Cultural Production and Change in Kenya

Cultural Production and Change in Kenya

Author: Kimani Njogu

Publisher: African Books Collective

Published: 2007-06-15

Total Pages: 274

ISBN-13: 9966151079

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Art, Culture and Society Vol 1 is the first in a series of books to be published by Twaweza Communications on the relationship between art and society, with special reference to Kenya. It is part of a cultural leadership initiative being undertaken by the organization through a reexamination of the arts as they are produced and studied. This volume brings together important reflections on the arts and is a major step in encouraging dialogue on the relationship between creativity and the human condition in the region. Significantly, it creates a space for university-based academics to engage in dialogue with artists and writers based outside institutions of higher learning. The conversations will bridge the gap between the two domains for knowledge production and enrich creative enterprise in Kenya, in theory and practice. As the essays in this collection show, the present global situation demands a way to conceptualise and theorise an ever growing cultural interconnectedness, sometimes manifested in art; and interconnectedness that draws from a myriad of cultures and experiences. Through the bridges of contact and cultural exchange distant images are mediated and brought closer to us. They are reinterpreted and modified. In the final analysis, culture is shown to be an important aspect of human creativity but separateness and boundedness is contested. Instead, culture is shown to be malleable and fluid. The essays bring in a new freshness to our reading of the creative arts coming out of Kenya.


Cultural Production and Change in Kenya

Cultural Production and Change in Kenya

Author: Kimani Njogu

Publisher: African Books Collective

Published: 2007

Total Pages: 274

ISBN-13: 9966974377

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Art, Culture and Society Vol 1 is the first in a series of books to be published by Twaweza Communications on the relationship between art and society, with special reference to Kenya. It is part of a cultural leadership initiative being undertaken by the organization through a reexamination of the arts as they are produced and studied. This volume brings together important reflections on the arts and is a major step in encouraging dialogue on the relationship between creativity and the human condition in the region. Significantly, it creates a space for university-based academics to engage in dialogue with artists and writers based outside institutions of higher learning. The conversations will bridge the gap between the two domains for knowledge production and enrich creative enterprise in Kenya, in theory and practice. As the essays in this collection show, the present global situation demands a way to conceptualise and theorise an ever growing cultural interconnectedness, sometimes manifested in art; and interconnectedness that draws from a myriad of cultures and experiences. Through the bridges of contact and cultural exchange distant images are mediated and brought closer to us. They are reinterpreted and modified. In the final analysis, culture is shown to be an important aspect of human creativity but separateness and boundedness is contested. Instead, culture is shown to be malleable and fluid. The essays bring in a new freshness to our reading of the creative arts coming out of Kenya.


Women, Power, and Economic Change

Women, Power, and Economic Change

Author: Regina Smith Oboler

Publisher: Stanford University Press

Published: 1985

Total Pages: 376

ISBN-13: 9780804712248

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The author examines the impact of colonialism and the cash economy on the Nandi, a semi-pastoral and patrilineal people of western Kenya, emphasizing changes in women's and men's economic roles and their respective relations to property and to each other. Since the sex roles associated with production and property relations are linked to sex roles in other areas - in the marriage system, husband-wife relations, kinship, cultural ideals of male and female, ritual relations, participation in community affairs - these areas are also analyzed. The author asks whether the changes in Nandi society have been favorable or unfavorable to women. Has their economic position improved or declined as a result of colonialism and socioeconomic change? Has sexual stratification increased or decreased? How have different categories of women - wives, widows, never-married women, participants in woman-woman marriages - been differently affected by changed circumstances? Although most of the book is ethnographic in nature, providing a detailed account of Nandi inter-gender roles in the context of economic history and at the processes that have induced changes in the respective roles of men and women.


Getting Heard: [Re]claiming Performance Space in Kenya

Getting Heard: [Re]claiming Performance Space in Kenya

Author: Kimani Njogu

Publisher: African Books Collective

Published: 2008

Total Pages: 202

ISBN-13: 9966724435

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Getting Heard: (Re)claiming Performance Space is the third in a series of publications on art, culture and society released by Twaweza Communications. The aim is to bring to the fore conversations taking place in Kenya about identity, creativity, nationalism and the generation of knowledge. The series is also about the pursuit of freedom through arts, media and culture. In Getting Heard the performance space is shown to offer wider possibilities for knowledge creation. It shows that in post-colonial Africa political leaders have consistently performed over their subjects at local and national levels. There is discussion of: Kenya National Theatre, Story Telling, Radio Theatre, Translation, African Languages, Music, Media and Mungiki This volume opens a window to our understanding of post-colonial Africa through performances.


The Indigenous Games of the People of the Coastal Region of Kenya

The Indigenous Games of the People of the Coastal Region of Kenya

Author: Mwangi Peter Wanderi

Publisher: African Books Collective

Published: 2011

Total Pages: 160

ISBN-13: 9994455567

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Since the time of the early Greek, Egyptian and Chinese civilizations, games are depicted as having played a significant role in the lives of the people, similarly, games of different kinds have been a vital hallmark of peopleís culture in Kenya, and everywhere else in Africa, for hundreds of years. The focus of this research project is to identify the traditional games of the people from the Kenyan coastal region and describe how they were conducted as well as the socio-cultural setting within which they were performed, and to establish the significance of these activities in enhancing the acquisition and learning of verbal information, cognitive strategies, attitudes, and motor skills by the participants in specific and their significance to the community in general. The study also suggests ways in which traditional games could be adopted into the contemporary educational curriculum as well as for mass sports participation.


Performative Inter-Actions in African Theatre 3

Performative Inter-Actions in African Theatre 3

Author: Kene Igweonu

Publisher: Cambridge Scholars Publishing

Published: 2014-01-02

Total Pages: 190

ISBN-13: 1443855103

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This book is part of a three-volume book-set published under the general title of Performative Inter-Actions in African Theatre. Each of the three books in the set has a unique subtitle that works to better focus its content, and differentiates it from the other two volumes. The contributors’ backgrounds and global spread adequately reflect the international focus of the three books that make up the collection. The contributions, in their various ways, demonstrate the many advances and ingenious solutions adopted by African theatre practitioners in tackling some of the challenges arising from the adverse colonial experience, as well as the “one-sided” advance of globalisation. The contributions attest to the thriving nature of African theatre and performance, which in the face of these challenges, has managed to retain its distinctiveness, while at the same time acknowledging, contesting, and appropriating influences from elsewhere into an aesthetic that is identifiably African. Consequently, the three books are presented as a comprehensive exploration of the current state of African theatre and performance, both on the continent and diaspora. Performative Inter-Actions in African Theatre 3: Making Space, Rethinking Drama and Theatre in Africa offers essays that seek to re-conceptualise notions of drama and theatre in Africa, and therefore redefine our understanding of the practice, role, and place they occupy in a constantly evolving African socio-cultural contexts. Contributions in Making Space, Rethinking Drama and Theatre in Africa range from essays that explore notions of space in performance, to those that challenge the perceived orthodoxy of conventional forms and approaches to theatre.


Germans on the Kenyan Coast

Germans on the Kenyan Coast

Author: Nina Berman

Publisher: Indiana University Press

Published: 2017-01-16

Total Pages: 289

ISBN-13: 0253024374

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“Shed[s] light on the romantic, psychosexual and psychosocial, and economic entanglements that tie German tourists to their Kenyan hosts.” —Daily Nation Diani, a coastal town on the Indian Ocean, is significantly defined by a large European presence that has spurred economic development and is also supported by close relationships between Kenyans and European immigrants and tourists. Nina Berman looks carefully at the repercussions that these economic and social interactions have brought to life on the Kenyan coast. She explores what happens when poorer and less powerful members of a community are forced to give way to profit-based real estate development, what it means when most of Diani’s schools and water resources are supplied by funds from immigrants, and what the impact of mixed marriages is on notions of kinship and belonging as well as the economy. This unique story about a small Kenyan town also recounts a wider tale of opportunity, oppression, resilience, exploitation, domination, and accommodation in a world of economic, political, and social change. “In this richly detailed book, Nina Berman tracks the influx of thousands of German-speaking tourists and residents, especially in the 1990s, and the making of a distinctive Kenyan-European cultural enclave in the coastal community of Diani as many of these visitors choose to extend their stay as long-term residents.” —Ann Biersteker, author of Masomo ya Kisasa: Contemporary Readings in Swahili “An informative and thought-provoking work that deserves to be read by scholars of Kenya and those interested in globalized structures of gentrification, north-south humanitarian assistance, and love and romance in Africa.” —African Studies Quarterly


(Re)membering Kenya Vol 1

(Re)membering Kenya Vol 1

Author: Mbũgua wa Mũngai

Publisher: African Books Collective

Published: 2010

Total Pages: 262

ISBN-13: 9966724478

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One of the critical questions that Kenyans have continuously asked is what went wrong in January and February 2008 with the "peace" they had hitherto enjoyed. There have not been readily available answers to this fundamental question. The collection of papers presented in this book attempt to provide, as a starting point, possible explanations for the events of early 2008 including key background issues in Kenyan history since pre-independence times. Based on a series of public lectures titled (Re)membering Kenya organized by the volume editors together with Twaweza Communications and sponsored by the Goethe-Institut Kenya, the Institute for International Education and The Ford Foundation the lecture series became a way of trying to get scholars to engage meaningfully with the Kenyan public on critical matters pertaining to their nationhoodóeven if this entailed first calling to question the "lie" about the very ideas and practices upon which that nationhood is assumed to stand. A key lesson drawn from the unfolding discussions at the Goethe-Institut Kenya was that the 2007 elections' debacle was merely the cusp of momentous crises to do with among other issues, governance, law and order, Parliament's abdication of its role in ensuring accountability from the Executive, dilemmas of identity and socio-economic marginality. The book is the first of three volumes under the (Re)membering Kenya series whose overall objective is to cast some new light on the various trajectories that informed the happenings of January 2008. The present volume brings together some of the best interpretative writing and suggestions on pertinent questions, past and present, ranging from the architecture of Kenya's ethnicity, Kenyanness, generational competition, socialization and violence, iconic representations of identity to the ongoing debate on the efficacy of the Truth, Justice and Reconciliation Commission (TJRC). It is hoped that the issues debated during the public lectures and documented herein will spur further discussions in other spaces within civil society organizations, among activists and in newspapers where the public might continue to expand their thinking on the complex task of (Re)membering Kenya.


The History and Practice of Humanitarian Intervention and Aid in Africa

The History and Practice of Humanitarian Intervention and Aid in Africa

Author: B. Everill

Publisher: Springer

Published: 2013-06-24

Total Pages: 266

ISBN-13: 1137270020

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The history of humanitarian intervention has often overlooked Africa. This book brings together perspectives from history, cultural studies, international relations, policy, and non-governmental organizations to analyze the themes, continuities and discontinuities in Western humanitarian engagement with Africa.