An account of a man's childhood in North Dakota's Red River Valley in the 1940's and early 1950's, depicting the haphazard, often comical, hit-and-miss process by which the child and adolescent tries to build an identity.
Commemorative practices are revised and rebuilt based on the spirit of the time in which they are re/created. Historians sometimes imagine that commemoration captures history, but actually commemoration creates new narratives about history that allow people to interact with the past in a way that they find meaningful. As our social values change (race, gender, religion, sexuality, class), our commemorations do, too. We Are What We Remember: The American Past Through Commemoration, analyzes current trends in the study of historical memory that are particularly relevant to our own present – our biases, our politics, our contextual moment – and strive to name forgotten, overlooked, and denied pasts in traditional histories. Race, gender, and sexuality, for example, raise questions about our most treasured myths: where were the slaves at Jamestowne? How do women or lesbians protect and preserve their own histories, when no one else wants to write them? Our current social climate allows us to question authority, and especially the authoritative definitions of nation, patriotism, and heroism, and belonging. How do we “un-commemorate” things that were “mis-commemorated” in the past? How do we repair the damage done by past commemorations? The chapters in this book, contributed by eighteen emerging and established scholars, examine these modern questions that entirely reimagine the landscape of commemoration as it has been practiced, and studied, before.
Six years ago, officials from the Child Protective Agency removed Dakota Sky Basilla from her alcoholic fathers home, and she became a ward of the county. Dakotas one wish is to see her mother, Marta, again. But for now, she lives with her sixth set of foster parents while attending yet another high school. Things in Dakotas life begin to spin even more out of control when she receives a wooden angel as a gift for her sixteenth birthdayand the angel comes to life. Dakota is beginning to think shes lost her mind. Even worse, her best friend, Lauren, goes missing. Dakota must now rely on her psychic ability, the guidance of her uncooperative angel, and the visions she experiences to solve the mystery and find Lauren. As the days pass and the dead bodies pile up, Dakota becomes more frantic to find her friend. When she walks into a criminals trap in the course of her search, it will take all of her ingenuity to save herself and her friends. In the process, she may discover what loss really means.
"In an authentic portrayal of a Sioux childhood and Christmas traditions, Virginia Driving Hawk Sneve shares a touching holiday story from her youth. Filled with themes of generosity and unexpected joy, the episode takes place on the Rosebud Indian Reservation in South Dakota"--
The book is mainly about hunting in one small area of Sully County South Dakota. And focuses quite a lot on the old days his folks and the mallard ducks the rare Canada goose then rare as it was very difficult to get one then especially for rank amateurs like he was then it starts with his son Brads essay wrote for some class he was taking somewhere and another wrote by his grandson Johnny for a junior high class at Sully Buttes school in Onida then introduces you to Brads son Josh who has picked up the hunting fever too then to Laurences parents the founders of the place so many loved to hunt on. And he introduces to his mentor in hunting Elliott and to the one dog that finally taught him how to behave with hunting dogs and how to honk like a goose with your voice if you want to sputter and spit like he did then and now he cannot cut the mustard on that anymore a few descriptions of some hunts and pictures and drawings where no pictures exist.
Remembering ninety-five years of memoriesmemories triggered by reading my emails. Messages to and from friends, funny cartoons, and jokes. Memories of places Ive been, people Ive spent my time with, how things have changed, and what Ive learned.
The Raging Fire series is a spin-off of the Rescue Me Saga with characters you’ve already come to know and love. Dakota Mathison created herself at the age of seventeen. New name, new life, new location. Lots of new locations, actually, but she always had to look over her shoulder in case the man from her past caught up with her. The rodeo circuit had been a great place to hide, until she met up with someone who knew her before she’d become Dakota. Matteo Giardano had never forgotten the girl who’d been his sidekick in 4-H. Both shared a love of horses, and while he’d never admitted it back then, he’d loved her too. But she’d disappeared after high-school graduation…until one night in a bar after a rodeo many years later, she sashayed back into his life. Only to vanish again the next day. Months later, she showed up on his doorstep battered and broken from her last rodeo—bucked off a bull this time, no less. The woman seemed hell-bent on proving herself, whether to herself or someone else, he wasn’t sure. Though she’d never have to prove anything to him.
A Kirkus Reviews Best Book of 2023 "Sharply insightful . . . A monumental piece of work."—The Boston Globe An award-winning author investigates the entangled history of her Jewish ancestors' land in South Dakota and the Lakota, who were forced off that land by the United States government Growing up, Rebecca Clarren only knew the major plot points of her tenacious immigrant family’s origins. Her great-great-grandparents, the Sinykins, and their six children fled antisemitism in Russia and arrived in the United States at the turn of the 20th century, ultimately settling on a 160-acre homestead in South Dakota. Over the next few decades, despite tough years on a merciless prairie and multiple setbacks, the Sinykins became an American immigrant success story. What none of Clarren’s ancestors ever mentioned was that their land, the foundation for much of their wealth, had been cruelly taken from the Lakota by the United States government. By the time the Sinykins moved to South Dakota, America had broken hundreds of treaties with hundreds of Indigenous nations across the continent, and the land that had once been reserved for the seven bands of the Lakota had been diminished, splintered, and handed for free, or practically free, to white settlers. In The Cost of Free Land, Clarren melds investigative reporting with personal family history to reveal the intertwined stories of her family and the Lakota, and the devastating cycle of loss of Indigenous land, culture, and resources that continues today. With deep empathy and clarity of purpose, Clarren grapples with the personal and national consequences of this legacy of violence and dispossession. What does it mean to survive oppression only to perpetuate and benefit from the oppression of others? By shining a light on the people and families tangled up in this country’s difficult history, The Cost of Free Land invites readers to consider their own culpability and what, now, can be done.