This comprehensive bibliography covers a 20-year period (1968-1988) in Milton studies and criticism - perhaps one of the most productive eras in the history of Milton criticism in terms of the quantity of material written and published. The book describes the modern state of Milton criticism.
Beginning with 1953, entries for Motion pictures and filmstrips, Music and phonorecords form separate parts of the Library of Congress catalogue. Entries for Maps and atlases were issued separately 1953-1955.
A Glossary of John Dryden's Critical Terms was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Although John Dryden is, as Samuel Johnson described him, the father of modern criticism, his critical writings are difficult for twentieth-century readers to understand and appreciate. Part of the problem lies in the fact that many of the critical terms which Dryden used have changed or expanded in meaning since his time. By providing a series of glosses of seventeenth-century critical terms, this volume clarifies and illuminates Dryden's work for modern readers and scholars. Professor Jensen has catalogued every important word that Dryden used in discussing critical matters, whether about art, literature, or music. In addition to covering all of Dryden's works, the glossary encompasses works of other important seventeenth century critics, among them, John Milton, Ben Johnson, and Thomas Rymer. The structure of the glossary is simple: under each word there is a general definition and, if needed, an essay on the word's origin, history, and general usage. Then the various particular meanings of the word are given, and under each definition are listed the critics, the works, the editions, and the page numbers where the word is used with that particular meaning. Selected quotations abound, substantiating the text. The book will be useful for students and teachers in seventeenth and eighteenth-century literature courses and for scholars doing advanced research. Students will gain an understanding of the development of critical though by reading the essays in the Glossary. Modern scholars of Restoration literature will find new ideas here as well as confirmation of some older conjectures about Dryden.
Viewing Shakespearean romance as a poetic response to the metaphysical problems of "mutability" and man's place in nature, the author has selected The Winter's Tale to illustrate his hypothesis. His critical study--from a perspective gained through comparative references to a large number of works by other Elizabethan and Jacobean playwrights--rejects the traditional notion that Shakespeare deliberately created a fantasy world in which the happy ending signified an escape from reality and interprets the tone of the romance in terms of an all-encompassing vision in which time and change are accepted as life-fulfilling forces.
The Portable Milton is an authoritative grand tour through the imagination of this prodigal genius. In the course of his forty-year career, John Milton evolved from a prodigy to a blind prophet, from a philosophical aesthete to a Puritan rebel, and from a poet who proclaimed the triumph of reason to one obsessed with the intractability of sin. Throughout these transformations, he conceived his work as a form of prayer, written in the service of the supreme being.