Dan’s dog, Diesel, is a wonder dog. He can do anything. He can ride on trains and planes and in underground tunnels. He can stand next to an enormous smoke-breathing dragon and never flinch an inch. When Dan is with Diesel he can go anywhere. He can go shopping at the market. He can play jazz in the Boogaloo band. He can climb mountains and draw pictures in his head. Together, they can conquer the world. But one day, Diesel is whisked away in a big black van . . .
NEW YORK TIMES BESTSELLER • “Dapper Dan is a legend, an icon, a beacon of inspiration to many in the Black community. His story isn’t just about fashion. It’s about tenacity, curiosity, artistry, hustle, love, and a singular determination to live our dreams out loud.”—Ava DuVernay, director of Selma, 13th, and A Wrinkle in Time NAMED ONE OF THE BEST BOOKS OF THE YEAR BY VANITY FAIR • DAPPER DAN NAMED ONE OF TIME’S 100 MOST INFLUENTIAL PEOPLE IN THE WORLD With his now-legendary store on 125th Street in Harlem, Dapper Dan pioneered high-end streetwear in the 1980s, remixing classic luxury-brand logos into his own innovative, glamorous designs. But before he reinvented haute couture, he was a hungry boy with holes in his shoes, a teen who daringly gambled drug dealers out of their money, and a young man in a prison cell who found nourishment in books. In this remarkable memoir, he tells his full story for the first time. Decade after decade, Dapper Dan discovered creative ways to flourish in a country designed to privilege certain Americans over others. He witnessed, profited from, and despised the rise of two drug epidemics. He invented stunningly bold credit card frauds that took him around the world. He paid neighborhood kids to jog with him in an effort to keep them out of the drug game. And when he turned his attention to fashion, he did so with the energy and curiosity with which he approaches all things: learning how to treat fur himself when no one would sell finished fur coats to a Black man; finding the best dressed hustler in the neighborhood and converting him into a customer; staying open twenty-four hours a day for nine years straight to meet demand; and, finally, emerging as a world-famous designer whose looks went on to define an era, dressing cultural icons including Eric B. and Rakim, Salt-N-Pepa, Big Daddy Kane, Mike Tyson, Alpo Martinez, LL Cool J, Jam Master Jay, Diddy, Naomi Campbell, and Jay-Z. By turns playful, poignant, thrilling, and inspiring, Dapper Dan: Made in Harlem is a high-stakes coming-of-age story spanning more than seventy years and set against the backdrop of an America where, as in the life of its narrator, the only constant is change. Praise for Dapper Dan: Made in Harlem “Dapper Dan is a true one of a kind, self-made, self-liberated, and the sharpest man you will ever see. He is couture himself.”—Marcus Samuelsson, New York Times bestselling author of Yes, Chef “What James Baldwin is to American literature, Dapper Dan is to American fashion. He is the ultimate success saga, an iconic fashion hero to multiple generations, fusing street with high sartorial elegance. He is pure American style.”—André Leon Talley, Vogue contributing editor and author
Ten-year-old Dandi (affectionately called "Dan" by family and friends) lives and breathes baseball. She may not be a fence buster but she can "hit 'em where they ain't" in the neighborhood pick-up games. The boys know she's a contender. And there's no bigger fan of the 1961 Kansas City A's. So when Charlie Finley, the A's new owner, announces an essay contest to get batboys, there's no doubt Dandi will enter the contest. Dandi not only enters the contest--her essay wins! However, her joy is short-lived when the contest officials enforce the For Boys Only rule. Long before the boundary-breaking ruling of Title IX, young women across the country used grit and determination to prove that barriers of gender have no place on a level playing field. Dandi Daley Mackall's true-life story gives voice and testament to the spirit of these young sports pioneers.Dandi Daley Mackall conducts writing workshops across the United States and speaks at numerous conferences and young author events. She was an instructor at Highlights and taught novel writing for the Institute for Children's Literature. Her most recent Sleeping Bear Press book is Rudy Rides the Rails. Dandi lives in West Salem, Ohio. Renée Graef is well known as the illustrator for the "Kirsten" books in the American Girl children's book collection. She has also illustrated many books in the My First Little House series. Her books with Sleeping Bear Press include Paul Bunyan's Sweetheart and B is for Bookworm: A Library Alphabet. Renée lives in Cedarburg, Wisconsin.
"Using their knowledge of how stories work, Dunn and Bubeck compare the gospel stories of the Bible to Brown's myths. They show that the two worldwiews are worlds apart."--Inside jacket cover.
Hello reader! In this book is a world. A world created by two awkward guys who share their lives on the internet! We are Dan and Phil and we invite you on a journey inside our minds! From the stories of our actual births, to exploring Phil’s teenage diary and all the reasons why Dan’s a fail. Learn how to draw the perfect cat whiskers, get advice on how to make YouTube videos and discover which of our dining chairs represents you emotionally. With everything from what we text each other, to the time we met One Direction and what really happened in Vegas... This is The Amazing Book Is Not On Fire!
"New scholarship and interpretation of Flavin's work also appears in the form of three critical essays by experts and an extensive chronology, comprehensive bibliography, and exhibition history. In addition, this book includes Flavin's text, "'...in daylight or cool white.' an autobiographical sketch," originally published in Artforum in 1965, and two interviews with the artist - one from 1972 and the other from 1982."--BOOK JACKET.
Ge, formerly translated as "mask" or "masquerade," appears among the Dan people of Côte d'Ivoire as a dancing and musical embodiment of their social ideals and religious beliefs. In Dan Ge Performance, Daniel B. Reed sets out to discover what resides at the core of Ge. He finds that Ge is defined as part of a religious system, a form of entertainment, an industry, a political tool, an instrument of justice, and a form of resistance—and it can take on multiple roles simultaneously. He sees genu (pl.) dancing the latest dance steps, co-opting popular music, and acting in concert with Ivorian authorities to combat sorcery. Not only are the bounds of traditional performance stretched, but Ge performance becomes a strategy for helping the Dan to establish individual and community identity in a world that is becoming more religiously and ethnically diverse. Readers interested in all aspects of expressive culture in West Africa will find fascinating material in this rich and penetrating book.
