The Television Code

The Television Code

Author: Deborah L. Jaramillo

Publisher: University of Texas Press

Published: 2018-09-26

Total Pages: 275

ISBN-13: 1477317031

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The broadcasting industry’s trade association, the National Association of Broadcasters (NAB), sought to sanitize television content via its self-regulatory document, the Television Code. The Code covered everything from the stories, images, and sounds of TV programs (no profanity, illicit sex and drinking, negative portrayals of family life and law enforcement officials, or irreverence for God and religion) to the allowable number of commercial minutes per hour of programming. It mandated that broadcasters make time for religious programming and discouraged them from charging for it. And it called for tasteful and accurate coverage of news, public events, and controversial issues. Using archival documents from the Federal Communications Commission, NBC, the NAB, and a television reformer, Senator William Benton, this book explores the run-up to the adoption of the 1952 Television Code from the perspectives of the government, TV viewers, local broadcasters, national networks, and the industry’s trade association. Deborah L. Jaramillo analyzes the competing motives and agendas of each of these groups as she builds a convincing case that the NAB actually developed the Television Code to protect commercial television from reformers who wanted more educational programming, as well as from advocates of subscription television, an alternative distribution model to the commercial system. By agreeing to self-censor content that viewers, local stations, and politicians found objectionable, Jaramillo concludes, the NAB helped to ensure that commercial broadcast television would remain the dominant model for decades to come.


Comic Book Women

Comic Book Women

Author: Peyton Brunet

Publisher: University of Texas Press

Published: 2022-01-11

Total Pages: 432

ISBN-13: 1477324143

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2023 Ray and Pat Browne Best Single Work by One or More Authors in Popular and American Culture, Popular and American Culture Association (PACA) / Popular Culture Association (PCA) 2023 Ray and Pat Browne Best Edited Reference/Primary Source Work in Popular Culture Award (Honorable Mention), Popular and American Culture Association (PACA) / Popular Culture Association (PCA) 2023 Peter C. Rollins Book Award, Southwest Texas Popular Culture and American Culture Associations (SWPACA) A revisionist history of women's pivotal roles as creators of and characters in comic books. The history of comics has centered almost exclusively on men. Comics historians largely describe the medium as one built by men telling tales about male protagonists, neglecting the many ways in which women fought for legitimacy on the page and in publishers’ studios. Despite this male-dominated focus, women played vital roles in the early history of comics. The story of how comic books were born and how they evolved changes dramatically when women like June Tarpé Mills and Lily Renée are placed at the center rather than at the margins of this history, and when characters such as the Black Cat, Patsy Walker, and Señorita Rio are analyzed. Comic Book Women offers a feminist history of the golden age of comics, revising our understanding of how numerous genres emerged and upending narratives of how male auteurs built their careers. Considering issues of race, gender, and sexuality, the authors examine crime, horror, jungle, romance, science fiction, superhero, and Western comics to unpack the cultural and industrial consequences of how women were represented across a wide range of titles by publishers like DC, Timely, Fiction House, and others. This revisionist history reclaims the forgotten work done by women in the comics industry and reinserts female creators and characters into the canon of comics history.


Dillinger's Wild Ride

Dillinger's Wild Ride

Author: Elliott J. Gorn

Publisher: Oxford University Press

Published: 2011-09-29

Total Pages: 289

ISBN-13: 0199769168

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John Dillinger was one of the most famous and flamboyant celebrity outlaws, and this book illuminates the significnace of his tremendous fame and the endurance of his legacy of crime and violence, and the transformation of America during the Great Depression.


Organized Crime and American Power

Organized Crime and American Power

Author: Michael Woodiwiss

Publisher: University of Toronto Press

Published: 2001-01-01

Total Pages: 484

ISBN-13: 9780802082787

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Historisch overzicht van de samenhang en wederzijdse beïnvloeding van de georganiseerde misdaad en de politiek in de Verenigde Staten.


Chasing Dillinger

Chasing Dillinger

Author: Ellen Poulsen

Publisher: Exposit

Published: 2018-08-15

Total Pages: 290

ISBN-13: 1476633126

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Indiana State Police Captain Matt Leach led the hunt for John Dillinger during the violent early 1930s. Pushing a media campaign aimed at smoking out the fugitive, Leach elevated Dillinger to unprecedented notoriety. In return, Dillinger taunted him with phone calls and postcards, and vowed to kill him. Leach's use of publicity backfired, making him a pariah among his fellow policemen, and the FBI ordered his firing in 1937 for challenging their authority. This is the first full-length biography of the man.


Graphic Encounters

Graphic Encounters

Author: Dale Jacobs

Publisher: A&C Black

Published: 2013-08-29

Total Pages: 239

ISBN-13: 0826444245

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With the recent explosion of activity and discussion surrounding comics, it seems timely to examine how we might think about the multiple ways in which comics are read and consumed. Graphic Encounters moves beyond seeing the reading of comics as a debased or simplified word-based literacy. Dale Jacobs argues compellingly that we should consider comics as multimodal texts in which meaning is created through linguistic, visual, audio, gestural, and spatial realms in order to achieve effects and meanings that would not be possible in either a strictly print or strictly visual text. Jacobs advances two key ideas: one, that reading comics involves a complex, multimodal literacy and, two, that by studying how comics are used to sponsor multimodal literacy, we can engage more deeply with the ways students encounter and use these and other multimodal texts. Looking at the history of how comics have been used (by churches, schools, and libraries among others) will help us, as literacy teachers, best use that knowledge within our curricula, even as we act as sponsors ourselves.