The Cesnola Collection of Cypriot Art: Terracotta Oil Lamps

The Cesnola Collection of Cypriot Art: Terracotta Oil Lamps

Author: Christopher S. Lightfoot

Publisher: Metropolitan Museum of Art

Published: 2021-05-21

Total Pages: 368

ISBN-13: 1588397246

DOWNLOAD EBOOK

The fourth catalogue in a series that documents the renowned Cesnola Collection of Cypriot Art, this book focuses on the collection’s 453 terracotta oil lamps dating from the Classical, Hellenistic, Roman, and Early Byzantine periods. The rich iconography on many of these common, everyday objects provides a rare look into daily life on Cyprus in antiquity and highlights the island’s participation in Roman artistic and cultural production. Each lamp is illustrated, and the accompanying text addresses typology, decoration, and makers’ marks on each of these objects that provide new insights into art, craft, and trade in the ancient Mediterranean.


Cypriote Antiquities in Berlin in the Focus of New Research

Cypriote Antiquities in Berlin in the Focus of New Research

Author: Vassos Karageorghis

Publisher: Waxmann Verlag

Published: 2014

Total Pages: 253

ISBN-13: 3830981678

DOWNLOAD EBOOK

This book combines the papers of the conference 'Cypriote Antiquities in Berlin in the Focus of New Research' which took place in May 2013. Organized by The Cypriot-German Cultural Association on the occasion of its 35th anniversary in collaboration with the Antikensammlung, Staatliche Museen zu Berlin, the aim of the conference was to draw attention to the objects of the outstanding 'Cyprus Collection', which has been exhibited in a special gallery since the re-opening of the Neues Museum in 2009.


A Study of the Circulation of Ceramics in Cyprus from the 3rd Century BC to the 3rd Century AD

A Study of the Circulation of Ceramics in Cyprus from the 3rd Century BC to the 3rd Century AD

Author: John Lund

Publisher: Aarhus Universitetsforlag

Published: 2015-10-26

Total Pages: 390

ISBN-13: 8771244514

DOWNLOAD EBOOK

This is the first monograph devoted solely to the ceramics of Cyprus in the Hellenistic and Roman Periods. The island was by then no longer divided into kingdoms but unified politically, first under Ptolemaic Egypt and later as a province in the Roman Empire. Submission to foreign rule was previously thought to have diluted - if not obliterated - the time-honoured distinctive Cypriot character. The ceramic evidence suggests otherwise. The distribution of local and imported pottery in Cyprus points to the existence of several regional exchange networks, a division that also seems reflected by other evidence. The similarities in material culture, exchange patterns and preferential practices are suggestive of a certain level of regional collective self-awareness. From the 1st century BC onwards, Cyprus became increasingly engulfed by mass produced and standardized ceramic fine wares, which seem ultimately to have put many of the indigenous makers of similar products out of business - or forced them to modify their output. Also, the ceramic record gradually became less diverse during the Roman Period than before - developments which we today might be inclined to view as symptoms of an early form of globalisation.