The Critical Survey of Mythology and Folklore series offers analytical articles and plot summaries of the major myths, fairy tales, and other traditional literature for studies in advanced high school and undergraduate classrooms.
Many mythological traditions from around the world seek to explain the origins of the earth, human beings, and the forces of nature. This set examines the stories associated with gods and goddesses: their relationships with each other and with human beings; their faults, foibles, strengths, and special powers. It offers explanations of how the gods and goddesses gifted humans with life, water, fire, music, and dance. Nearly 220 essays detail gods and goddesses from around the globe: the Greek and Roman pantheon including Zeus, Neptune, Nike, and Aphrodite; Norse gods including Odin and Loki; Native American deities including Hunahpu and Xbalanque; and Egyptian gods and goddesses like Ra and Osiris.
This set examines the stories associated with gods and goddesses: their relationships with each other and with human beings; their faults, foibles, strengths, and special powers. It offers explanations of how the gods and goddesses gifted humans with life, water, fire, music, and dance.
In all cultures and at all times, humans have told stories about where they came from, who they are and how they should live their lives. 'Myths and Mythologies' brings together the key classic and contemporary writings - philosophical, psychological, sociological, semiological and cognitivist - on myth. To the insider, myths contain truth, revelation and a 'history of ourselves'; to the outsider, a culture s myths can be seen as the product of foolish, infantile and wishful thinking. Myths tell us about specific cultures, about human creativity, and how narrative shapes and reflects understanding. The 'Reader' is an invaluable resource for students and scholars interested in the impact of narrative on human culture and the meaning of truth in religious language.
Laurence Coupe offers students a crucial overview of the evolution of 'myth', from the ancient Greek definitions to those of a range of contemporary thinkers. This introductory volume* provides an introduction to both the theory of myth and the making of myth* explores the uses made of the term 'myth' within the fields of literary criticism, anthropology, cultural studies, feminism, Marxism and psychoanalysis* discusses the association between modernism, postmodernism, myth and history* familiarises the reader with themes such as the dying god, the quest for the grail, the rela.
An ambitious theoretical work that ranges from the age of Socrates to the late twentieth century, this book traces the development of the concepts of irony within the history of Western literary criticism. Its purpose is not to promote a universal definition of irony, whether traditional or revisionist, but to examine how such definitions were created in critical history and what their use and invocation imply. Joseph A. Dane argues that the diverse, supposed forms of irony--Socratic, rhetorical, romantic, dramatic, to name a few--are not so much literary elements embedded in texts, awaiting discovery by critics, as they are notions used by critics of different eras and persuasions to manipulate those texts in various, often self-serving ways. The history of irony, Dane suggests, runs parallel to the history of criticism, and the changing definitions of irony reflect the changing ways in which readers and critics have defined their own roles in relation to literature. Probing and provocative, The Critical Mythology of Irony will appeal to a broad spectrum of critics and scholars, particularly those concerned with the historical basis of critical language and its political and educational implications.
From Zeus to Europa, to Pan and Prometheus, the myths of ancient Greece and Rome continue to pervade the numerous facets of our existence. The author explores the rich history and varying interpretations of classical myth in both high art and popular culture as well as its ongoing influence in modern society.