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Author: Emmanuela Bakola
Publisher: Oxford University Press
Published: 2010
Total Pages: 401
ISBN-13: 0199569355
DOWNLOAD EBOOKA thorough study of Cratinus, a highly influential fifth-century Athenian dramatist whose work survives in fragments today. As well as providing insight into Cratinus himself, the book enriches our understanding of ancient Greek comedy in a dynamic evolving environment.
Author: Katherine Lever
Publisher: Routledge
Published: 2022-04-26
Total Pages: 183
ISBN-13: 1000579301
DOWNLOAD EBOOKOriginally published in 1956, this is a critical analysis of the comedies of Aristophanes and Menander studied in the context of the history of comedy, of the allied arts, and of contemporary life. Aristophanes and Menander are deservedly the most famous writers of Greek comedy. The extant comedies of Aristophanes are notable for wit, comical action, beautiful poetry, and the dramatization of such problems as health of mind and body, sex, money, government, law, religion, education, and drama, music and poetry. Menander portrays with delicate and sympathetic understanding a world in which the seeming evils of loss and discord eventually lead to the genuine goods of discovery and concord. The art of Aristophanes is critically examined in three chapters and that of Menander in one. For centuries Dionysos had been worshipped in a spirit of ecstasy which manifested itself in song, dance and the wearing of masks and costumes, pantomime, farce, and satire. The processes by which these diverse elements were developed and fused into the complex literary form of Old Comedy are the subject of the first three chapters. Aristophanes was not only pre-eminent as a writer of Old Comedy; he also participated in the transformation of Old Comedy into Middle Comedy, a curious and interesting dramatic form which is fully treated in the seventh chapter. In the last chapter the emergence of New Comedy is traced and the art of Menander criticized. The book ends with a brief indication of the various forms in which the spirit of Greek comedy had survived to the present day.
Author: Emmanuela Bakola
Publisher: Cambridge University Press
Published: 2013-04-18
Total Pages: 421
ISBN-13: 1107033314
DOWNLOAD EBOOKExplores comedy's voracious and multifarious dialogue with a large spectrum of literary, sub-literary and paraliterary traditions surrounding and shaping it.
Author: Martin Revermann
Publisher: Cambridge University Press
Published: 2014-06-12
Total Pages: 523
ISBN-13: 0521760283
DOWNLOAD EBOOKThis book provides a unique panorama of this challenging area of Greek literature, combining literary perspectives with historical issues and material culture.
Author: Gregory Dobrov
Publisher: BRILL
Published: 2010-02-01
Total Pages: 595
ISBN-13: 9004188843
DOWNLOAD EBOOKThe present volume sets forth the main resources for the advancing student of Ancient Greek Comedy. An international roster of specialists contributes chapters organized into three sections: "Contexts": the intellectual, physical and socio-historical setting of Athenian Comedy; "History": the literary history of the Old, Middle and New periods; and "Elements": the text, language and formal components of the genre (including a comprehensive bibliography). This Companion is designed as a resource for understanding and interpreting the classics of Athenian Comedy from its inception through Menander. It will also be useful for navigating the principal corpora of texts, fragments and scholia that have been revised and augmented in recent years.This unique volume occupies the middle ground between short surveys and highly specialized scholarship. Contributors include: W. Geoffrey Arnott, Angus Bowie, Eric Csapo, Gregory W. Dobrov, J. Richard Green, Stanley Ireland, Heinz-Günther Nesselrath, S. Douglas Olson, Alan H. Sommerstein, Ian Storey, Ralph M. Rosen, Andreas Willi, Bernhard Zimmermann.
Author: Michael Fontaine
Publisher: Oxford University Press
Published: 2014-04
Total Pages: 913
ISBN-13: 0199743541
DOWNLOAD EBOOKThe Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From its birth in Greece to its end in Rome, from its Hellenistic to its Imperial receptions, no topic is neglected. The 41 essays offer cutting-edge guides through comedy's immense terrain.
Author: Erich Segal
Publisher: Harvard University Press
Published: 2001
Total Pages: 604
ISBN-13: 067401247X
DOWNLOAD EBOOKIn a grand tour of comic theater over the centuries, Erich Segal traces the evolution of the classical form from its early origins in a misogynistic quip by the sixth-century B.C. Susarion, through countless weddings and happy endings, to the exasperated monosyllables of Samuel Beckett. With fitting wit, profound erudition lightly worn, and instructive examples from the mildly amusing to the uproarious, his book fully illustrates comedy's glorious life cycle from its first breath to its death in the Theater of the Absurd. An exploration of various landmarks in the history of a genre that flourished almost unchanged for two millennia, The Death of Comedy revisits the obscenities and raucous twists of Aristophanes, the neighborly pleasantries of Menander, the tomfoolery and farce of Plautus. Segal shows how the ribaldry of foiled adultery, a staple of Roman comedy, reappears in force on the stages of Restoration England. And he gives us a closer look at the schadenfreude--delight in someone else's misfortune--that marks Machiavelli's and Marlowe's works. At every turn in Segal's analysis--from Shakespeare to Molière to Shaw--another facet of the comic art emerges, until finally, he argues, "the head conquers and the heart dies": Letting the intellect take the lead, Cocteau, Ionesco, and Beckett smother comedy as we know it. The book is a tour de force, a sweeping panorama of the art and history of comedy, as insightful as it is delightful to read.
Author: Donald Sells
Publisher: Bloomsbury Publishing
Published: 2018-12-13
Total Pages: 304
ISBN-13: 1350060526
DOWNLOAD EBOOKThis book argues that Old Comedy's parodic and non-parodic engagement with tragedy, satyr play, and contemporary lyric is geared to enhancing its own status as the preeminent discourse on Athenian art, politics and society. Donald Sells locates the enduring significance of parody in the specific cultural, social and political subtexts that often frame Old Comedy's bold experiments with other genres and drive its rapid evolution in the late fifth century. Close analysis of verbal, visual and narrative strategies reveals the importance of parody and literary appropriation to the particular cultural and political agendas of specific plays. This study's broader, more flexible definition of parody as a visual – not just verbal – and multi-coded performance represents an important new step in understanding a phenomenon whose richness and diversity exceeds the primarily textual and literary terms by which it is traditionally understood.
Author: Agnes Heller
Publisher: Lexington Books
Published: 2005
Total Pages: 248
ISBN-13: 9780739112465
DOWNLOAD EBOOKThis book is the first attempt to think philosophically about the comic phenomenon in literature, art, and life. Working across a substantial collection of comic works author Agnes Heller makes seminal observations on the comic in the work of both classical and contemporary figures. Whether she's discussing Shakespeare, Kafka, Rabelais, or the paintings of Brueghel and Daumier Heller's Immortal Comedy makes a characteristic contribution to modern thought across the humanities.
Author: John Lombardini
Publisher: Univ of California Press
Published: 2018-08-24
Total Pages: 302
ISBN-13: 0520964918
DOWNLOAD EBOOKWas Socrates an ironist? Did he mock his interlocutors and, in doing so, show disdain for both them and the institutions of Athenian democracy? These questions were debated with great seriousness by generations of ancient Greek writers and helped to define a primary strand of the western tradition of political thought. By reconstructing these debates, The Politics of Socratic Humor compares the very different interpretations of Socrates developed by his followers—including such diverse thinkers as Plato, Aristotle, Xenophon, Aristophanes, and the Hellenistic philosophers—to explore the deep ethical and political dimensions of Socratic humor and its implications for civic identity, democratic speech, and political cooperation. Irony has long been seen as one of Socrates’ most characteristic features, but as Lombardini shows, irony is only one part of a much larger toolkit of Socratic humor, the broader intellectual context of which must be better understood if we are to appropriate Socratic thought for our own modern ends.
