Long before Don Wolf was born, the outline for A Croatian Love Story was formed in the 1900’s. An ethnic neighborhood was the site where determined women and men struggled to build, to educate and to become citizens. These Croatian immigrants formed the strong shoulders supporting cherished traditions as they learned to live in and to love their new country. Don’s photographs depict Croatian life both in the United States and in Croatia . His writing preserves generations of memories. This book is a tribute to those who came before and a blessing to those who are yet to come.
This is the lighthearted story of American Cody McClain Brown's adjustments to life in Croatia. After falling in love with an enigmatic, beautiful Croatian girl (whom he knows is from Croatia but assumes that means Russia), Cody eventually woos her and the two move to Split, Croatia. There, he encounters a world of deadly drafts, endless coffees, and the forceful will of his matriarchal mother-in-law. Chasing a Croatian Girl moves past the beautiful pictures of Croatia and humorously discovers the beauty of Croatia's people and culture.
Povratkom u Englesku za Evelyn Leighton zivot je postao prava noćna mora. Oteta je i odvedena na Skotski teritorij. Zbog nesretnih okolnosti zastitnik joj je postao Skot. Svojim divljačkim ponasanjem iz nje je izvlačio najgore osobine nedostojne jedne plemkinje. Povratkom u okrilje obitelji bila je spremna zaboraviti na njega. No, ono sto je uslijedilo uzdrmalo joj je vjeru i promijenilo zelje. Alexandar David Jakov Sinclaire, kopile majčinoj engleskoj strani obitelji, očevim Skotima je bio čudesni prvorođenac. U ratnom kaosu izazvanom Napoleonovom megalomanijom, sanjao je o povratku u obiteljski dom u skotsko visočje. Vapio je za malo mira, tisine i uzivanja u lovu. Ni u najluđim snovima nije mogao sanjati da će mu ulov biti Engleska plemkinja. Zbog iskazane tvrdoglave hrabrosti njegovo početno gnusanje spram nje se promijenilo u divljenje. Njezina ljepota ga je ostavljala bez daha, a sklonost upadanja u nevolje ga je bacala u očaj. U okamenjeno srce mu je posijala nepozeljne osjećaje koji su mu zaprijetili potapanjem. Ona je u djetinjstvu prezivjela pravi brodolom. Pitanje je: hoće li njih dvoje kao odrasle osobe prezivjeti imaginarni?
A middle class, Midwestern family in search of meaning uproot themselves and move to their ancestral village in Croatia. "We can look at this in two ways," Jim wrote, always the pragmatist. "We can panic and scrap the whole idea. Or we can take this as a sign. They're saying the economy is going to get worse before it gets better. Maybe this is the kick in the pants we needed to do something completely different. There will always be an excuse not to go..." And that, friends, is how a typically sane middle-aged mother decided to drag her family back to a forlorn mountain village in the backwoods of Croatia. So begins author Jennifer Wilson's journey in Running Away to Home. Jen, her architect husband, Jim, and their two children had been living the typical soccer- and ballet-practice life in the most Middle American of places: Des Moines, Iowa. They overindulged themselves and their kids, and as a family they were losing one another in the rush of work, school, and activities. One day, Jen and her husband looked at each other–both holding their Starbucks coffee as they headed out to their SUV in the mall parking lot, while the kids complained about the inferiority of the toys they just got–and asked themselves: "Is this the American dream? Because if it is, it sort of sucks." Jim and Jen had always dreamed of taking a family sabbatical in another country, so when they lost half their savings in the stock-market crash, it seemed like just a crazy enough time to do it. High on wanderlust, they left the troubled landscape of contemporary America for the Croatian mountain village of Mrkopalj, the land of Jennifer's ancestors. It was a village that seemed hermetically sealed for the last one hundred years, with a population of eight hundred (mostly drunken) residents and a herd of sheep milling around the post office. For several months they lived like locals, from milking the neighbor's cows to eating roasted pig on a spit to desperately seeking the village recipe for bootleg liquor. As the Wilson-Hoff family struggled to stay sane (and warm), what they found was much deeper and bigger than themselves.
Marija lives in a small village on the idyllic island of Korčula off the coast near Split in the country now known as Croatia. At 18 years of age she agrees to a proxy marriage to a 27-year-old sugarcane farmer in Far North Queensland who had left the village as a small child with his family in the 1920s. The couple do not know each other, having only exchanged photographs and a handful of letters, but this marriage is Marija's escape from a traumatised post-war Europe. Her childhood is scarred by constant fear, with death and brutality stalking the island after it is occupied, first by the Italian army and later by the Nazis. Marija's older sister joins the Partisan rebels as a codebreaker for General Tito, while Marija and her younger sister and father secretly help the Partisans hiding in the hills, with intelligence on the enemy. At one stage, her beloved father is taken by the Nazis, only to return at the end of the war grateful to be alive. Bitter ethnic battles accompany this war and many from her village are tortured and killed. A life in Australia with a husband she does not know is a risk worth taking. She travels by ship to Australia along with hundreds of other young men and women seeking escape from poverty and despair in the old world to the promise of adventure, love and a better life. Finding herself sharing a farmhouse with a hostile father-in-law far removed from neighbours, in the midst of cane fields in tropical Queensland, was only bearable as she fell in love with her devoted husband, created her own family and with it, a future for the next generations in the new country. At 62, Marija is diagnosed with cancer so returns one last time to Korčula to farewell her family. However, Yugoslavia is imploding, and she finds herself once again fleeing tanks in the midst of a war. Shortly after returning from her trip, she passes away, surrounded by her Australian family in the country she has come to feel is truly her home. This is the migrant story of Australia, of courageous individuals taking the biggest risk of their lives often with little or no English. Their determination and hard work enable them to live with their sacrifices and overcome the profound loneliness of homesickness. The result is the rich diversity of our modern multicultural nation.
The bestselling author of The Fionavar Tapestry weaves a world inspired by the conflicts and dramas of Renaissance Europe. Against this tumultuous backdrop the lives of men and women unfold on the borderlands—where empires and faiths collide. From the small coastal town of Senjan, notorious for its pirates, a young woman sets out to find vengeance for her lost family. That same spring, from the wealthy city-state of Seressa, famous for its canals and lagoon, come two very different people: a young artist traveling to the dangerous east to paint the grand khalif at his request—and possibly to do more—and a fiercely intelligent, angry woman posing as a doctor’s wife but sent by Seressa as a spy. The trading ship that carries them is commanded by the accomplished younger son of a merchant family, ambivalent about the life he’s been born to live. And farther east a boy trains to become a soldier in the elite infantry of the khalif—to win glory in the war everyone knows is coming. As these lives entwine, their fates—and those of many others—will hang in the balance when the khalif sends out his massive army to take the great fortress that is the gateway to the western world....
In this “exquisitely crafted” novel, a Croatian woman goes to New York to search for her missing sister—and confronts her family’s dark history (Booklist). Magdalena does not panic when she learns that her younger sister has disappeared. A free spirit, Jadranka has always been prone to mysterious absences. But when weeks pass with no word, Magdalena leaves the isolated Croatian island where their family has always lived and sets off to New York to find her sister. Her search begins to unspool the history of their family, reaching back three generations to a country torn by war. A haunting and sure-footed debut by an award-winning writer, The First Rule of Swimming explores the legacy of betrayal and loss in a place where beauty is fused inextricably with hardship, and where individuals are forced to make wrenching choices as they are swept up in the tides of history. “Suspenseful . . . well-paced.” —The New Yorker “Gracefully interweave[s] three generations of family stories and lies.” —O, The Oprah Magazine “Examines lives bruised and twisted by history, like weather-beaten trees that nevertheless manage to produce the sweetest fruit.” —The New York Times Book Review
For readers of The Tiger’s Wife and All the Light We Cannot See comes a powerful debut novel about a girl’s coming of age—and how her sense of family, friendship, love, and belonging is profoundly shaped by war. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY BOOKPAGE, BOOKLIST, AND ELECTRIC LITERATURE • ALEX AWARD WINNER • LOS ANGELES TIMES BOOK PRIZE FINALIST • LONGLISTED FOR THE BAILEYS WOMEN’S PRIZE FOR FICTION Zagreb, 1991. Ana Jurić is a carefree ten-year-old, living with her family in a small apartment in Croatia’s capital. But that year, civil war breaks out across Yugoslavia, splintering Ana’s idyllic childhood. Daily life is altered by food rations and air raid drills, and soccer matches are replaced by sniper fire. Neighbors grow suspicious of one another, and Ana’s sense of safety starts to fray. When the war arrives at her doorstep, Ana must find her way in a dangerous world. New York, 2001. Ana is now a college student in Manhattan. Though she’s tried to move on from her past, she can’t escape her memories of war—secrets she keeps even from those closest to her. Haunted by the events that forever changed her family, Ana returns to Croatia after a decade away, hoping to make peace with the place she once called home. As she faces her ghosts, she must come to terms with her country’s difficult history and the events that interrupted her childhood years before. Moving back and forth through time, Girl at War is an honest, generous, brilliantly written novel that illuminates how history shapes the individual. Sara Nović fearlessly shows the impact of war on one young girl—and its legacy on all of us. It’s a debut by a writer who has stared into recent history to find a story that continues to resonate today. Praise for Girl at War “Outstanding . . . Girl at War performs the miracle of making the stories of broken lives in a distant country feel as large and universal as myth.”—The New York Times Book Review (Editor’s Choice) “[An] old-fashioned page-turner that will demand all of the reader’s attention, happily given. A debut novel that astonishes.”—Vanity Fair “Shattering . . . The book begins with what deserves to become one of contemporary literature’s more memorable opening lines. The sentences that follow are equally as lyrical as a folk lament and as taut as metal wire wrapped through an electrified fence.”—USA Today
