Dada Presentism

Dada Presentism

Author: Maria Stavrinaki

Publisher: Stanford University Press

Published: 2016-04-20

Total Pages: 120

ISBN-13: 080479815X

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Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, François Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.


Dada in the Collection of the Museum of Modern Art

Dada in the Collection of the Museum of Modern Art

Author: Museum of Modern Art (New York, N.Y.)

Publisher: The Museum of Modern Art

Published: 2008

Total Pages: 360

ISBN-13: 9780870706684

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"Presents some seventy works-- books, collages, drawings, films, paintings, photographs, photomontages, prints, readymades, reliefs-- in large-scale reproductions and accompanying them with in-depth essays by an interdepartmental group of the Museum's curators."--Front jacket flap.


Dada

Dada

Author: Leah Dickerman

Publisher: National Gallery of Art, Washington/D.A.P.

Published: 2005

Total Pages: 542

ISBN-13:

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Edited by Leah Dickerman. Essays by Brigid Doherty, Sabine T. Kriebel, Dorothea Dietrich, Michael R. Taylor, Janine Mileaf and Matthew S. Witkovsky. Foreword by Earl A. Powell III.


Neo-Dada

Neo-Dada

Author: Susan Hapgood

Publisher: Universe Publishing(NY)

Published: 1994

Total Pages: 166

ISBN-13:

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The ironic wit, the challenging images, and the experimental methods of the renegade artists of the late 1950s and early 1960s are closely examined, offering a fresh view of the many manifestations of the art that was once considered a movement. The works of the original Dadaists, Marcel Duchamp and Kurt Schwitters, are introduced as the main influences on the younger artists' own readymades, found objects, detritus, environmental, and performance pieces. The diverse works of Arman, Jasper Johns, Allan Kaprow, Robert Rauschenberg, Jean Tinguely, among others, are discussed, linking the previously unconnected movements of Pop Art, Fluxus, and Nouveau Realisme in the first catalogue to focus on this powerful and provocative phenomenon.


Dada Magazines

Dada Magazines

Author: Emily Hage

Publisher: Bloomsbury Publishing USA

Published: 2020-12-24

Total Pages: 339

ISBN-13: 1501342673

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Dada magazines made Dada what it was: diverse, non-hierarchical, transnational, and defiant of the most fundamental artistic conventions. This first volume entirely devoted to Dada periodicals retells the story of Dada by demonstrating the centrality of these graphically inventive, provocative periodicals: Dada, New York Dada, Dada Jok, and dozens more that began crossing enemy lines during World War I. The book includes magazines from well-known Dada cities like New York and Paris as well as Zagreb and Bucharest, and reveals that Dada continued to inspire art journals into the 1920s. Anchored in close material analysis within a historical and theoretical framework, Dada Magazines models a novel, multifaceted methodology for assessing many kinds of periodicals. The book traces how the Dadaists-Marcel Duchamp, Tristan Tzara, Dragan Aleksic, Hannah Höch, and many others-compiled, printed, distributed, and exchanged these publications. At the same time, it recognizes the journals as active agents that engendered the Dada network, and its thematic, chronological structure captures the constant exchanges that took place in this network. With in-depth scrutiny of these magazines-and 1970s “Dadazines” inspired by them-Dada Magazines is a vital source in the histories of art and design, periodical studies, and modernist studies.


Dadaism

Dadaism

Author: Dietmar Elger

Publisher: Taschen

Published: 2004

Total Pages: 106

ISBN-13: 9783822829462

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In 1916 a meeting of artists, writers, émigrés and opposition figures took place in the Cabaret Voltaire in Zurich. Under the shadow of the First World War, this was the starting point for the dissemination of the artistic and literary style known as Dadaism.


Dada and Surrealist Film

Dada and Surrealist Film

Author: Rudolf E. Kuenzli

Publisher: MIT Press

Published: 1996-07-29

Total Pages: 268

ISBN-13: 9780262611213

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This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements.


Women in Dada

Women in Dada

Author: Naomi Sawelson-Gorse

Publisher: MIT Press

Published: 2001

Total Pages: 720

ISBN-13: 9780262692601

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his book is the first to make the case that women's changing role in European and American society was critical to Dada.


Dada and Existentialism

Dada and Existentialism

Author: Elizabeth Benjamin

Publisher: Springer

Published: 2016-08-30

Total Pages: 237

ISBN-13: 1137563680

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Offering new critical approaches to Dada as quintessential part of the Avant-Garde, Dada and Existentialism: the Authenticity of Ambiguity reassesses the movement as a form of (proto-) Existentialist philosophy. Dada is often dismissed as an anti-art movement with a merely destructive theoretical impetus. French Existentialism is often condemned for its perceived quietist implications. However, closer analysis reveals a preoccupation with philosophy in the former and with art in the latter. Moreover, neither was nonsensical or meaningless; both reveal a rich individualist ethics aimed at the amelioration of the individual and society. The first major comparative study of Dada and Existentialism, this text contributes new perspectives on Dada as movement, historical legacy, and field of study. Analysing Dada works through Existentialist literature across the themes of choice, alienation, responsibility, freedom and truth, the text posits that Dada and Existentialism both advocate the creation of a self that aims for authenticity through ambiguity.