Hilarious and heartbreaking, Creepy & Maud charts the relationship between two social misfits, played out in the space between their windows. Creepy is a boy who watches from the shadows keenly observing and caustically commentating on human folly. Maud is less certain. A confused girl with a condition that embarrasses her parents and assures her isolation. Together Creepy and Maud discover something outside their own vulnerability — each other's. But life is arbitrary; and loving someone doesn't mean you can save them. Creepy & Maud is a blackly funny and moving first novel that says; 'You're ok to be as screwed up as you think you are and you're not alone in that.'
For the first time ever, a young adult novel about the teen years of L.M. Montgomery, the author who brought us ANNE OF GREEN GABLES. Fourteen-year-old Lucy Maud Montgomery -- Maud to her friends -- has a dream: to go to college and become a writer, just like her idol, Louisa May Alcott. But living with her grandparents on Prince Edward Island, she worries that this dream will never come true. Her grandfather has strong opinions about a woman's place in the world, and they do not include spending good money on college. Luckily, she has a teacher to believe in her, and good friends to support her, including Nate, the Baptist minister's stepson and the smartest boy in the class. If only he weren't a Baptist; her Presbyterian grandparents would never approve. Then again, Maud isn't sure she wants to settle down with a boy -- her dreams of being a writer are much more important. But life changes for Maud when she goes out West to live with her father and his new wife and daughter. Her new home offers her another chance at love, as well as attending school, but tensions increase as Maud discovers her stepmother's plans for her, which threaten Maud's future -- and her happiness forever.
When Maud's pet rat, Quentin, escapes in the middle of science class, it's the very last straw. Maud is transferred from Primrose Towers to Rotwood Middle School - to the delight of her teacher, classmates and her perfect twin, Milly - but what is in store at Rotwood? There's something strange about the pupils of Rotwood - everyone's dressed as though it's Halloween and the school's motto is 'Because We Scare'. Is ten-year-old Maud Montague monstrous enough for Rotwood?
Reading the World’s Stories is volume 5 in the Bridges to Understanding series of annotated international youth literature bibliographies sponsored by the United States Board on Books for Young People. USBBY is the United States chapter of the International Board on Books for Young People (IBBY), a Switzerland-based nonprofit whose mission is bring books and children together. The series promotes sharing international children’s books as a way to facilitate intercultural understanding and meet new literary voices. This volume follows Children’s Books from Other Countries (1998), The World though Children’s Books (2002), Crossing Boundaries with Children’s Books (2006), and Bridges to Understanding: Envisioning the World through Children’s Books (2011) and acts as a companion book to the earlier titles. Centered around the theme of the importance of stories, the guide is a resource for discovering more recent global books that fit many reading tastes and educational needs for readers aged 0-18 years. Essays by storyteller Anne Pellowski, author Beverley Naidoo, and academic Marianne Martens offer a variety of perspectives on international youth literature. This latest installment in the series covers books published from 2010-2014 and includes English-language imports as well as translations of children’s and young adult literature first published outside of the United States. These books are supplemented by a smaller number of culturally appropriate books from the US to help fill in gaps from underrepresented countries. The organization of the guide is geographic by region and country. All of the more than 800 entries are recommended, and many of the books have won awards or achieved other recognition in their home countries. Forty children’s book experts wrote the annotations. The entries are indexed by author, translator, illustrator, title, and subject. Back matter also includes international book awards, important organizations and research collections, and a selected directory of publishers known for publishing books from other countries.
A "stylish and sharp" character-driven suspense novel, "with wicked hairpin turns," about a famous novelist and a small-town striver locked in a struggle for fortune and fame. (Maria Semple, author of Where'd You Go, Bernadette?) Florence Darrow is a low-level publishing employee who believes that she's destined to be a famous writer. When she stumbles into a job the assistant to the brilliant, enigmatic novelist known as Maud Dixon -- whose true identity is a secret -- it appears that the universe is finally providing Florence's big chance. The arrangement seems perfect. Maud Dixon (whose real name, Florence discovers, is Helen Wilcox) can be prickly, but she is full of pointed wisdom -- not only on how to write, but also on how to live. Florence quickly falls under Helen's spell and eagerly accompanies her to Morocco, where Helen's new novel is set. Amidst the colorful streets of Marrakesh and the wind-swept beaches of the coast, Florence's life at last feels interesting enough to inspire a novel of her own. But when Florence wakes up in the hospital after a terrible car accident, with no memory of the previous night -- and no sign of Helen -- she's tempted to take a shortcut. Instead of hiding in Helen's shadow, why not upgrade into Helen's life? Not to mention her bestselling pseudonym . . . Taut, twisty, and viciously entertaining, Who is Maud Dixon is a stylish psychological thriller about how far into the darkness you're willing to go to claim the life you always wanted. One of the Most Anticipated Books of 2021 GoodReads * LitHub * CrimeReads * Town & Country * New York Post * Wall Street Journal
“Glasby anatomizes horror’s scare tactics with keen, lucid clarity across 34 carefully selected main films—classic and pleasingly obscure. 4 Stars.” —Total Film? Horror movies have never been more critically or commercially successful, but there’s only one metric that matters: are they scary? The Book of Horror focuses on the most frightening films of the post-war era—from Psycho (1960) to It Chapter Two (2019)—examining exactly how they scare us across a series of key categories. Each chapter explores a seminal horror film in depth, charting its scariest moments with infographics and identifying the related works you need to see. Including references to more than one hundred classic and contemporary horror films from around the globe, and striking illustrations from Barney Bodoano, this is a rich and compelling guide to the scariest films ever made. “This is the definitive guide to what properly messes us up.” —SFX Magazine The films: Psycho (1960), The Innocents (1961), The Haunting (1963), Don’t Look Now (1973), The Exorcist (1973), The Texas Chain Saw Massacre (1974), Who Can Kill a Child? (1976), Suspiria (1977), Halloween (1978), The Shining (1980), The Entity (1982), Angst (1983), Henry: Portrait of a Serial Killer (1990), Ring (1998), The Blair Witch Project (1999), The Others (2001), The Eye (2002), Ju-On: The Grudge (2002), Shutter (2004), The Descent (2005), Wolf Creek (2005), The Orphanage (2007), [Rec] (2007), The Strangers (2008), Lake Mungo (2008), Martyrs (2008), The Innkeepers (2011), Banshee Chapter (2013), Oculus (2013), The Babadook (2014), It Follows (2015), Terrified (2017), Hereditary (2018), It Chapter Two (2019)
Sleeping Beauty is about to wake up. Maud may be made of gingerbread—plus a spark of magic—but she’s a real witch! Even if she’s still learning, and has a habit of making messes…and might have accidentally unleashed the hundred-year-old Class IV sleeping curse that envelops a princess’s bramble-covered castle. Oops. Maud has her friends Gretel, Ludo, and Nuss the hazelnut mousse squirrel to help her fix this. But it won’t be easy to find the sleeping princess’s true love, and the curse might end up being the least of their problems…
A rich selection from the best of Nichols' work up to and including his award-winning Privates on Parade This volume continues the stage plays of Peter Nichols, newly revised and introduced by the author. Chez Nous is about English couples who bring their emotional baggage with them on a holiday to France; Privates on Parade is a hit play inspired by the author's experience in Singapore after the war working for the Combined Services Entertainments where he met among others John Schlesinger and Kenneth Williams at a time when 'mixed' entertainment relied on men dressing up as women; Born in the Gardens is inspired by the author's native city Bristol while Passion Play is a play about passion among the elderly - won Best Play (Evening Standard) in 1981. Poppy (the musical that opened the RSC's residence at the Barbican) is set in the Victorian Far East. It takes a pop at imperial hypocrisy and wickedness and won the Best Musical award.
Mary Henley Rubio has spent over two decades researching Montgomery’s life, and has put together a comprehensive and penetrating picture of this Canadian literary icon, all set in rich social context. Extensive interviews with people who knew Montgomery – her son, maids, friends, relatives, all now deceased – are only part of the material gathered in a journey to understand Montgomery that took Rubio to Poland and the highlands of Scotland. From Montgomery’s apparently idyllic childhood in Prince Edward Island to her passion-filled adolescence and young adulthood, to her legal fights as world-famous author, to her shattering experiences with motherhood and as wife to a deeply troubled man, this fascinating, intimate narrative of her life will engage and delight.
