Crime and God's Judgment in Shakespeare
Crime and God's Judgment in Shakespeare

Author: Robert Rentoul ReedJr.

Publisher: University Press of Kentucky

Published: 2021-10-21

Total Pages: 267

ISBN-13: 0813186544

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Divine retribution, Robert Reed argues, is a principal driving force in Shakespeare's English history plays and three of his major tragedies. Reed finds evidence of the playwright's growing ingenuity and maturing skill in his treatment of the crime of political homicide, its impact on events, and God's judgment on the criminal. Reed's analysis focuses upon Tudor concepts that he shows were familiar to all Elizabethans—the biblical principle of inherited guilt, the doctrine that God is the fountainhead of retribution, with man merely His instrument, and the view that conscience serves a fundamentally divine function—and he urges us to look at Shakespeare within the context of his time, avoiding the too-frequent tendency of twentieth-century critics to force a modern world view on the plays. Heaven's power of vengeance provides an essential unifying theme to the plays of the two historical tetralogies, Julius Caesar, Hamlet, and Macbeth. By analyzing these plays in the light of values held by Shakespeare's contemporaries, Reed has made a substantial contribution toward clarifying our understanding of the plays and of Elizabethan England.

Shakespeare's Criminals
Shakespeare's Criminals

Author: Victoria M. Time

Publisher: Bloomsbury Publishing USA

Published: 1999-11-30

Total Pages: 186

ISBN-13: 0313003742

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By exploring Shakespeare's use of law and justice themes in the context of historical and contemporary criminological thinking, this book challenges criminologists to expand their spheres of inquiry to avenues that have yet to be explored or integrated into the discipline. Crime writers, including William Shakespeare, were some of the earliest investigators of the criminal mind. However, since the formalization of criminology as a discipline, citations from literary works have often been omitted, despite their interdisciplinary nature. Taking various Shakespearean plays and characters as case studies, this book opens novel theoretical avenues for conceptualizing crime and justice issues. What types of crimes did Shakespeare's characters commit? What were the motivations put forth for these crimes? What type of social control did Shakespeare advocate? By utilizing a content analysis procedure, the author confirms that many of the crimes that plague society today were also prevalent in Shakespeare's time. She gleans twelve criminological theories as motivations for character deviance. Character analysis also provides valuable insight into Shakespeare's notions of formal and informal social control.

Shakespeare
Shakespeare

Author: David M. Bergeron

Publisher:

Published: 1995

Total Pages: 256

ISBN-13:

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Confronted with the formidable and at times daunting mass of materials on Shakespeare, where does the beginning student - or even a seasoned one - turn for guidance? Answering that question remains the central aim of this guide.

Shakespeare Survey 74
Shakespeare Survey 74

Author: Emma Smith

Publisher:

Published: 2021-09

Total Pages: 460

ISBN-13: 1009041088

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Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 74 is 'Shakespeare and Education. The complete set of Survey volumes is also available online at https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic and save and bookmark their results.

Shakespeare and the Twentieth Century
Shakespeare and the Twentieth Century

Author: International Shakespeare Association. World Congress

Publisher: University of Delaware Press

Published: 1998

Total Pages: 446

ISBN-13: 9780874136524

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In close to fifty sessions, the congress theme - "Shakespeare and the Twentieth Century" - allowed for critical approaches from many directions: through twentieth-century theater history on almost every continent; through a range of media representations from film to databases; through the changing theoretical models of the period that extend to the latest politically inflected readings; and through appropriations of the play-texts by modern art forms such as recent fiction.

Just and Unjust Wars in Shakespeare
Just and Unjust Wars in Shakespeare

Author: Franziska Quabeck

Publisher: Walter de Gruyter

Published: 2013-03-22

Total Pages: 272

ISBN-13: 3110301113

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The concept of the just war poses one of the most important ethical questions to date. Can war ever be justified and, if so, how? When is a cause of war proportional to its costs and who must be held responsible? The monograph Just and Unjust Wars in Shakespeare demonstrates that the necessary moral evaluation of these questions is not restricted to the philosophical moral and political discourse. This analysis of Shakespeare's plays, which focuses on the histories, tragedies and Roman plays in chronological order, brings to light that the drama includes an elaborate and complex debate of the ethical issues of warfare. The plays that feature in this analysis range from Henry VI to Coriolanus and they are analysed according to the three Aquinian principles of legitimate authority, just cause and right intention. Also extending the principles of analysis to more modern notions of responsibility, proportionality and the jus in bello-presupposition, this monograph shows that just war theory constitutes a dominant theoretical approach to war in the Shakespearean canon.

The Cambridge Companion to Shakespeare and Religion
The Cambridge Companion to Shakespeare and Religion

Author: Hannibal Hamlin

Publisher: Cambridge University Press

Published: 2019-03-28

Total Pages: 331

ISBN-13: 1107172594

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A wide-ranging yet accessible investigation into the importance of religion in Shakespeare's works, from a team of eminent international scholars.

Shakespeare and the Mystery of God's Judgments
Shakespeare and the Mystery of God's Judgments

Author: Robert G. Hunter

Publisher: University of Georgia Press

Published: 2011-03-01

Total Pages: 220

ISBN-13: 0820338540

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Robert G. Hunter maintains that the impact of the Protestant Reformation on the Elizabethan mind was in great part responsible for the emergence of the outstanding tragedies of the age. Luther and Calvin caused men to ask how God can be just if man is not free, and Shakespeare's greatest tragedies confront the vexing problems posed by these altered conceptions of man's freedom of will and God's providential control of natural circumstance. Shakespeare's audiences were not single-minded. He wrote for semi-Pelagians, Augustinians, Calvinists, and men and women who did not know what to think. Confl icting certainties, doubts, and uncertainties were his raw material, both within his mind and the minds of the audience. Hunter shows how Shakespeare uses the major attitudes toward God's judgment in creating Richard III, Hamlet, Othello, Macbeth, and King Lear. He notes that Shakespeare's different viewpoints are the heart of the tragedies themselves. Even after Shakespeare's imaginative considerations of the mysteries, the tragedies seem to consistently provide questions rather than answers, and what they inspire in their beholders is more likely to be doubt than faith.

Shakespeare & the Uses of Comedy
Shakespeare & the Uses of Comedy

Author: Joseph Allen Bryant

Publisher: University Press of Kentucky

Published: 1986

Total Pages: 300

ISBN-13: 9780813130958

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In Shakespeare's hand the comic mode became an instrument for exploring the broad territory of the human situation, including much that had normally been reserved for tragedy. Once the reader recognizes that justification for such an assumption is presented repeatedly in the earlier comedies -- from The Comedy of Errors to Twelfth Night -- he has less difficulty in dispensing with the currently fashionable classifications of the later comedies as problem plays and romances or tragicomedies and thus in seeing them all as manifestations of a single impulse. Bryant shows how Shakespeare, early a.