating their need to have an in-depth understanding of storytelling, music theory, performance practices and plot structure in order to create movement that enhances and enlivens the musical. Secondly, it equips the musical theatre choreographer with all the tools needed to create nuanced, informed and inspired movement for productions, through structured activities that build specific skills (such as 'notating the script' and 'scoring the score'). Traditionally, this training has been something of a series of secrets, passed from mentor to apprentice. The author demystifies the process to make the previously undisclosed “tricks of the trade” accessible to all choreographers, everywhere. Covering the entire process of choreographing a musical from the first script reading to the final curtain call, this book makes case for the absolute integrity of the choreographer to any musical theatre production and sets out the theoretical principles of choreography alongside the practical application during every step of the production process.
Author: Boston Public Library. Allen A. Brown Collection of Music
Publisher:
Published: 1916
Total Pages: 462
ISBN-13:
DOWNLOAD EBOOKAuthor: Corinne Jola
Publisher: Frontiers Media SA
Published: 2021-09-30
Total Pages: 115
ISBN-13: 2889714306
DOWNLOAD EBOOKAuthor: Library of Congress. Music Division
Publisher:
Published: 1912
Total Pages: 694
ISBN-13:
DOWNLOAD EBOOKAuthor: Rebecca Harris-Warrick
Publisher: Cambridge University Press
Published: 2005-09-29
Total Pages: 364
ISBN-13: 9780521020220
DOWNLOAD EBOOKLe Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance to the study of French Baroque dance. This facsimile reproduction of the entire manuscript is accompanied by a comprehensive study of the work itself and the context in which it was created and performed. Dated 1688, it provides a wealth of new and detailed information on numerous aspects of theatrical dance. It differs from the known choreographic sources in many respects, the two most important being the completeness of all its components--choreography, music, and text--and the use of a previously unknown dance notation system.
Author: Helen Julia Minors
Publisher: Bloomsbury Publishing
Published: 2023-10-05
Total Pages: 217
ISBN-13: 1350175757
DOWNLOAD EBOOKHow is music affected by its translation, interpretation and adaptation with, through, and by dance? How might notation of dance and music act as a form of translation? How does music influence the creation of dance? How might dance and music be understood to exchange and transfer their content, sense and process during both the creative process and the interpretative process? Bringing together chapters that explore theory and practice, this book questions the process and role translation has to play in the context of music and dance. It provides a range of case studies across this interdisciplinary field, and is not restricted by genre, style or cultural location. As one of very few volumes to explore translation in relation to music and to overtly tackle this topic in terms of dance, it moves the argument from a broad notion of text and translation, to think critically about the sound and movement arts of music and dance, using translation as a model to better understand the collaboration of these art forms.