Cuban Counterpoint

Cuban Counterpoint

Author: Random House

Publisher: Knopf

Published: 2012-06-20

Total Pages: 453

ISBN-13: 0307820262

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Tobacco and sugar have made the history, the character, and the economy of Cuba. In this entertaining book, packed with fascinating lore, scholarship in its most humane form, and the flavor of Fernando Ortiz’s exceedingly civilized and humorous personality, the two important crops are seen from many points of view. Their economic aspects form the base, but they are examined, too, for their effects on folklore, art, science, industry, and daily human living. Out of personal experience, memory, and a lifetime of reading in all the western European languages, Dr. Ortiz has condensed exactly what is most telling, interesting, and significant about the leafy plant and the cane that together have made the story of his native land. The present translation, by Harriet de Onís, was made from a text specially prepared in Spanish by the author. It has an admiring introduction by the late Bronislaw Malinowski and a prologue by Herminio Portell Vilá, noted Cuban historian and sociologist.


Cuban Counterpoints

Cuban Counterpoints

Author: Mauricio Augusto Font

Publisher: Lexington Books

Published: 2005

Total Pages: 336

ISBN-13: 9780739109687

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While Fernando Ortiz's contribution to our understanding of Cuba and Latin America more generally has been widely recognized since the 1940s, recently there has been renewed interest in this scholar and activist who made lasting contributions to a staggering array of fields. This book is the first work in English to reassess Ortiz's vast intellectual universe. Essays in this volume analyze and celebrate his contribution to scholarship in Cuban history, the social sciences--notably anthropology--and law, religion and national identity, literature, and music. Presenting Ortiz's seminal thinking, including his profoundly influential concept of 'transculturation', Cuban Counterpoints explores the bold new perspectives that he brought to bear on Cuban society. Much of his most challenging and provocative thinking--which embraced simultaneity, conflict, inherent contradiction and hybridity--has remarkable relevance for current debates about Latin America's complex and evolving societies.


Cuban Counterpoint, Tobacco and Sugar

Cuban Counterpoint, Tobacco and Sugar

Author: Fernando Ortiz

Publisher: Duke University Press

Published: 1995

Total Pages: 420

ISBN-13: 9780822316169

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First published in 1940 and long out of print, Fernando Ortiz's classic work, Cuban Counterpoint is recognized as one of the most important books of Latin American and Caribbean intellectual history. Ortiz's examination of the impact of sugar and tobacco on Cuban society is unquestionably the cornerstone of Cuban studies and a key source for work on Caribbean culture generally. Though written over fifty years ago, Ortiz's study of the formation of a national culture in this region has significant implications for contemporary postcolonial studies. Ortiz presents his understanding of Cuban history in two complementary sections written in contrasting styles: a playful allegorical tale narrated as a counterpoint between tobacco and sugar and a historical analysis of their development as the central agricultural products of the Cuban economy. Treating tobacco and sugar both as agricultural commodities and as social characters in a historical process, he examines changes in their roles as the result of transculturation. His work shows how transculturation, a critical category Ortiz developed to grasp the complex transformation of cultures brought together in the crucible of colonial and imperial histories, can be used to illuminate not only the history of Cuba, but, more generally, that of America as well. This new edition includes an introductory essay by Fernando Coronil that provides a contrapuntal reading of the relationship between Ortiz's book and its original introduction by the renowned anthropologist Bronislaw Malinowski. Arguing for a distinction between theory production and canon formation, Coronil demonstrates the value of Ortiz's book for anthropology as well as Cuban, Caribbean, and Latin American studies, and shows Ortiz to be newly relevant to contemporary debates about modernity, postmodernism, and postcoloniality.


The Cuba Reader

The Cuba Reader

Author: Aviva Chomsky

Publisher: Duke University Press

Published: 2019-05-17

Total Pages: 583

ISBN-13: 1478004568

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Tracking Cuban history from 1492 to the present, The Cuba Reader includes more than one hundred selections that present myriad perspectives on Cuba's history, culture, and politics. The volume foregrounds the experience of Cubans from all walks of life, including slaves, prostitutes, doctors, activists, and historians. Combining songs, poetry, fiction, journalism, political speeches, and many other types of documents, this revised and updated second edition of The Cuba Reader contains over twenty new selections that explore the changes and continuities in Cuba since Fidel Castro stepped down from power in 2006. For students, travelers, and all those who want to know more about the island nation just ninety miles south of Florida, The Cuba Reader is an invaluable introduction.


Cuban Music Counterpoints

Cuban Music Counterpoints

Author: Marysol Quevedo

Publisher: Oxford University Press

Published: 2023

Total Pages: 297

ISBN-13: 0197552234

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"This book tells readers: tracing the classical music networks that Cuban composers cultivated between 1940 and 1991 through examining compositions, ensembles, and cultural institutions with a microhistorical approach. It sets the foundation for investigating how aesthetics and politics intersected in the case studies explored throughout the book: individual points of view largely determined the degree to which composers engaged in various local and international artistic networks; and these networks were constantly being nurtured and shaped by their actors, who also had to contend with national and global political and economic circumstances. This chapter provides readers with working definitions of key concepts: modernism, avant-garde, experimentalism, and vanguardia. Key figures Fernando Ortiz and Alejo Carpentier and their contributions to the intellectual milieu that Cuban composers inhabited -especially the concepts of transculturation and lo real maravilloso, respectively-are also discussed. It contextualizes the book within existing scholarship on 20th-century classical music of the Americas, Eastern Europe, and the Cold War, as well as those dealing with Cuban music and Cuban studies more broadly"--


The Cuban Condition

The Cuban Condition

Author: Gustavo Pérez Firmat

Publisher: Cambridge University Press

Published: 2006-11-02

Total Pages: 200

ISBN-13: 9780521027328

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Firmat explores the process of assimilation or transculturation in the case of Cuba, and proposes a new understanding of the issue of Cuban national identity through revisionary readings dating from the early decades of the twentieth century, a time of intense self-reflection in the nation's history. He argues that Cuban identity is translational rather than foundational and that cubanía emerges from a nuanced, self-conscious recasting of foreign models.


Fernando Ortiz on Music

Fernando Ortiz on Music

Author: Fernando Ortiz

Publisher: Temple University Press

Published: 2018-02-23

Total Pages: 295

ISBN-13: 1439911738

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Part I. Early writings -- The future of Cuban witchcraft -- Afro-Cuban cabildos -- Part II. Instrument essays -- Makuta -- Ararâa drums -- The Chekerâe, âAgbe, or Aggèuâe -- The conga -- Part III. Ethnographic essays -- Kongo traditions -- The religious music of black Cuban Yorubas -- The "tragedy" of the äNâaänigos -- Satirical and commercial song


Afro-Cuban Religious Arts

Afro-Cuban Religious Arts

Author: Kristine Juncker

Publisher: University Press of Florida

Published: 2014-07-15

Total Pages: 217

ISBN-13: 0813055024

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This book profiles four generations of women from one Afro-Cuban religious family. From a plantation in Havana Province in the 1890s to a religious center in Spanish Harlem in the 1960s, these women were connected by their prominent roles as leaders in the religions they practiced and the dramatic ritual artwork they created. Each woman was a medium in Espiritismo—communicating with dead ancestors for guidance or insight—and also a santera, or priest of Santería, who could intervene with the oricha pantheon. Kristine Juncker argues that, by creating art for more than one religion, these women shatter the popular assumption that Afro-Caribbean religions are exclusive organizations. Most remarkably, the portraiture, sculptures, and photographs in Afro-Cuban Religious Arts offer rare glimpses into the rituals and iconography of these religions. Santería altars are closely guarded, limited to initiates, and typically destroyed upon the death of the santera, while Espiritismo artifacts are rarely considered valuable enough to pass on. The unique and protean cultural legacy detailed here reveals insights into how ritual art became popular imagery, sparked a wider dialogue about culture inheritance, attracted new practitioners, and enabled the movement to explode internationally.


Cuban Memory Wars

Cuban Memory Wars

Author: Michael J. Bustamante

Publisher: UNC Press Books

Published: 2021-02-10

Total Pages: 319

ISBN-13: 1469662043

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For many Cubans, Fidel Castro's Revolution represented deliverance from a legacy of inequality and national disappointment. For others—especially those exiled in the United States—Cuba's turn to socialism made the prerevolutionary period look like paradise lost. Michael J. Bustamante unsettles this familiar schism by excavating Cubans' contested memories of the Revolution's roots and results over its first twenty years. Cubans' battles over the past, he argues, not only defied simple political divisions; they also helped shape the course of Cuban history itself. As the Revolution unfolded, the struggle over historical memory was triangulated among revolutionary leaders in Havana, expatriate organizations in Miami, and average Cuban citizens. All Cubans leveraged the past in individual ways, but personal memories also collided with the Cuban state's efforts to institutionalize a singular version of the Revolution's story. Drawing on troves of archival materials, including visual media, Bustamante tracks the process of what he calls retrospective politics across the Florida Straits. In doing so, he drives Cuban history beyond the polarized vision seemingly set in stone today and raises the prospect of a more inclusive national narrative.