The revolutionary literary vision that sowed the seeds of Objectivism, Ayn Rand's groundbreaking philosophy, and brought her immediate worldwide acclaim. This modern classic is the story of intransigent young architect Howard Roark, whose integrity was as unyielding as granite...of Dominique Francon, the exquisitely beautiful woman who loved Roark passionately, but married his worst enemy...and of the fanatic denunciation unleashed by an enraged society against a great creator. As fresh today as it was then, Rand’s provocative novel presents one of the most challenging ideas in all of fiction—that man’s ego is the fountainhead of human progress... “A writer of great power. She has a subtle and ingenious mind and the capacity of writing brilliantly, beautifully, bitterly...This is the only novel of ideas written by an American woman that I can recall.”—The New York Times
While the fiction of novelist-philosopher Ayn Rand is extremely popular and enduring, little has been written on it so far. This book consists of essays, most of which are new, by top Rand scholars on Atlas Shrugged, her magnum opus. The essays deal with historical, literary, and philosophical topics, surpassing related writings in breadth and depth of analysis. The historical essays cover the writing of Atlas Shrugged, its publication history, and its reception. The literary essays cover analysis of the novel's plot, theme, and characterization; comparisons with other works, such as the novels of Hugo, Dostoyevsky, and Joyce; and the proper approach to adapting Atlas Shrugged to film. The philosophical essays cover a vast range of topics, including the place of Galt's speech in the novel, the role of the mind in human life, and the evil of non-objective law. Some of the essays make use of previously unpublished material from the Ayn Rand Archives.
This book of critical essays on Ayn Rand’s novel the Fountainhead explores three topics: how the book is a great American novel; how Howard Roark revitalizes different characters in the book by being a first-hander; and how the novel elevates individualism and capitalism over collectivism and communism.
Ayn Rand remains a truly significant figure of modern philosophy. Her unique vision of a world in which man, relying on reason, acts wholly for his own good is skillfully developed and illustrated in her most famous novels, Atlas Shrugged and The Fountainhead. But Rand's first novel, We the Living, a lesser-known but no less important book, offers an early form of the author's nascent philosophy—the philosophy Rand later called Objectivism. In the second edition, Robert Mayhew once again brings together pre-eminent scholars of Rand's writing. The edition includes three new chapters, as well as an epilogue by renowned Rand-scholar Leonard Peikoff. In part a history of We the Living, from its earliest drafts to the Italian film later based upon it, Mayhew's collection goes on to explore the enduring significance of Rand's first novel as a work both of philosophy and of literature. For Ayn Rand scholars and fans alike, this enhanced second edition is a compelling examination of a novel that set the tone for some of the most influential philosophical literature to follow.
Ayn Rand's The Fountainhead is still remembered and enjoyed today as the philosopher's first best-selling novel. In this unique study of The Fountainhead, Dr. Robert Mayhew brings together historical, literary, and philosophical essays that analyze the novel's style, its use of humor, and its virtues of productivity, independence, and integrity. The essays make extensive use of previously unpublished material from the Ayn Rand Archives, offering a new collection of material to explore and consider. This book leads through the creation, publication, and reception of the 1943 novel that made Rand famous. Mayhew's collection of essays offers an insightful and critical perspective on the much regarded novel, and is a necessary read for anyone interested in Ayn Rand and great American literature.
Ayn Rand's first published novel, a timeless story that explores the struggles of the individual against the state in Soviet Russia. First published in 1936, We the Living portrays the impact of the Russian Revolution on three human beings who demand the right to live their own lives and pursue their own happiness. It tells of a young woman’s passionate love, held like a fortress against the corrupting evil of a totalitarian state. We the Living is not a story of politics, but of the men and women who have to struggle for existence behind the Red banners and slogans. It is a picture of what those slogans do to human beings. What happens to the defiant ones? What happens to those who succumb? Against a vivid panorama of political revolution and personal revolt, Ayn Rand shows what the theory of socialism means in practice. Includes an Introduction and Afterword by Ayn Rand’s Philosophical Heir, Leonard Peikoff
A dark, dystopian portrait of artists struggling to resist violent suppression—“queer, English, a masterpiece.” (Hilton Als) Set amid the rolling hills and the sandy shingle beaches of coastal Sussex, this disquieting novel depicts an England in which bland conformity is the terrifying order of the day. Violent gangs roam the country destroying art and culture and brutalizing those who resist the purge. As the menacing “They” creep ever closer, a loosely connected band of dissidents attempt to evade the chilling mobs, but it’s only a matter of time until their luck runs out. Winner of the 1977 South-East Arts Literature Prize, Kay Dick’s They is an uncanny and prescient vision of a world hostile to beauty, emotion, and the individual.
This is not a self-help book. Its purpose is to not to show us how to apply the lessons of a hero's life in our own. Rather, it is a theoretical book, explaining what heroes are and why mankind needs them. Before we can emulate heroes, we must properly identify them, we must understand who and what they are....And what they are not. This is a matter of life and death. Some persons, for example, at various times have considered as heroes Adolf Hitler, Josef Stalin, and Osama bin Laden. If we are to promote human life, it is necessary for us to clearly understand that and why mass murderers are definitively excluded from the echelon of heroes. Chapters One, Two, and Three focus on the nature and definition of a hero, and provide a method for distinguishing a hero from non-heroes. Chapter Four raises the question of whether, under appropriate circumstances, everyman and everywoman can rise to heroic heights--and answers in the affirmative. Chapters Five, Six, and Seven dispute the time-honored notion that heroism involves self-sacrifice and demonstrate, rather, that heroism, properly understood, involves actions self-fulfilling; heroism and self-sacrifice are, in fact, moral antipodes. Chapter Eight discusses an appropriate response to morally flawed heroes--and Chapter Nine explains the errors of the modern antihero mentality. Finally, Chapter Ten shows the life-giving importance of hero worship. The two appendices validate philosophic principles that underlie the theory of heroes elucidated here: That human life is the standard of moral value and that human beings possess free will. This book does not purport to be an exhaustive analysis of a hero's nature. Presumably, there is more to be said. But it is a provocative first step toward understanding the nature of heroes, one that will hopefully spark a lively 21st century debate of this important subject.
About this Edition This 2021-2022 Digital Student Edition of Ayn Rand's Anthem was created for teachers and students receiving free novels from the Ayn Rand Institute, and includes a historic Q&A with Ayn Rand that cannot be found in any other edition of Anthem. In this Q&A from 1979, Rand responds to questions about Anthem sent to her by a high school classroom. About Anthem Anthem is Ayn Rand’s “hymn to man’s ego.” It is the story of one man’s rebellion against a totalitarian, collectivist society. Equality 7-2521 is a young man who yearns to understand “the Science of Things.” But he lives in a bleak, dystopian future where independent thought is a crime and where science and technology have regressed to primitive levels. All expressions of individualism have been suppressed in the world of Anthem; personal possessions are nonexistent, individual preferences are condemned as sinful and romantic love is forbidden. Obedience to the collective is so deeply ingrained that the very word “I” has been erased from the language. In pursuit of his quest for knowledge, Equality 7-2521 struggles to answer the questions that burn within him — questions that ultimately lead him to uncover the mystery behind his society’s downfall and to find the key to a future of freedom and progress. Anthem anticipates the theme of Rand’s first best seller, The Fountainhead, which she stated as “individualism versus collectivism, not in politics, but in man’s soul.”
