Welcome to Heartland America circa right about now, when the union jobs and family farms that kept the white on the picket fences have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling. Frank Bill's Southern Indiana is haunted by a deep, abiding sense of place, and his people are men and women pressed to the brink - and beyond. They are survivors, and in Frank Bill's hands, their stories bristle with noir energy.
A bareknuckle fighter must win a brutal tournament to feed his family in “a novel that guts the underbelly of southern Indiana”—now a major motion picture (Kirkus Reviews). The Donnybrook is a three-day bare-knuckle tournament held on a thousand-acre plot out in the sticks of southern Indiana. Twenty fighters. One wire-fence ring. Fight until only one man is left standing while a rowdy festival of onlookers—drunk and high on whatever’s on offer—bet on the fighters. Jarhead is a desperate man who’d do just about anything to feed his children. He’s also the toughest fighter in southeastern Kentucky, and he’s convinced that his ticket to a better life is one last fight with a cash prize so big it’ll solve all his problems. But he’ll have to face Chainsaw Angus—an undefeated fighter who recently got into cooking meth with his sister, Liz. As we travel through the backwoods to get to the Donnybrook, we meet a cast of nasty, ruined characters driven to all sorts of evil, all in the name of getting their fix—drugs, violence, sex, money, honor. Donnybrook is exactly the fearless, explosive, amphetamine-fueled debut novel you’d expect from the author of the feted and fearless story collection Crimes in Southern Indiana.
This story collection explores the violent underbelly of America’s heartland: “A dark, hard-boiled debut . . . no doubt about it, Frank Bill can write.” —KirkusReviews Welcome to heartland America circa right about now, when the union jobs and family farms have given way to meth labs, backwoods gunrunners, and bare-knuckle brawling. Frank Bill’s southern Indiana is haunted with the deep, abiding sense of place, and his people are men and women pressed to the brink—and beyond. There is Scoot McCutchen, whose beloved wife falls terminally ill, leaving him with nothing to live for—which doesn’t quite explain his brutal actions, or his decision to turn himself in. In the title story, a man who breeds dogs for fighting crosses paths with a Salvadoran gangbanger tasked with taking over the rural drug trade, but who mostly wants to grow old in peace. Gritty yet literary, Crimes in Southern Indiana shines an unforgiving light on a region of contemporary America that is too often forgotten.
In the raucous and action-packed follow-up to Donnybrook, mayhem is still the order of the day-only more so Frank Bill's America has always been stark and violent. In his new novel, he takes things one step further: the dollar has failed; the grid is wiped out. Van Dorn is eighteen and running solo, dodging the bloodthirsty hordes and militias that have emerged since the country went haywire. His dead father's voice rings in his head as Van Dorn sets his sights not just on survival but also on an old-fashioned sense of justice. Meanwhile, a leader has risen among the gangs-and around him swirls the cast of brawlers from Donnybrook, with their own brutal sense of right and wrong, of loyalty and justice through strength. So, this is not the distant postapocalyptic future-this is tomorrow, in a world Bill has already introduced us to. Now he raises the stakes and turns his shotgun prose on our addiction to technology, the values and skills we've lost in the process, and what happens when the last systems of morality and society collapse. The Savage presents a bone-chilling vision of America where power is the only currency and nothing guarantees survival. And it presents Bill at his most ambitious, most eloquent, most powerful.
Early on the morning of September 22, 1986, Mike Jackson shot and killed a man he had never met--his newly appointed parole officer, Tom Gahl. Out of that single act of violence the award-winning author of Big Sugar has created a work of journalism that lays bare the full scope of the concern over violence in our society.
Over the next decades more than twenty men were executed, though many were innocent of any serious crime." "As Jock McCulloch shows, the panics were complex events which encompassed such issues as miscegenation, prostitution, the management of venereal disease, the politics of concubinage, and the construction of whiteness."--BOOK JACKET.
In the summer of 1979, Andy and Tom are two fourteen-year-old boys---best friends, expert cave explorers, and crack shots with their Springfield M-6 Scout rifles. In rural southern Indiana they are blissfully unaware of the local labor strife surrounding the Borden Casket Company. The fact that Andy's dad is a manager and Tom's dad is a union laborer has no bearing on their fun and adventure. But in the building summer heat, violence quickly erupts---including an explosion, a murder, and the escape of two fugitives---and the young boys can no longer ignore that the world around them has forever changed. Through their secret observations of labor meetings, both boys feel the effect of the dissolution, and it tests their loyalty and friendship, as well as the town's spirit. What began as a season of independence becomes a summer of growth and change, of adventure and misbehavior. Reminiscent of Stand by Me and To Kill a Mockingbird, Over and Under is the quintessential story of ruddy-faced, scheming, precocious boys who must navigate that hazy boundary between growing up and making the most of their last summer of innocence and freedom as they explore the wilds of rural Indiana, see the most amazing gunshot of their lives, and discover what it means to be friends.
This broad, comparative study examines the social, economic, and legal contexts of crime and authority in two vastly different states over a one hundred year period. Massachusetts--an urban, industrial, and heterogeneous northern state--chose the penitentiary in its attempt to minimize the role of informal and extralegal authority while South Carolina--a rural southern slave state--systematically reduced its formal legal institutions, frequently relying on vigilantism. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
On December 1, 1971, the bodies of Robert Gierse, James Barker, and Robert Hinson were found in their blood-spattered Indianapolis home. All three had reputations as prodigious womanizers, hard-drinking bar fighters, and unscrupulous businessmen--the kind of men with more enemies than friends. When detectives searched the home and discovered an address book used as a sex contest scorecard, their new suspect list included jilted one-night stands, jealous boyfriends, and husbands--dozens upon dozens of names. Sensational reports and rumors soon overwhelmed the investigation , and real answers eluded the police and the media alike for three decades, until Roy West, a detective with a reputation for cracking "unsolvable" cases, re-opened the files... INCLUDES PHOTOS
Greg DeVillers was a top biotech executive, and Kristen Rossum was embarking on a career in toxicology at the San Diego Medical Examiner's office. They seemed to be happily married, living the American dream. But only months shy of their second anniversary, Kristen found her handsome husband dead from a drug overdose-his corpse sprinkled with rose petals. By his side was their wedding photo. The scene was reminiscent of American Beauty, one of Kristen's favorite movies. Authorities deemed it a suicide. Until they discovered that the rare poison found in Greg's body was the same poison missing from Kristen's office. Until they discovered the truth about Kristen's lurid affair, about her own long-time drug addiction, and about the personal and professional secrets she would kill to keep hidden-secrets that would ultimately expose the beautiful blonde as the deadly beauty she really was...a Deadly American Beauty
