An aristocratic young woman, Denise de Richemont, has murdered an important journalist, Jaques Le Tellier. She is acquitted by a sympathetic jury when she confesses it to be a crime of passion - revenge for the journalist's indiscreet revelation of his mistress' sordid family secrets. But the real reason why Mademoiselle de Richemont killed Le Tellier is far more sinister, and Inspector Gautier pursues the case from the haute monde of fashionable Paris to the seething and dangerous slums, determined to solve the mystery behind the murder.
In this compelling book, Lawrence M. Friedman looks at situations where killing is condemned by law but not by social norms and, therefore, is rarely punished. He shows how penal codes categorize homicides by degree of intent, which are in turn based on society's sense of moral outrage. Despite being officially defined as murder, many homicides have historically gone unpunished. Friedman looks at early vigilante justice, crimes of passion, murder of necessity, mercy killings, and assisted suicides. In his explorations of these unpunished homicides, Friedman probes what these circumstances tell us about conflicts in social and cultural norms, and the interaction of law and society.
The career of Claude Rains is often, and unfairly, overshadowed by the careers of the ever-popular Karloff, Lugosi, Chaney and Rathbone, but few can dispute that he was truly one of the world's foremost character actors. The Invisible Man, ironically, made him quite the visible star. In his own inimitable way, Rains later became John Jasper (in Mystery of Edwin Drood), Louis Renault (Casablanca), Julius Caesar (Caesar and Cleopatra), and Mr. Dryden (Lawrence of Arabia). While concentrating on Rains' more than fifty films, this book also comprehensively examines his work in other media: the stage, radio, television and recordings. His only child, Jessica, in the foreword, provides a brief biography of her father. There are many rare photographs.
Late in Claude Rains's distinguished career, a reverent film journalist wrote that Rains "was as much a cinematic institution as the medium itself." Given his childhood speech impediments and his origins in a destitute London neighborhood, the ascent of Claude Rains (1889–1967) to the stage and screen is remarkable. Rains's difficulties in his formative years provided reserves of gravitas and sensitivity, from which he drew inspiration for acclaimed performances in The Invisible Man (1933), Mr. Smith Goes to Washington (1939), Casablanca (1942), Notorious (1946), Lawrence of Arabia (1962), and other classic films. In Claude Rains: An Actor's Voice, noted Hollywood historian David J. Skal draws on more than thirty hours of newly released Rains interviews to create the first full-length biography of the actor who was nominated multiple times for an Academy Awards for Best Supporting Actor. Skal's portrait of the gifted actor also benefits from the insights of Jessica Rains, who provides firsthand accounts of the enigmatic man behind her father's refined screen presence and genteel public persona. As Skal shows, numerous contradictions informed the life and career of Claude Rains. He possessed an air of nobility and became an emblem of sophistication, but he never shed the insecurities that traced back to his upbringing in an abusive and poverty-stricken family. Though deeply self-conscious about his short stature, Rains drew notorious ardor from female fans and was married six times. His public displays of dry wit and good humor masked inner demons that drove Rains to alcoholism and its devastating consequences. Skal's layered depiction of Claude Rains reveals a complex, almost inscrutable man whose nuanced characterizations were, in no small way, based on the more shadowy parts of his psyche. With unprecedented access to episodes from Rains's private life, Skal tells the full story of the consummate character actor of his generation. Claude Rains: An Actor's Voice, gives voice to the struggles and innermost concerns that influenced Rains's performances and helped him become a universally respected Hollywood legend.
A journey into the heart of dark passions and the crimes they impel. When passion is in the picture, what is criminal, what is sane, what is mad or simply bad? Through court and asylum records, letters and newspaper accounts, this book brings to life some sensational trials between 1870 and 1914, a period when the psychiatric professions were consolidating their hold on our understanding of what is human. Outside fiction, individual emotions and the inner life had rarely been publicly discussed: now, in an increasingly popular press and its courtroom reports, people avidly consumed accounts of transgressive sexuality, savage jealousy and forbidden desires. These stood revealed as aspects not only of those labelled mad, but potentially, of everyone. With great story-telling flair and a wealth of historical detail, Lisa Appignanesi teases out the vagaries of passion and the clashes between the law and the clinic as they stumble towards a (sometimes reviled) collaboration. Sexual etiquette and class roles, attitudes to love, madness and gender, notions of respectability and honor, insanity and lunacy, all are at play in that vital forum in which public opinion is shaped—the theater of the courtroom.
This novelistic rendering of a true account tells of a celebrated rape case which took place in an electronic "salon", where Internet junkies have created their own interactive fantasy realm.
Passion. Betrayal. Murder. When you’re a private investigator, these are things you experience daily. But when you add capes to the mix-like Batman, Catwoman, and Harley Quinn? Things get even messier. The name’s Slam Bradley, and I’m telling you that this year’s Valentine’s Day special has more intrigue than you can shake a stick at. Ten tales of love-the kind of love that can push people over the edge. Don’t miss it...or I’ll make you pay.
