Critical Dictionary of Film and Television Theory

Critical Dictionary of Film and Television Theory

Author: Roberta Pearson

Publisher: Routledge

Published: 2005-12-08

Total Pages: 731

ISBN-13: 1134716982

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This Dictionary lays out the major theoretical approaches deployed in the study of the moving image as well as defining key theoretical terms. Contextual entries range from 500 to 3,000 words.


Critical Dictionary of Film and Television Theory

Critical Dictionary of Film and Television Theory

Author: Roberta Pearson

Publisher: Routledge

Published: 2005-12-08

Total Pages: 800

ISBN-13: 1134716974

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The Critical Dictionary of Film and Television Theory clearly and accessibly explains the major theoretical approaches now deployed in the study of the moving image, as well as defining key theoretical terms. This dictionary provides readers with the conceptual apparatus to understand the often daunting language and terminology of screen studies. Entries include: *audience * Homi K. Bhabha * black cinema * the body * children and media * commodification * cop shows * deep focus * Umberto Eco * the gaze * Donna Haraway * bell hooks * infotainment * master narrative * medical dramas * morpheme * myth * panopticon * pastiche * pleasure * real time * social realism * sponsorship * sport on television * subliminal * third cinema * virtual reality Consultant Editors: David Black, USA, William Urricchio, University of Utrecht, The Netherlands, Gill Branston, Cardiff University, UK ,Elayne Rapping, USA


Film Theory

Film Theory

Author: Philip Simpson

Publisher: Taylor & Francis

Published: 2004

Total Pages: 346

ISBN-13: 9780415259729

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The Penguin Dictionary of Critical Theory

The Penguin Dictionary of Critical Theory

Author: David Macey

Publisher: Penguin (Non-Classics)

Published: 2000

Total Pages: 490

ISBN-13: 9780140513691

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Accessing the huge and often bewildering subject of Critical Theory can be an intimidating experience. This acclaimed dictionary provides the ideal introduction to the range of theories and theorists on offer and will prove an invaluable and authoritative resource to all students. * Incisive overviews of the work of key figures from Arendt and Artaud to Winnicott, Wittgestein and Woolf * Powerful summaries of the crucial debates on desire and deconstruction, object relations and Orientalism, postcolonial theory and postmodernism * Clear explanations of both the links and the disagreements between different thinkers and schools.


Film Theory and Contemporary Hollywood Movies

Film Theory and Contemporary Hollywood Movies

Author: Warren Buckland

Publisher: Routledge

Published: 2009-06-03

Total Pages: 366

ISBN-13: 1135895740

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Film theory no longer gets top billing or plays a starring role in film studies today, as critics proclaim that theory is dead and we are living in a post-theory moment. While theory may be out of the limelight, it remains an essential key to understanding the full complexity of cinema, one that should not be so easily discounted or discarded. In this volume, contributors explore recent popular movies through the lens of film theory, beginning with industrial-economic analysis before moving into a predominately aesthetic and interpretive framework. The Hollywood films discussed cover a wide range from 300 to Fifty First Dates, from Brokeback Mountain to Lord of the Rings, from Spider-Man 3 to Fahrenheit 9/11, from Saw to Raiders of the Lost Ark, and much more. Individual essays consider such topics as the rules that govern new blockbuster franchises, the ‘posthumanist realism’ of digital cinema, video game adaptations, increasingly restricted stylistic norms, the spatial stories of social networks like YouTube, the mainstreaming of queer culture, and the cognitive paradox behind enjoyable viewing of traumatic events onscreen. With its cast of international film scholars, Film Theory and Contemporary Hollywood Movies demonstrates the remarkable contributions theory can offer to film studies and moviegoers alike.


The Routledge Encyclopedia of Film Theory

The Routledge Encyclopedia of Film Theory

Author: Edward Branigan

Publisher: Routledge

Published: 2013-12-04

Total Pages: 567

ISBN-13: 1136472630

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The Routledge Encyclopedia of Film Theory is an international reference work representing the essential ideas and concepts at the centre of film theory from the beginning of the twentieth century, to the beginning of the twenty-first. When first encountering film theory, students are often confronted with a dense, interlocking set of texts full of arcane terminology, inexact formulations, sliding definitions, and abstract generalities. The Routledge Encyclopedia of Film Theory challenges these first impressions by aiming to make film theory accessible and open to new readers. Edward Branigan and Warren Buckland have commissioned over 50 scholars from around the globe to address the difficult formulations and propositions in each theory by reducing these difficult formulations to straightforward propositions. The result is a highly accessible volume that clearly defines, and analyzes step by step, many of the fundamental concepts in film theory, ranging from familiar concepts such as ‘Apparatus’, ‘Gaze’, ‘Genre’, and ‘Identification’, to less well-known and understood, but equally important concepts, such as Alain Badiou’s ‘Inaesthetics’, Gilles Deleuze’s ‘Time-Image’, and Jean-Luc Nancy’s ‘Evidence’. The Routledge Encyclopedia of Film Theory is an ideal reference book for undergraduates of film studies, as well as graduate students new to the discipline.


Westerns

Westerns

Author: John White

Publisher: Routledge

Published: 2010-11-30

Total Pages: 217

ISBN-13: 1136855602

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In this guidebook John White discusses the evolution of the Western through history, looking at theoretical and critical approaches to the genre.


Close Encounters between Bible and Film

Close Encounters between Bible and Film

Author: Laura Copier

Publisher: SBL Press

Published: 2016-11-04

Total Pages: 343

ISBN-13: 0884141969

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Explore new routes into the burgeoning field of biblical literature and film theory The present collection of essays is a sequel to the groundbreaking Semeia 74 issue, published in 1996, entitled Biblical Glamour and Hollywood Glitz. These new essays showcase the divergent approaches from film studies and cultural studies that can be used in the visual analysis of biblical and religious themes, narratives, and characters in cinema. It is the first volume that specifically addresses issues of methodology, theory, and analysis in the study between bible and film. As such, this collection is of interest to scholars in film studies and theology/religion/biblical studies, who are invested in doing interdisciplinary research in the expanding field of religion and film. Features Specific focus on methods of film analysis, rather than the more common focus on thematic analysis in the study of religion, Bible, and film. Visual analysis in the encounter between Bible and film Fourteen essays and an introduction by top scholars in the field


The Aesthetic Pleasures of Girl Teen Film

The Aesthetic Pleasures of Girl Teen Film

Author: Samantha Colling

Publisher: Bloomsbury Publishing USA

Published: 2017-07-27

Total Pages: 177

ISBN-13: 1501318497

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Explore how Hollywood teen girl films made in the 21st century are designed to feel fun and offer a practical model for a new methodological approach to film and pleasure with The Aesthetic Pleasures of Girl Teen Film.