BRUBAKER and PHILLIPS return to their multiple award-winning series for two interlinked tales of the Lawless family in the 1970s. Teeg Lawless is trapped behind bars with a price on his head, doing anything he can to survive, while Tracy Lawless celebrates his twelfth birthday riding shotgun on a mission of death.
Tracy Lawless returns with a vengeance in this strikingly-designed new edition from Image! Tracy Lawless is still a man caught between a history of violence and his own conscience. And now the worst bad guy in the world is tasked with a new job: solving a series of murders of untouchable crime lords.
Named One of the Top 20 Books of 2009 by Cleveland Plain Dealer Medical school taught John Rich how to deal with physical trauma in a big city hospital but not with the disturbing fact that young black men were daily shot, stabbed, and beaten. This is Rich's account of his personal search to find sense in the juxtaposition of his life and theirs. Young black men in cities are overwhelmingly the victims—and perpetrators—of violent crime in the United States. Troubled by this tragedy—and by his medical colleagues' apparent numbness in the face of it—Rich, a black man who grew up in relative safety and comfort, reached out to many of these young crime victims to learn why they lived in a seemingly endless cycle of violence and how it affected them. The stories they told him are unsettling—and revealing about the reality of life in American cities. Mixing his own perspective with their seldom-heard voices, Rich relates the stories of young black men whose lives were violently disrupted—and of their struggles to heal and remain safe in an environment that both denied their trauma and blamed them for their injuries. He tells us of people such as Roy, a former drug dealer who fought to turn his life around and found himself torn between the ease of returning to the familiarity of life on the violent streets of Boston and the tenuous promise of accepting a new, less dangerous one. Rich's poignant portrait humanizes young black men and illustrates the complexity of a situation that defies easy answers and solutions.
THE RETURN OF THE MOST ACCLAIMED CRIME COMIC OF THE 21ST CENTURY! Hot off their bestselling series KILL OR BE KILLED and their original graphic novel MY HEROES HAVE ALWAYS BEEN JUNKIES, crime comic masters ED BRUBAKER and SEAN PHILLIPS finally return to their most-demanded title as a new MONTHLY SERIES! In this double-sized (at no additional cost!) debut issue, Teeg Lawless is back in town. But he finds himself in more trouble than ever, thanks to his delinquent teenage son and this time, fists and bullets may not be enough to solve his problems. A perfect introduction to CRIMINAL and its dark, exciting world, this series will also include back page art and articles to bring readers more fully into the noir experience.
The best monthly comic on the market keeps the hits coming! Young Ricky Lawless and Leo (from CRIMINAL, VOL. 1: COWARD) take the spotlight this issue, as the epic story of the death of TEEG LAWLESS continues! As always, CRIMINAL contains back page art and articles only found in the single issues.
WINNER OF THE EISNER AWARD FOR BEST LIMITED SERIES! BRUBAKER and PHILLIPS's gorgeous new CRIMINAL editions finally gets to the most critically-acclaimed and innovative piece of pulp fiction they've ever done. It's "like Watchmen for the Archie set" as CRIMINAL reaches new heights.
The best-selling crime series gets weird in this strikingly-designed new edition from Image. It's the strangest story yet in the CRIMINAL series, as an insomniac cartoonist gets caught in a winding tale of self-destruction, sex, and deadly deceptions. This is where Brubaker and Phillips showed how far they could push the boundaries between art, experimentation, and pulp.
In his impassioned-yet-measured book, Rafael A. Mangual offers an incisive critique of America's increasingly radical criminal justice reform movement, and makes a convincing case against the pursuit of "justice" through mass-decarceration and depolicing. After a summer of violent protests in 2020--sparked by the deaths of George Floyd, Breonna Taylor, and Rayshard Brooks--a dangerously false narrative gained mainstream acceptance: Criminal justice in the United States is overly punitive and racially oppressive. But, the harshest and loudest condemnations of incarceration, policing, and prosecution are often shallow and at odds with the available data. And the significant harms caused by this false narrative are borne by those who can least afford them: black and brown people who are disproportionately the victims of serious crimes. In Criminal (In)Justice, Rafael A. Mangual offers a more balanced understanding of American criminal justice, and cautions against discarding traditional crime control measures. A powerful combination of research, data-driven policy journalism, and the author's lived experiences, this book explains what many reform advocates get wrong, and illustrates how the misguided commitment to leniency places America's most vulnerable communities at risk. The stakes of this moment are incredibly high. Ongoing debates over criminal justice reform have the potential to transform our society for a generation--for better or for worse. Grappling with the data--and the sometimes harsh realities they reflect--is the surest way to minimize the all-too-common injustices plaguing neighborhoods that can least afford them.
The bestselling team of ED BRUBAKER and SEAN PHILLIPS (THE FADE OUT, CRIMINAL, FATALE) launch their new monthly series: KILL OR BE KILLED, the twisted story of a young man who is forced to kill bad people, and how he struggles to keep his secret as it slowly ruins his life and the lives of his friends and loved ones. Both a thriller and a deconstruction of vigilantism, KILL OR BE KILLED is unlike anything BRUBAKER & PHILLIPS have ever done.
A gorgeous original graphic novel from the bestselling creators of KILL OR BE KILLED, MY HEROES HAVE ALWAYS BEEN JUNKIES, and CRIMINAL. Max Winters, a pulp writer in 1930s New York, finds himself drawn into a story not unlike the tales he churns out at five cents a word—tales of a Wild West outlaw dispensing justice with a six-gun. But will Max be able to do the same when pursued by bank robbers, Nazi spies, and enemies from his past? One part thriller, one part meditation on a life of violence, PULP is unlike anything award-winning BRUBAKER & PHILLIPS have ever done before. This celebration of pulp fiction set in a world on the brink is another must-have hardcover from one of comics’ most acclaimed teams. “Like Scorsese and De Niro, BRUBAKER and PHILLIPS are the unmatched masters of a certain kind of storytelling. A new title from the sharpshooters behind Fatale and Criminal is reason enough to go on living.” —Joe Hill (Locke & Key)