When her heart is stolen by a seductive stranger, a young woman is swept away to a house atop a mountain of blood-red clay: a place filled with secrets that will haunt her forever. Between desire and darkness, between mystery and madness, lies the truth behind Crimson Peak. From acclaimed director Guillermo del Toro.
Rejected by their own kind for bearing the mark of the Shadow Monarch, the Iron Elves chose instead to serve with the human armies of the Calahrian Empire, hoping through their dedication and discipline to wipe out the stain of their birth. Their reputation is legendary -- until their commander, Konowa Swiftdragon, takes it upon himself -- for the best of reasons -- to assassinate the Viceroy. Court-martialled and exiled to the forest he despises, his beloved regiment disgraced, dishonoured and disbanded, Konowa finds himself suddenly recalled and ordered to re-form the Iron Elves for one last reconnaissance mission. But the new Iron Elves are not at all the same as they were before, and the mission is a suicidal one, with more at stake than Konowa could possibly have imagined. For the Shadow Monarch and her allies have harnessed destructive forces with the power to tear worlds apart -- and those who bear her mark have a destiny greater than they know. So begins an heroic journey in the company of a motley band of misfits, rebels and outcasts, with a central character whose engaging, brilliantly realised blend of cynicism, dry humour, duty and anguish make him unlike any other in fantasy fiction.
Gothic Afterlives examines the intersecting dimensions of contemporary Gothic horror and remakes scholarship, bringing together innovative perspectives from different areas of study. The research compiled in this collection covers a wide range of examples, including not only literature but also film, television, video games, and digital media remakes. Gothic Afterlives signals the cultural and conceptual impact of Gothic horror on transmedia production, with a focus on reimagining and remaking. While diverse in content and approach, all chapters pivot on two important points: first, they reflect some of the core preoccupations of Gothic horror by subverting cultural and social certainties about notions such as the body, technology, consumption, human nature, digitalization, scientific experimentation, national identity, memory, and gender and by challenging the boundaries between human and inhuman, self and Other, and good and evil. Second, and perhaps most important, all chapters in the collection collectively show what happens when well-known Gothic horror narratives are adapted and remade into different contexts, highlighting the implications of the mode-shifting registers, platforms, and chronologies in the process. As a collection, Gothic Afterlives hones in on contemporary sociocultural experiences and identities as they appear in contemporary popular culture and in the stories told and retold in the twenty-first century.
In Conjure wife, Norman Saylor learns that his wife is a sorceress. In Our Lady of Darkness, horror writer Franz Westen searches for the paranormal in San Francisco.
The climactic third novel in New York Times bestselling author Jeaniene Frost's Night Prince series finds Vlad and his newly turned bride, Leila, at odds with each other—and vulnerable to the one vampire powerful enough to end the Dark Prince's reign . . . Play with fire, pay the price Leila's years on the carnie circuit were certainly an education. What she didn't learn: how to be a vampire, or how to be married to the most famous vampire of them all. Adjusting to both has Leila teetering on a knife edge between passion and peril, and now the real danger is about to begin . . . Vlad must battle with a centuries-old enemy whose reach stretches across continents and whose strength equals his own. It isn't like Vlad to feel fear, but he does . . . for Leila, because his enemy knows she is Vlad's greatest weakness. As friend and foe alike align against him—and his overprotectiveness drives Leila away—Vlad's love for his new bride could be the very thing that dooms them both . . .
Immerse yourself in the world of Denis Villeneuve’s Dune and discover the incredible creative journey that brought Frank Herbert’s iconic novel to the big screen. Frank Herbert’s science fiction classic Dune has been brought to life like never before in the breathtaking film adaptation from acclaimed director Denis Villeneuve (Blade Runner 2049, Arrival). Now fans can be part of this creative journey with The Art and Soul of Dune, the official companion to the hugely anticipated movie event. Written by Dune executive producer Tanya Lapointe, this visually dazzling exploration of the filmmaking process gives unparalleled insight into the project’s genesis—from its striking environmental and creature designs to its intricate costume concepts and landmark digital effects. The Art and Soul of Dune also features exclusive interviews with key members of the cast and crew, including Denis Villeneuve, Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, and many more, delivering a uniquely candid account of the hugely ambitious international shoot. Showcasing Villeneuve’s visionary approach to realizing Herbert’s science fiction classic, The Art and Soul of Dune is an essential companion to the director’s latest masterpiece.
A critical exploration of one of the most exciting, original and influential figures to emerge in contemporary film, Guillermo del Toro: Film as Alchemic Art is a major contribution to the analysis of Guillermo del Toro's cinematic output. It offers an in-depth discussion of del Toro's oeuvre and investigates key ideas, recurrent motifs and subtle links between his movies. The book explores the sources that del Toro draws upon and transforms in the creation of his rich and complex body of work. These include the literary, artistic and cinematic influences on films such as Pan's Labyrinth, The Devil's Backbone, Cronos and Mimic, and the director's engagement with comic book culture in his two Hellboy films, Blade II and Pacific Rim. As well as offering extensive close textual analysis, the authors also consider del Toro's considerable impact on wider popular culture, including a discussion of his role as producer, ambassador for 'geek' culture and figurehead in new international cinema.