The classic crewel embroidery, also called Jacobean embroidery, has some very interesting fill stitches and stitch combinations, which can be used wonderfully for free embroidery. Here is the book with more than 27 filling stitches + variations and 12 leaf variations for your textile art ideas. And if you are interested in such a sampler, It is a pleasure to embroider these patterns as a sampler, because the embroidery areas are small, the patterns are varied, you can play with colours and yarns as you like.
Stitch a modern crewelwork sampler Rediscover crewel embroidery with colorful wool and cheerful designs sure to brighten any home. Jo Avery invites stitchers of all levels to take on this traditional heritage art and make projects that pop! Create texture and dimension using wool thread and felt appliqué. Stitch up flowers, honeycombs, fish, and so much more. Embroiderers, cross-stitchers, and curious crafters looking to expand their skill set will enjoy the range of hand stitches and instructional illustrations accompanying each design. Relax and unwind with this hands-on art form! 15 fresh designs breathe new life into traditional crewelwork embroidery Beginner friendly! Basic and more advanced embroidery stitches with complete illustrations Create pincushions, pillows, wallhangings, hoops, and more
Follow an expert instructor’s special techniques, starting with the simplest stitches, from stem and chain to French knot and trellis filling. Expand your repertoire to more than 100 variations, with instructions on transfer methods, color choices, and color schemes. The process unfolds, from selecting your designs to final framing and finishing. Put it all together with 10 original floral projects for clothing, soft furnishings, and framed wall hangings.
Crewel, with its surface stitches, showcases some of the boldest and most fanciful designs in needlework. Learn an expert instructor's special techniques, starting with the simplest stitches, including stem, chain, split, long and short, French knot, and trellis filling. In this book covers the entire process, from selecting and transferring patterns to framing and finishing. Starting with just few of these stitches, I demonstrated, with detailed step-by-step guide, how to work up a complete project. Instructions follow on showing how to stretch and mount your first embroidery.
Whether you refer to it as crewel or Jacobean, this free form of surface embroidery has been around for centuries and is still popular amongst needle artists today. Because of the nature of the fanciful objects and the tradition of using a large variety of stitches in one project, it lends itself to endless creative expression. In this book Hazel Blomkamp uses a wide selection of materials to update techniques and inspire embroiderers to explore whilst working loosely within the confines of crewel work styles. She shows needle artists how to be creative with fabric, threads, beads and alternative stitches, borrowing techniques from other forms of needlework, and still producing a product that is typical of the crewel or Jacobean style of embroidery.The original designs include: Projects including beads and metal threads to add sparkle and texture to your work. Monochrome embroidery making use of a variety of threads and beads, all within the same colour range. Techniques employed in needle-made laces with designs defined by means of texture. More traditional embroidery including shading and satin stitch and the many variations of trellis couching to provide texture and interest. The completed embroideries are displayed in ways that are not only decorative, but are useful in the home.
Discover this modern approach to freehand! Crewel embroidery is becoming more popular every day as needleworkers discover freehand techniques that are simply impossible with machines.
This popular book by Ruth Chamberlin now returns as a Search Press Classic, with an updated design and preface on the author by the illustrious embroiderer Mary Corbet. A needle art that dates back over a thousand years, goldwork embroidery involves sewing with lavish metal threads. It has been prized and often used by religious orders and royal households for its opulence and the way the light glimmers and plays on the beautiful metallic designs. Those in love with this brilliant style of embroidery can now create their own with easy-to-follow, step-by-step guide. Through calm and deliberate instruction, Chamberlin's book aims to teach the reader how to create a personal sampler - a piece of embroidery containing a mixture of designs and stitches, which shall provide a basis for future projects and enable readers to continue on their goldwork journey. With multiple stitch techniques - from simple laid stitch to the more complex basket stitch, several design motifs with corresponding templates that can be used, and a luminous gallery of finished work interspersed throughout, Chamberlin's work gently introduces beginners to the exquisite needle art of goldwork embroidery.
able of Contents Learning Decorative Stitches – the Art of Shirring and Smocking Table of Contents Introduction Gathering Using Cords for Gathers Staying a Gathered Seam Getting Started with Smocking Traditional Diamond Stitch Different Types of Stitches Cable Stitch Honeycomb stitch and Surface Honeycomb Surface Honeycomb Outline back stitch Also Known As Stem Stitch Chevron Stitch Wave Stitch Trellis stitch Measuring for Smocking Helpful Tips Gauging Machine Smocking Also Known As Shirring Tips for Machine Shirring Couching Fagotting Finishing the Smocking Conclusion Author Bio Publisher Introduction I was just moving around the local fabric market, when I noticed that a number of garments were embroidered with really attractive smocking stitches at the front and the back, the neck, yokes, pockets, sleeves, the bodices, necklines, bodices, cuffs, and even waists of a supposedly plain design and turn them into a thing of beauty. Smocking is supposed to have originated in Europe somewhere in the medieval times, where buttons could not be afforded by the laborers to fasten the garment and fullness needed to be controlled. This was done with multiple rows of gathered fabric which was controlled over a wide area. Nowadays, it is restricted to just babies and children’s clothing primarily, even though you can use it on any garment which needs a bit of decorative embellishment. Later on, smocking became a purely decorative design intended as a status symbol – the word originates from a peasants’ shirt also known as a smock. This was used extensively in almost every garment made by hand for laborers as well as for popular ordinary wear in the eighteenth as well as the nineteenth century. Smocking at that time was done with crewel needles or embroidery needles with silken threads or cotton threads depending on the fabric. You will need about 3 times the initial width’s material because of major part of it is going to be gathered up into folds, and stitched together. If you can gather the material, you can smock it. Naturally, this was the best way in which clothes could be “gathered together” in the absence of elastic. The fabrics on which the stitches work best are lightweight and ones that can gather easily. These include gingham, muslin, crêpe de Chine, Cashmere, Swiss cotton, voile, Batiste, cottons, and handkerchief linens.
Needlework ... an obsession since the beginning of time. A passion for needlework Factoria VII tells the story of beautiful, sophisticated neddlework juxtaposed with a rustic, industrial cottage. Twelve extraordinary needlework projects. One texture-rich, stone and wood cottage. The passion continues as a new adventure awaits within ... Back cover.
