It's time for the Townsend Elementary Annual Fall Festival! Each class picks a theme, decorates their room, and entertains their friends and families while earning money for the school. Madison has declared room 210 will be having a bake sale, but Daisy doesn't think that idea will make their room very popular. Can Daisy convince the class her superstar idea will be fun for everyone? Calico Chapter Books is an imprint of Magic Wagon, a division of ABDO Group. Grades 2-5.
Ten-year-old Daisy Martinez is excited to begin fourth grade! Daisy and her BFF Blanca are both in room 210 with the wonderful new teacher, Ms. Lilly. When Ms. Lilly calls her class super smart superstars, Daisy decides she's going to prove that she's both. Join Daisy, Blanca, Raymond and all their friends for an exciting year in fourth grade!
Growing up in a New Jersey factory town in the 1980s, Daisy Hernández believed that her aunt had become deathly ill from eating an apple. No one in her family, in either the United States or Colombia, spoke of infectious diseases. Even into her thirties, she only knew that her aunt had died of Chagas, a rare and devastating illness that affects the heart and digestive system. But as Hernández dug deeper, she discovered that Chagas—or the kissing bug disease—is more prevalent in the United States than the Zika virus. After her aunt’s death, Hernández began searching for answers. Crisscrossing the country, she interviewed patients, doctors, epidemiologists, and even veterinarians with the Department of Defense. She learned that in the United States more than three hundred thousand people in the Latinx community have Chagas, and that outside of Latin America, this is the only country with the native insects—the “kissing bugs”—that carry the Chagas parasite. Through unsparing, gripping, and humane portraits, Hernández chronicles a story vast in scope and urgent in its implications, exposing how poverty, racism, and public policies have conspired to keep this disease hidden. A riveting and nuanced investigation into racial politics and for-profit healthcare in the United States, The Kissing Bug reveals the intimate history of a marginalized disease and connects us to the lives at the center of it all.
Daisy Hunter and Abigail Browning are two best friends who have enjoyed the everyday challenges and delights of living in rural Fairfield, New Hampshire. But in the spring of 1856, they feel as though all things familiar are crumbling beneath them. Throughout the coming year, many incidents will try their faith and threaten to hamper their joy. Together, they must continually rediscover their sustenance and hope, all the while resisting the temptation to surrender to defeat. Interwoven within the two girls' lives is a cast of characters as varied as the New England seasons. Excitement mounts for the entire town when a new minister joins the close-knit community, while intrigue is piqued when a mysterious, colorful woman appears, carrying untold secrets from the past. With autumn comes the abundance of the apple harvest, while winter's burden bears heavy on many. Will Abby's and Daisy's faith be strengthened, or will it simply crumble amidst the challenges? Will they finally be able to declare with certainty that they have delighted in the Lord and obtained their hearts' desires?
A daughter of freed African American slaves, Daisy Turner became a living repository of history. The family narrative entrusted to her--"a well-polished artifact, an heirloom that had been carefully preserved"--began among the Yoruba in West Africa and continued with her own century and more of life. In 1983, folklorist Jane Beck began a series of interviews with Turner, then one hundred years old and still relating four generations of oral history. Beck uses Turner's storytelling to build the Turner family saga, using at its foundation the oft-repeated touchstone stories at the heart of their experiences: the abduction into slavery of Turner's African ancestors; Daisy's father Alec Turner learning to read; his return as a soldier to his former plantation to kill his former overseer; and Daisy's childhood stand against racism. Other stories re-create enslavement and her father's life in Vermont--in short, the range of life events large and small, transmitted by means so alive as to include voice inflections. Beck, at the same time, weaves in historical research and offers a folklorist's perspective on oral history and the hazards--and uses--of memory. Publication of this book is supported by grants from the Andrew W. Mellon Foundation and the L. J. and Mary C. Skaggs Folklore Fund.
She left him once to live her dream, but can she do it again? With big dreams of seeing her name in lights on Broadway, Daisy Hayes left behind her small town, family, and the only boy she ever loved. Six years later, broke,unsuccessful, and on the brink of being homeless, she refuses to accept that she failed. But when she receives a phone call from home, she has no choice but to get on the next train and face the past she ran out on all those years ago. Nick Davis has never fully recovered after his high school sweetheart disappeared without an explanation only hours after he proposed. Throwing himself into school or work, and his father's illness, kept him going. But with his dad now gone and his career a success, he's out of distractions. So when Daisy Hayes comes back to town and he's face-to-face with the girl who broke his heart, he is forced to confront the demons of his past. Unable to avoid each other, tensions heat up, old chemistry resurfaces, and a love they both thought was lost is found. But with one refusing to look back and the other refusing to let go, their second chance at forever might be over before it even begins.
From the author of The Miracle & Tragedy of the Dionne Quintuplets and The Borden Murders comes the absorbing and compulsively readable story of Violet and Daisy Hilton, conjoined twins who were the sensation of the US sideshow circuits in the 1920s and 1930s. On February 5, 1908, Kate Skinner, a 21-year-old unmarried barmaid in Brighton, England, gave birth to twin girls. They each had ten fingers and ten toes, but were joined back to back at the base of the spine. Freaks, monsters--that's what they were called. Mary Hilton, Kate's employer and midwife, adopted Violet and Daisy and promptly began displaying the babies as "Brighton's United Twins." Exhibitions at street fairs, carnivals, and wax museums across England and Scotland followed. At 8 years old, the girls came to the United States, eventually becoming the stars of sideshow, vaudeville, and burlesque circuits in the 1920s and 1930s. In a story loaded with questions about identity and exploitation, Sarah Miller delivers a completely compelling, empathetic portrait of two sisters whose bonds were so sacred that nothing — not even death— would compel Violet and Daisy to break them.