Provides a new framework for reconceptualizing the historical and contemporary relationship between cultural diversity, political authority, and international order.
Understanding how cultural diversity relates to international order is an urgent contemporary challenge. Building on ideas first advanced in Reus-Smit's On Cultural Diversity (2018), this groundbreaking book advances a new framework for understanding the nexus between culture and order in world politics. Through a pioneering interdisciplinary collaboration between leading historians, international lawyers, sociologists and international relations scholars, it argues that cultural diversity in social life is ubiquitous rather than exceptional, and demonstrates that the organization of cultural diversity has been inextricably tied to the constitution and legitimation of political authority in diverse international orders, from Warring States China, through early modern Europe and the Ottoman and Qing Empires, to today's global liberal order. It highlights the successive 'diversity regimes' that have been constructed to govern cultural difference since the nineteenth century, traces the exclusions and resistances these projects have engendered and considers contemporary global vulnerabilities and axes of contestation.
A highly original and readily accessible examination of the cultural dimension of international politics, this book provides a sophisticated and nuanced account of the relevance of cultural categories for the analysis of world politics. The book’s analytical focus is on plural and pluralist civilizations. Civilizations exist in the plural within one civilization of modernity; and they are internally pluralist rather than unitary. The existence of plural and pluralist civilizations is reflected in transcivilizational engagements, intercivilizational encounters and, only occasionally, in civilizational clashes. Drawing on the work of Eisenstadt, Collins and Elias, Katzenstein’s introduction provides a cogent and detailed alternative to Huntington’s. This perspective is then developed and explored through six outstanding case studies written by leading experts in their fields. Combining contemporary and historical perspectives while addressing the civilizational politics of America, Europe, China, Japan, India and Islam, the book draws these discussions together in Patrick Jackson’s theoretically informed, thematic conclusion. Featuring an exceptional line-up and representing a diversity of theoretical views within one integrative perspective, this work will be of interest to all scholars and students of international relations, sociology and political science.
Critically evaluates how international relations theories have conceived culture, and advances a new account of cultural diversity and international order.
The Confucian doctrine of tianxia (all under heaven) outlines a unitary worldview that cherishes global justice and transcends social, geographic, and political divides. For contemporary scholars, it has held myriad meanings, from the articulation of a cultural imaginary and political strategy to a moralistic commitment and a cosmological vision. The contributors to Chinese Visions of World Order examine the evolution of tianxia's meaning and practice in the Han dynasty and its mutations in modern times. They attend to its varied interpretations, its relation to realpolitik, and its revival in twenty-first-century China. They also investigate tianxia's birth in antiquity and its role in empire building, invoke its cultural universalism as a new global imagination for the contemporary world, analyze its resonance and affinity with cosmopolitanism in East-West cultural relations, discover its persistence in China's socialist internationalism and third world agenda, and critique its deployment as an official state ideology. In so doing, they demonstrate how China draws on its past to further its own alternative vision of the current international system. Contributors. Daniel A. Bell, Chishen Chang, Kuan-Hsing Chen, Prasenjit Duara, Hsieh Mei-yu, Haiyan Lee, Mark Edward Lewis, Lin Chun, Viren Murthy, Lisa Rofel, Ban Wang, Wang Hui, Yiqun Zhou
With "race" being discredited as a rallying cry for populist movements because of the atrocities committed in its name during World War II, "culture" has been adopted by right-wing groups instead, but used in the same exclusionary manner as racism was. This volume examines the essentialism, which is implicit in racial theories and re-emerges in the ideological use of cultural identity in new rightist movements, and presents case studies from different parts of the world where researchers were confronted with racism and worked out ways of coping with it.
This edited collection brings together cutting edge insights from a range of key thinkers working in the area of popular culture and world politics (PCWP). Offering a holistic approach to this exciting field of research, it contributes to the establishment of PCWP as a sub-discipline of International Relations. Canvassing issues such as geopolitics, political identities, the War on Terror and political communication - and drawing from sources such as film, videogames, art and music - this collection is an invaluable reader for anyone interested in popular culture and world politics. Contributors include: Jutta Weldes, Christina Rowley, Constance Duncombe, Roland Bleiker, Jason Dittmer, Klaus Dodds, Linda Ahall, Nicholas J. Kiersey, Iver B. Neumann, Michael J. Shapiro, Nick Robinson, Daniel Bos, Saara Sarma, Matt Davies, M.I. Franklin, Robert A. Saunders, Kyle Grayson, and William Clapton."
Contemporary discourse about human affairs is largely grounded in the specific historical experience and interests of a few dominant societies. This poses an important challenge to all those who urge that we need to adopt a global perspective on modern political life, whether in terms of international relations, comparative and developmental politi
But he does not overlook the tensions the movement encountered with the real politics of the day, including the militarism that led up to World War I, the rise of extreme strains of nationalism in Germany and Japan before World War II, and the bipolar rivalries of the Cold War.
Professor Mazrui, Reith Lecturer and presenter of BBC1's series The Africans, makes us reconsider the realities of power in world politics. Ali Mazrui argues that the emphasis in world politics continues to be on arms, on resources and on strategic calculations and that the importance of culture has been grossly underestimated. Professor Mazrui's own mind is a cultural cross-roads; he can give Islamic insights to Western audiences about The Satanic Verses; he relates the Beijing Spring to the Palestinian Intifada; he compares the effects of Zionism and Apartheid; he puts together Muhammad, Marx and market forces; and he tells the Americans that their attitude to the Third World is a dialogue of the deaf. ALI A. MAZRUI was Director of the Institute of Global Cultural Studies at the State University ofNew York at Binghamton and Senior Scholar in African Studies at Cornell University Kenya: EAEP