Dada Presentism
Dada Presentism

Author: Maria Stavrinaki

Publisher: Stanford University Press

Published: 2016-04-20

Total Pages: 120

ISBN-13: 080479815X

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Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, François Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.

Literary History and Avant-Garde Poetics in the Antipodes
Literary History and Avant-Garde Poetics in the Antipodes

Author: A. J. Carruthers

Publisher: Edinburgh University Press

Published: 2024-03-05

Total Pages: 505

ISBN-13: 1399526855

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Avant-garde poetry in the Antipodes causes all sorts of trouble for literary history. It is an avant-garde that seems to arrive too late and yet right on time. In 1897, Christopher Brennan made his own version of Un Coup de Des, the same year Mallarme published it in Cosmopolis. In the 1940s, the same period avant-gardism was declared dead or fatally injured due to the Ern Malley affair, Harry Hooton began writing a significant body of experimental poetry. From the 1950s to the 1970s, Australian Dada emerged 'belatedly' through figures like Jas H. Duke (Tristan Tzara had previously sung Aboriginal songs at the Cabaret Voltaire in 1916). First Nations and Migrant poets then began reinventing avant-garde poetry in the twentieth and early twenty-first centuries. This book maintains that such a confounding literary history poses a distinct challenge to the theories of the avant-gardes we have become accustomed to and changes our perspective of avant-garde time.

The Routledge Handbook of Archaeology and Plastics
The Routledge Handbook of Archaeology and Plastics

Author: Genevieve Godin

Publisher: Taylor & Francis

Published: 2024-09-17

Total Pages: 800

ISBN-13: 1040108814

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The Routledge Handbook of Archaeology and Plastics investigates the archaeology of the contemporary world through the lens of its most distinguishing and problematic material. Plastics are ubiquitous and have been so for nearly three generations since they became widely used in the early 1950s. Plastics will persist for millennia, their legacies as toxic heritage being felt deep into the future. In this book – comprising 32 original, at times disturbing, and critically engaged contributions – scholars from archaeology and other cognate disciplines explore plastics from a number of different angles and perspectives. Together these contributions highlight the dilemma that plastics present: their usefulness on the one hand, and the threats they present to environmental health on the other. The volume also explores the lessons that archaeologists can learn from plastics, about episodes of mass production, consumption and toxicity in the past, and also – importantly – about the future. This important and timely collection will therefore be of interest to all archaeologists irrespective of their period of study, or their geographical focus, and to students of archaeology and cultural heritage. It will also be relevant for researchers and students in other fields of study that focus on plastics and their environmental and social impacts. Ultimately, this book concerns the contemporary world and the impact of people upon it, through the archaeological lens.

The Trouble With Art
The Trouble With Art

Author: Roger Sansi

Publisher: Taylor & Francis

Published: 2024-10-31

Total Pages: 208

ISBN-13: 1040115632

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Art troubles anthropology. Anthropologists have often taken a philistine, sceptical position of distance towards art and aesthetics as a predominantly Western bourgeois institution. But art, not only as a Western institution, generated its own philistine and iconoclastic revisions and undoings, its anti-art, that have engaged anthropology into its theory and practice. Anthropology is thus part of the trouble with art. But trouble doesn’t necessarily obfuscate, it can also reveal and render visible fault lines and problems; troubles can be assemblages of disparate and even contradictory parts that paradoxically do work together. This volume proposes an anthropology that moves beyond philistinism and the contradictions between critical anthropologies of art and collaborative and experimental anthropologies with art.

Untimely Moderns
Untimely Moderns

Author: Eeva-Liisa Pelkonen

Publisher: Yale University Press

Published: 2023-07-25

Total Pages: 216

ISBN-13: 0300263953

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A novel exploration of the idea of nonlinear time and its place at the heart of modern art and architecture Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians Henri Focillon, George Kubler, Sibyl Moholy-Nagy, and Vincent Scully. These figures were unified by their resistance to the idea that, to be considered modern, art and architecture had to be of its time, as well as by the pivotal role that Yale University held as a backdrop to their thinking. These thinkers sponsored a new kind of approach, one that Eeva-Liisa Pelkonen terms "untimely," emphasizing a departure from a sequential course of events. Ideas about temporal duration, new tradition, the presence of the past, and the shape of time were among the concepts they explored. With an interdisciplinary focus, Pelkonen reveals previously unexplored connections among key figures of American intellectual and artistic culture at midcentury whose works and words would shape modern architecture.

The European Avant-Garde – A Hundred Years Later
The European Avant-Garde – A Hundred Years Later

Author:

Publisher: BRILL

Published: 2024-01-08

Total Pages: 310

ISBN-13: 9004685871

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The title of this book, The European Avant-Garde – A Hundred Years Later, implies the European avant-garde took place a century ago, that it is a thing of the past. However, it does not aim to consolidate this position, but to question it. It addresses temporality as the central dimension related to the notion of the avant-garde. The book brings forth original revisions of the theories of the avant-garde, the works of the avant-garde, the idea of the avant-garde as being the vanguard, the leading force of change. It addresses the returning of the avant-garde during the twentieth century and today.

Crisis
Crisis

Author: Sascha Bru

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2022-09-05

Total Pages: 590

ISBN-13: 3110773635

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Notions of crisis have long charged the study of the European avant-garde and modernism, reflecting the often turbulent nature of their development. Throughout their history, the avant-garde and modernists have both confronted and instigated crises, be they economic or political, aesthetic or philosophical, collective or individual, local or global, short or perennial. The seventh volume in the series European Avant-Garde and Modernism Studies addresses the myriad ways in which the avant-garde and modernism have responded and related to crisis from the late nineteenth to the twenty-first century. How have Europe’s avant-garde and modernist movements given aesthetic shape to their crisis-laden trajectory? Given the many different watershed moments the avant-garde and modernism have faced over the centuries, what common threads link the critical points of their development? Alternatively, what kinds of crises have their experimental practices and critical modes yielded? The volume assembles case studies reflecting upon these questions and more from across all areas of avant-garde and modernist activity, including visual art, literature, music, architecture, photography, theatre, performance, curatorial practice, fashion and design.

Historical Modernisms
Historical Modernisms

Author: Jean-Michel Rabaté

Publisher: Bloomsbury Publishing

Published: 2021-10-21

Total Pages: 296

ISBN-13: 1350202975

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Examining the ways in which modernism is created within specific historical contexts, as well as how it redefines the concept of history itself, this book sheds new light on the historical-mindedness of modernism and the artistic avant-gardes. Cutting across Anglophone and less explored European traditions and featuring work from a variety of eminent scholars, it deals with issues as diverse as artistic medium, modernist print culture, autobiography as history writing, avant-garde experimentations and modernism's futurity. Contributors examine both literary and artistic modernism, combining theoretical overviews and archival research with case studies of Anglophone as well as European modernism, which speak to the current historicizing trend in modernist and literary studies.

Aleksandr Rodchenko
Aleksandr Rodchenko

Author: Aglaya K. Glebova

Publisher: Yale University Press

Published: 2022-01-01

Total Pages: 256

ISBN-13: 0300254032

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Through the lens of Aleksandr Rodchenko's photography, a new and provocative understanding emerges of the troubled relationship between technology, modernism, and state power in Stalin's Soviet Union Tracing the shifting meanings of photography in the early Soviet Union, Aglaya K. Glebova revises the relationship between art and politics during what is usually considered the end of the critical avant-garde. Aleksandr Rodchenko (1891-1956) was a highly versatile Russian artist and one of Constructivism's founders. His photographic work between 1928, when Stalin rose to power, and the late 1930s reveals a wide-ranging search for a different pictorial language in the context of the extreme transformations carried out under the Five-Year Plans. In response to forced modernization, Rodchenko's photography during this time questioned his own modernist commitments. At the heart of this argument is Rodchenko's infamous 1933 photo-essay on the White Sea-Baltic Canal, site of one of the first gulags. Glebova's careful reading of Rodchenko's oeuvre yields a more diverse practice than has been generally acknowledged and brings to light new aspects of his work in adjacent media, including the collaborative design work he undertook with Varvara Stepanova.