First published in 1982, D. H. Lawrence and Feminism discusses Lawrence’s work by examining it in relation to aspects of women’s history and the development of feminism. Two different modes of pre-war feminism which provide important themes in Lawrence’s early writings are examined in the opening chapters. The central chapters deal with the war, both as a catalyst for major changes in the position of women and as a point of no return in the development of Lawrence’s work. A final chapter looks at the way in which Lawrence used women as collaborator, and their writing as source material. This book will be of interest to students of literature, women’s studies and history.
A sensation upon its publication in 1970, Sexual Politics documents the subjugation of women in great literature and art. Kate Millett's analysis targets four revered authors—D. H. Lawrence, Henry Miller, Norman Mailer, and Jean Genet—and builds a damning profile of literature's patriarchal myths and their extension into psychology, philosophy, and politics. Her eloquence and popular examples taught a generation to recognize inequities masquerading as nature and proved the value of feminist critique in all facets of life. This new edition features the scholar Catharine A. MacKinnon and the New Yorker correspondent Rebecca Mead on the importance of Millett's work to challenging the complacency that sidelines feminism.
'Frances Wilson writes books that blow your hair back. She makes Lawrence live and breathe, annoy and captivate you ... she conjures the past with such clarity and wit and flair that it feels utterly present' Katherine Rundell 'A brilliantly unconventional biography, passionately researched and written with a wild, playful energy' Richard Holmes D H Lawrence is no longer censored, but he is still on trial – and we are still unsure what the verdict should be, or even how to describe him. History has remembered him, and not always flatteringly, as a nostalgic modernist, a sexually liberator, a misogynist, a critic of genius, and a sceptic who told us not to look in his novels for 'the old stable ego', yet pioneered the genre we now celebrate as auto-fiction. But where is the real Lawrence in all of this, and how – one hundred years after the publication of Women in Love - can we hear his voice above the noise? Delving into the memoirs of those who both loved and hated him most, Burning Man follows Lawrence from the peninsular underworld of Cornwall in 1915 to post-war Italy to the mountains of New Mexico, and traces the author's footsteps through the pages of his lesser known work. Wilson's triptych of biographical tales present a complex, courageous and often comic fugitive, careering around a world in the grip of apocalypse, in search of utopia; and, in bringing the true Lawrence into sharp focus, shows how he speaks to us now more than ever. 'No biography of Lawrence that I have read comes close to Burning Man' Ferdinand Mount, author of Kiss Myself Goodbye 'The most original voice in life-writing today' Lucasta Miller, author of Keats
A haunting fable of art, family, and fate from the author of the Outline trilogy. A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma—and disrupts the calm of her secluded household. Second Place, Rachel Cusk’s electrifying new novel, is a study of female fate and male privilege, the geometries of human relationships, and the moral questions that animate our lives. It reminds us of art’s capacity to uplift—and to destroy.
"Thirteen essays that aim to illuminate the achievement of one of England's greatest modern writers. Employing a variety of perspectives - historical, cultural, theoretical, feminist - the critics here assembled address concerns about Lawrence's work that have emerged in recent years: his attitudes toward the working class, art, women, Britain; his conceptions of male-female relationships, sexuality, education and knowledge; and his place in cultural history and the traditions of the English novel. All of the essays - from reassessments of Lawrence's position in the English literary tradition to analyses of his influence on recent American poetry - find renewed faith in the challenge of Lawrence's work, making this volume of interest to Lawrence scholars and students"--
These thirteen short stories were written between 1924 and 1928. Eleven were collected in The Woman Who Rode Away (1928), though 'The Man Who Loved Islands' appeared in the American edition only and the other two in The Lovely Lady (1933). An unpublished fragment 'A Pure Witch' is also included.
"Lorenzo in Taos," is written loosely in the form of letters to and from D.H. Lawrence, Frieda Lawrence, Robinson Jeffers, and Luhan. The book is a highly personal and most informative account of an intense relationship with a great writer.
