Crime Fiction since 1800

Crime Fiction since 1800

Author: Stephen Knight

Publisher: Bloomsbury Publishing

Published: 2010-04-09

Total Pages: 365

ISBN-13: 1350309575

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Since its appearance nearly two centuries ago, crime fiction has gripped readers' imaginations around the world. Detectives have varied enormously: from the nineteenth-century policemen (and a few women), through stars like Sherlock Holmes and Miss Marple, to newly self-aware voices of the present - feminist, African American, lesbian, gay, postcolonial and postmodern. Stephen Knight's fascinating book is a comprehensive analytic survey of crime fiction from its origins in the nineteenth century to the present day. Knight explains how and why the various forms of the genre have evolved, explores a range of authors and movements, and argues that the genre as a whole has three parts – the early development of Detection, the growing emphasis on Death, and the modern celebration of Diversity. The expanded second edition has been thoroughly updated in the light of recent research and new developments, such as ethnic crime fiction, the rise of thrillers in the serial-killer and urban collapse modes, and feel-good 'cozies'. It also explores a number of fictional works which have been published in the last few years and features a helpful glossary. With full references, and written in a highly engaging style, this remains the essential short guide for readers of crime fiction everywhere!


The Origins of the American Detective Story

The Origins of the American Detective Story

Author: LeRoy Lad Panek

Publisher: McFarland

Published: 2015-01-24

Total Pages: 237

ISBN-13: 0786481382

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Edgar Allan Poe essentially invented the detective story in 1841 with Murders in the Rue Morgue. In the years that followed, however, detective fiction in America saw no significant progress as a literary genre. Much to the dismay of moral crusaders like Anthony Comstock, dime novels and other sensationalist publications satisfied the public's hunger for a yarn. Things changed as the century waned, and eventually the detective was reborn as a figure of American literature. In part these changes were due to a combination of social conditions, including the rise and decline of the police as an institution; the parallel development of private detectives; the birth of the crusading newspaper reporter; and the beginnings of forensic science. Influential, too, was the new role model offered by a wildly popular British import named Sherlock Holmes. Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction. Instructors considering this book for use in a course may request an examination copy here.


The Devil in the Marshalsea

The Devil in the Marshalsea

Author: Antonia Hodgson

Publisher: Houghton Mifflin Harcourt

Published: 2014

Total Pages: 401

ISBN-13: 0544176677

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The first thrilling historical crime novel starring Thomas Hawkins, a rakish scoundel with a heart of gold, set in the darkest debtors' prison in Georgian London, where people fall dead as quickly as they fall in love and no one is as they seem.


The Importance of Place in Contemporary Italian Crime Fiction

The Importance of Place in Contemporary Italian Crime Fiction

Author: Barbara Pezzotti

Publisher: Rowman & Littlefield

Published: 2012

Total Pages: 223

ISBN-13: 161147552X

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An analysis of the relationship between detective fiction and its setting, this book is the most wide-ranging examination of the way in which Italian detective fiction in the last 20 years has become a means to articulate the changes in the social landscape of the country.


A Beautiful Blue Death

A Beautiful Blue Death

Author: Charles Finch

Publisher: Minotaur Books

Published: 2007-06-26

Total Pages: 340

ISBN-13: 1429955333

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Equal parts Sherlock Holmes and P.G. Wodehouse, Charles Finch's debut mystery A Beautiful Blue Death introduces a wonderfully appealing gentleman detective in Victorian London who investigates crime as a diversion from his life of leisure. Charles Lenox, Victorian gentleman and armchair explorer, likes nothing more than to relax in his private study with a cup of tea, a roaring fire and a good book. But when his lifelong friend Lady Jane asks for his help, Lenox cannot resist the chance to unravel a mystery. Prudence Smith, one of Jane's former servants, is dead of an apparent suicide. But Lenox suspects something far more sinister: murder, by a rare and deadly poison. The grand house where the girl worked is full of suspects, and though Prue had dabbled with the hearts of more than a few men, Lenox is baffled by the motive for the girl's death. When another body turns up during the London season's most fashionable ball, Lenox must untangle a web of loyalties and animosities. Was it jealousy that killed Prudence Smith? Or was it something else entirely? And can Lenox find the answer before the killer strikes again—this time, disturbingly close to home?


Crime Fiction: A Very Short Introduction

Crime Fiction: A Very Short Introduction

Author: Richard Bradford

Publisher: OUP Oxford

Published: 2015-05-28

Total Pages: 153

ISBN-13: 0191642703

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Crime fiction has been one of the most popular genres since the 19th century, but has roots in works as varied as Sophocles, Herodotus, and Shakespeare. In this Very Short Introduction Richard Bradford explores the history of the genre, by considering the various definitions of 'crime fiction' and looking at how it has developed over time. Discussing the popularity of crime fiction worldwide and its various styles; the role that gender plays within the genre; spy fiction, and legal dramas and thrillers; he explores how the crime novel was shaped by the work of British and American authors in the 18th and 19th centuries. Highlighting the works of notorious authors such as Edgar Allan Poe, Conan Doyle, Agatha Christie, and Raymond Chandler — to name but a few — he considers the role of the crime novel in modern popular culture and asks whether we can, and whether we should, consider crime fiction serious 'literature'. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.


San Francisco Thrillers

San Francisco Thrillers

Author: John Miller

Publisher: Chronicle Books (CA)

Published: 1995

Total Pages: 276

ISBN-13:

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San Francisco is the ideal place for murder, mystery, and malevolence. Far beneath the swinging coils of the Golden Gate Bridge, in a dank set of abandoned prison cells, a strange caretaker with evil intentions plots his nefarious deeds. Atop the hills of Pacific Heights, an innocent young woman rides an evening cable car, stalked by her handsome fiance. In a seedy bar on Fifth Street, a stone-faced man awaits his next victim. These and other eerie and exciting stories can be found in San Francisco Thrillers, the first anthology of mysteries and thrillers set in the City by the Bay, and illustrated with the haunting vintage photographs of Francis Bruguiere.


Policing Gender and Alicia Giménez Bartlett's Crime Fiction

Policing Gender and Alicia Giménez Bartlett's Crime Fiction

Author: Nina L. Molinaro

Publisher: Routledge

Published: 2016-03-03

Total Pages: 206

ISBN-13: 1317079051

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Alicia Giménez Bartlett’s popular crime series, written in Spanish and organized around the exploits of Police Inspector Petra Delicado and Deputy Inspector Fermin Garzon, is arguably the most successful detective series published in Spain during the previous three decades. Nina L. Molinaro examines the tensions between the rhetoric of gender differences espoused by the woman detective and the orthodox ideology of the police procedural. She argues that even as the series incorporates gender differences into the crime series formula, it does so in order to correct women, naturalize men’s authority, sanction social hierarchies, and assuage collective anxieties. As Molinaro shows, with the exception of the protagonist, the women characters require constant surveillance and modification, often as a result of men’s supposedly intrinsic protectiveness or excessive sexuality. Men, by contrast, circulate more freely in the fictional world and are intrinsic to the political, psychological, and economic prosperity of their communities. Molinaro situates her discussion in Petra Delicado’s contemporary Spain of dog owners, ¡Hola!, Russian cults, and gated communities.


Teaching Crime Fiction

Teaching Crime Fiction

Author: Charlotte Beyer

Publisher: Springer

Published: 2018-07-18

Total Pages: 229

ISBN-13: 3319906089

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More than perhaps any other genre, crime fiction invites debate over the role of popular fiction in English studies. This book offers lively original essays on teaching crime fiction written by experienced British and international scholar teachers, providing vital insight into this diverse genre through a series of compelling subjects. Taking its starting-point in pedagogical reflections and classroom experiences, the book explores methods for teaching students to develop their own critical perspectives as crime fiction critics, the impact of feminism, postcolonialism, and ecocriticism on crime fiction, crime fiction and film, the crime short story, postgraduate perspectives, and more.


Irish Crime Fiction

Irish Crime Fiction

Author: Brian Cliff

Publisher: Springer

Published: 2018-04-19

Total Pages: 209

ISBN-13: 1137561882

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This book examines the recent expansion of Ireland's literary tradition to include home-grown crime fiction. It surveys the wave of books that use genre structures to explore specifically Irish issues such as the Troubles and the rise and fall of the Celtic Tiger, as well as Irish experiences of human trafficking, the supernatural, abortion, and civic corruption. These novels are as likely to address the national regulation of sexuality through institutions like the Magdalen Laundries as they are to follow serial killers through the American South or to trace international corporate conspiracies. This study includes chapters on Northern Irish crime fiction, novels set in the Republic, women protagonists, and transnational themes, and discusses Irish authors’ adaptations of a well-loved genre and their effect on assumptions about the nature of Irish literature. It is a book for readers of crime fiction and Irish literature alike, illuminating the fertile intersections of the two.