Working Through Memory

Working Through Memory

Author: Ofelia Ferrán

Publisher: Associated University Presse

Published: 2007

Total Pages: 382

ISBN-13: 9780838756584

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Studies various constructions of memory in contemporary Spanish literature, evoking different aspects of a past of repression, from both the civil war and the Franco regime. This book analyzes narrative texts published between the 1960s and 1990s that present memory and the recuperation of a traumatic past as their main theme.


Rewriting Franco’s Spain

Rewriting Franco’s Spain

Author: Samuel O’Donoghue

Publisher: Bucknell University Press

Published: 2017-10-18

Total Pages: 245

ISBN-13: 1611488613

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Rewriting Franco’s Spain: Marcel Proust and the Dissident Novelists of Memory proposes a new reading of some of the most culturally significant and closely studied works of Spanish memory fiction from the past seventy years. It examines the influence of French writer Marcel Proust on fiction concerning the Spanish Civil War and Franco’s dictatorship by Carmen Laforet, Juan Goytisolo, Juan Benet, Carmen Martín Gaite, Jorge Semprún, and Javier Marías. It explores the ways in which À la recherche du temps perdu has been instrumental in these authors’ works, galvanizing their creative impetus, shaping their imaginative act, and guiding their adversarial stance toward Franco’s regime. This book illustrates how these writers use Proustian themes and techniques and thereby enhances our understanding of the function of memory and fictional creation in some of the most important milestones in contemporary Spanish literature. Rewriting Franco’s Spain argues that an appreciation of Proust’s pervasive influence on Spanish memory writing obliges us to reconsider the notion that Franco’s regime maintained a rigid stranglehold on imported culture. Capturing the richness of Spanish novelists’ contact with literature produced outside of Spain, it challenges the prevailing scholarly tendency to focus on the novelists’ immediate sociopolitical concerns. There is more to these texts than a simple testimony of the brutality and hardship of the civil war and life under Franco. By illuminating the subversive nature of Spanish novelists’ use of a Proust-inspired practice of self-writing, Rewriting Franco’s Spain seeks to readjust some of the ways we view the role of novelists living during the regime and in its wake. It advocates a conception of novelists as dissidents, teasing out the seditious undercurrent of their cultivation of self-writing and examining how they disputed the regime’s ideas about what culture should look like. The preconception that the development of Spanish literature under Franco was stunted because Spaniards were prevented from reading works considered an affront to National-Catholic sensibilities is cast aside, as is the notion that Spain was isolated from narrative developments elsewhere. Rewriting Franco’s Spain ultimately reveals the centrality of Proust’s monumental novel in the evolution of contemporary Spanish literature.


The Cambridge Companion to the Spanish Novel

The Cambridge Companion to the Spanish Novel

Author: Harriet Turner

Publisher: Cambridge University Press

Published: 2003-09-11

Total Pages: 356

ISBN-13: 1139826271

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The Cambridge Companion to the Spanish Novel presents the development of the modern Spanish novel from 1600 to the present. Drawing on the combined legacies of Don Quijote and the traditions of the picaresque novel, these essays focus on the question of invention and experiment, on what constitutes the singular features of evolving fictional forms. It examines how the novel articulates the relationships between history and fiction, high and popular culture, art and ideology, and gender and society. Contributors highlight the role played by historical events and cultural contexts in the elaboration of the Spanish novel, which often takes a self-conscious stance toward literary tradition. Topics covered include the regional novel, women writers, and film and literature. This companionable survey, which includes a chronology and guide to further reading, conveys a vivid sense of the innovative techniques of the Spanish novel and of the debates surrounding it.


Encyclopedia of Contemporary Spanish Culture

Encyclopedia of Contemporary Spanish Culture

Author: Professor Eamonn Rodgers

Publisher: Routledge

Published: 2002-03-11

Total Pages: 614

ISBN-13: 1134788584

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Some 750 alphabetically-arranged entries provide insights into recent cultural and political developments within Spain, including the cultures of Catalonia, Galicia and the Basque country. Coverage spans from the end of the Civil War in 1939 to the present day, with emphasis on the changes following the demise of the Franco dictatorship in 1975. Entries range from shorter, factual articles to longer overview essays offering in-depth treatment of major issues. Culture is defined in its broadest sense. Entries include: *Antonio Gaudí * science * Antonio Banderas * golf * dance * education * politics * racism * urbanization This Encyclopedia is essential reading for anyone interested in Spanish culture. It provides essential cultural context for students of Spanish, European History, Comparative European Studies and Cultural Studies.


The Spanish Civil War in Literature, Film, and Art

The Spanish Civil War in Literature, Film, and Art

Author: Peter Monteath

Publisher: Bloomsbury Publishing USA

Published: 1994-09-30

Total Pages: 161

ISBN-13: 0313388040

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This bibliography is the first attempt to establish a comprehensive list of secondary material relating to the Spanish Civil War in literature, film, and art. It includes books, articles, and chapters in a wide range of languages, including Spanish, English, Russian, French, German, and Italian. Monteath begins the work with an introductory essay surveying the breadth of the scholarship on the cultural manifestations of the war, which he places in its broader cultural-historical context. The bibliography is organized alphabetically within sections devoted to literature, film, and art, and a general subject index completes the work. Anyone interested in the fiction of Hemingway, the film of Ivens, the art of Picasso, and many of the key figures in Western culture of the 1930s will find this work of value.


Coming into one's Own

Coming into one's Own

Author: Alexis Grohmann

Publisher: BRILL

Published: 2022-06-13

Total Pages: 316

ISBN-13: 900448826X

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Javier Marías is a major contemporary Spanish novelist who has enjoyed remarkable international success and recognition. He is a writer who has undergone a singular and clearly discernible novelistic evolution and has forged a very distinctive style of his own. It is this formal development that this book traces through a study of his works from Los dominios del lobo (1971) to Negra espalda del tiempo (1998). With the help of a wide range of 20th-century literary theories and criticism, it strives to show that in order to escape realism and Spanishness and to make his way into literature, Marías forges an intricate style which progressively develops and matures, and which creates highly suggestive and elaborate imaginative worlds, a literature with a particular ontology, ultimately capable of inventing reality. This book is the first full-length study of Javier Marías's work to be published so far and serves both as an introduction to, and a close examination of, the work of a major European writer.


Narrating the Past

Narrating the Past

Author: David K. Herzberger

Publisher: Duke University Press

Published: 1995-05-24

Total Pages: 198

ISBN-13: 0822382415

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The relationship between fiction and historiography in Francoist Spain (1939–1975) is a contentious one. The intricacies of this relationship, in which fiction works to subvert the regime’s authority to write the past, are the focus of David K. Herzberger’s book. The narrative and rhetorical strategies of historical discourse figure in both the fiction and historiography of postwar Spain. Herzberger analyzes these strategies, identifying the structures and vocabularies they use to frame the past and endow it with particular meanings. He shows how Francoist historians sought to affirm the historical necessity of Franco by linking the regime to a heroic and Christian past, while several types of postwar fiction—such as social realism, the novel of memory, and postmodern novels—created a voice of opposition to this practice. Focusing on the concept of writing history that these opposing strategies convey, Herzberger discloses the layering of truth and meaning that lies at the heart of postwar Spanish narrative from the early 1940s to the fall of Franco. His study clearly reveals how the novel in postwar Spain became a crucial form of dissent from the past as it was conceived and used by the State. Making a decisive intervention in the debate about the ways in which narration determines both the meaning and truth of history and fiction, Narrating the Past will be of special interest to students and scholars of the politics, history, and literature of twentieth-century Spain.