In these vivid, thought-provoking essays, leading scholars draw from their own life experiences to explore the ways in which socio-economic class has shaped their lives and educational practices. Some experienced the sting of poverty as students, while others tell stories of a privileged upbringing and moments of epiphany when they recognized the far-reaching effects of class privilege. Many in this volume tell stories of their successful (and not-so-successful) teaching experiences with students from various social classes, providing valuable insights for teachers and other education professionals.
Class-Passing draws on dozens of examples from popular culture, from old movie classics and contemporary films to print ads and cyberspace, to illustrate how flagrant displays of wealth that were once unacceptable under the old rules of behavior are now flaunted by class-passing celebrities. Book jacket.
Expose of the hypocrisy, cynicism and extremism of the Obama administration. This book identifies where and how he has been the ultimate divider of Americans.
Towards Collective Liberation: Anti-Racist Organizing, Feminist Praxis, and Movement Building Strategy is for activists engaging with dynamic questions of how to create and support effective movements for visionary systemic change. Chris Crass’s collection of essays and interviews presents us with powerful lessons for transformative organizing through offering a firsthand look at the challenges and the opportunities of anti-racist work in white communities, feminist work with men, and bringing women of color feminism into the heart of social movements. Drawing on two decades of personal activist experience and case studies of anti-racist social justice organizations, Crass insightfully explores ways of transforming divisions of race, class, and gender into catalysts for powerful vision, strategy, and movement building in the United States today. Over the last two decades, activists in the United States have been experimenting with new politics and organizational approaches that stem from a fusion of radical political traditions and liberation struggles. Drawing inspiration from women of color feminism, justice struggles in communities of color, anarchist and socialist movements, the broad upsurges of the 1960s and 70s, and social movements in the Global South, a new generation of activists has sought to understand the past while building a movement for today’s world. Towards Collective Liberation contributes to this project by examining two primary dynamic trends in these efforts: the anarchist movement of the 1990s and 2000s, through which tens of thousands of activists were introduced to radical politics, direct action organizing, democratic decision making, and the profound challenges of taking on systems of oppression, privilege, and power in society at large and in the movement itself; and white anti-racist organizing efforts from the 2000s to the present as part of a larger strategy to build broad-based, effective multiracial movements in the United States. Crass’s collection begins with an overview of the anarchist tradition as it relates to contemporary activism and an in-depth look at Food Not Bombs, one of the leading anarchist groups in the revitalized radical Left in the 1990s. The second and third sections of the book combine stories and lessons from Crass’s experiences of working as an anti-racist and feminist organizer, combining insights from the Civil Rights Movement, women of color feminism, and anarchism to address questions of leadership, organization building, and revolutionary strategy. In section four, Crass discusses how contemporary organizations have responded to the need for white activists to lead anti-racist efforts in white communities and how these efforts have contributed to multiracial alliances in building a broad-based movement for collective liberation. Offering rich case studies of successful organizing, and grounded, thoughtful key lessons for movement building, Toward Collective Liberation is a must-read for anyone working for a better world.
For more than three decades, a punk underground has repeatedly insisted that 'anyone can do it'. This underground punk movement has evolved via several micro-traditions, each offering distinct and novel presentations of what punk is, isn't, or should be. Underlying all these punk micro-traditions is a politics of empowerment that claims to be anarchistic in character, in the sense that it is contingent upon a spontaneous will to liberty (anyone can do it - in theory). How valid, though, is punk's faith in anarchistic empowerment? Exploring theories from Derrida and Marx, Anyone Can Do It: Empowerment, Tradition and the Punk Underground examines the cultural history and politics of punk. In its political resistance, punk bears an ideological relationship to the folk movement, but punk's faith in novelty and spontaneous liberty distinguish it from folk: where punk's traditions, from the 1970s onwards, have tended to search for an anarchistic 'new-sense', folk singers have more often been socialist/Marxist traditionalists, especially during the 1950s and 60s. Detailed case studies show the continuities and differences between four micro-traditions of punk: anarcho-punk, cutie/'C86', riot grrrl and math rock, thus surveying UK and US punk-related scenes of the 1980s, 1990s and beyond.
Dawn submitted an offer to purchase her dream home in the wealthy and elite area on the hilltop. Without explanation, her offer was rejected. A year later, approached by the homeowner, she didn’t hesitate and made another offer which was accepted. There was no time to view her acquisition but she had to sign the documentation almost immediately. Assuming she could move in once she returned home from her business trip, there was no need to view the property. Once Dawn returned home, she made arrangements to move. Only to find the property in a state of disrepair and left to rot. Her first call was to find a handyman. Hilton was on the verge of closing his business. Jobs were scarce and times were tough. When he arrived to quote on the job only then did they realize the immense amount of work that would be required. As luck would have it, with her large order, his business would not fold.
It’s a summer to remember . . . at the Jersey Shore. Giovanna “Gia” Spumanti and her cousin Isabella “Bella” Rizzoli are going to have the sexiest summer ever. While they couldn’t be more different—pint-size Gia is a carefree, outspoken party girl and Bella is a tall, slender athlete who always holds her tongue—for the next month they’re ready to pouf up their hair, put on their stilettos, and soak up all that Seaside Heights, New Jersey, has to offer: hot guidos, cool clubs, fried Oreos, and lots of tequila. So far, Gia’s summer is on fire. Between nearly burning down their rented bungalow, inventing the popular “tan-tags” at the Tantastic Salon where she works, and rescuing a shark on the beach, she becomes a local celebrity overnight. Luckily, she meets the perfect guy to help her keep the flames under control. Firefighter Frank Rossi is exactly her type: big, tan, and Italian. But is he tough enough to handle Gia when things really heat up? Bella is more than ready for some fun in the sun. Finally free of her bonehead ex-boyfriend, she left home in Brooklyn with one goal in mind: hooking up with a sexy gorilla for a no-strings-attached summer fling. In no time, she lands a job leading “Beat Up the Beat” dance classes at a local gym, and is scooped up by Beemer-driving, preppy Bender Newberry. Only problem: Bella can’t get her romantic and ripped boss Tony “Trouble” Troublino out of her head. He’s relationship material. Suddenly, Bella’s not sure what she wants. The cousins soon realize that for every friend they make on the boardwalk, there are also rivals, slummers, and frenemies who will do anything to ruin their summer—and try their relationship. Before July ends, the bonds of family and friendship will be stretched to the breaking point. Will the haters prevail, or will Gia and Bella find love at the Shore? For everyone who loves MTV’s hit reality show, Nicole “Snooki” Polizzi’s sweet, funny, and sexy novel perfectly captures the heat, the energy, the fun, and the drama of Jersey Shore.
The executive editor and anchor of PBS's NewsHour presents a lively analysis of political debates from the last two decades through the preparations, executions and mistakes of recent moderators and participants, offering insight into specific high-profile events and decisions.
