The Cranford Collection was founded in 1999 by Muriel and Freddy Salem, with the support and collaboration of curator Andrew Renton. London had become one of the most vibrant cities for contemporary art. One of the Collection's key initial aims was to b
Elizabeth Cleghorn Gaskell, nee Stevenson (29 September 1810 - 12 November 1865), often referred to simply as Mrs Gaskell, was a British novelist and short story writer during the Victorian era. Her novels offer a detailed portrait of the lives of many strata of society, including the very poor, and are of interest to social historians as well as lovers of literature. Gaskell was also the first to write a biography of Charlotte Bronte, The Life of Charlotte Bronte, which was published in 1857. Mrs Gaskell's first novel, Mary Barton, was published anonymously in 1848. The best-known of her remaining novels are North and South (1854), and Wives and Daughters (1865). In this book: Ruth Sylvia's Lovers -- Complete Cousin Phillis My Lady Ludlow Curious, if True, Strange Tales"
Contains six of her finest stories that have been selected to demonstrate the variety and accomplishment of her shorter fiction, and to trace the development of her art.
Examining the Victorian serial as a text in its own right, Catherine Delafield re-reads five novels by Elizabeth Gaskell, Anthony Trollope, Dinah Craik and Wilkie Collins by situating them in the context of periodical publication. She traces the roles of the author and editor in the creation and dissemination of the texts and considers how first publication affected the consumption and reception of the novel through the periodical medium. Delafield contends that a novel in volume form has been separated from its original context, that is, from the pattern of consumption and reception presented by the serial. The novel's later re-publication still bears the imprint of this serialized original, and this book’s investigation into nineteenth-century periodicals both generates new readings of the texts and reinstates those which have been lost in the reprinting process. Delafield's case studies provide evidence of the ways in which Household Words, Cornhill Magazine, Good Words, All the Year Round and Cassell's Magazine were designed for new audiences of novel readers. Serialization and the Novel in Mid-Victorian Magazines addresses the material conditions of production, illustrates the collective and collaborative creation of the serialized novel, and contextualizes a range of texts in the nineteenth-century experience of print.
The rosarian of the Brooklyn Botanic Garden's celebrated Cranford Rose Garden, has put his year-round advice into a book, charting month to month the tasks necessary to keep roses healthy and beautiful. Color photos.
The story of suburban Cranford, New Jersey, began after the Civil War as wealthy New Yorkers came to the area for the fresh air and the beautiful Rahway River that winds through town. After its incorporation in 1871, the town grew as neighborhoods like Roosevelt Manor, Lincoln Park, and Sunny Acres were established by Albert Eastman, Alden Bigelow, Miln Dayton, J. Walter Thompson, Severin Droescher, and the Sears Roebuck Company. Public buildings like the Opera House Block and the Cranford Casino and grand private houses were designed by local architect Frank Lent. Celebrations on the Rahway River gave birth to the nickname the "Venice of New Jersey." Meanwhile, the citizens of Cranford went about daily life, shopping downtown, going to school, attending services at houses of worship, and working at local businesses. As the town celebrates its 150th anniversary in 2021, Celebrating Cranford illustrates Cranford's story and highlights its citizens, some well known and some overlooked in the past.
If culture is suspect, what of cultural theory? At a moment when culture's traditional caretakers -- humanism, philosophy, anthropology, and the nation-state -- are undergoing crisis and mutation, this volume charts the tensions and contradictions in the development and deployment of the concept of culture. A genuinely interdisciplinary venture, In Near Ruins brings together respected writers from the fields of history, anthropology, literary criticism, and communications. Together their essays present an intriguing picture of "culture" at the edges of humanism, of the politics of critical inquiry amid current social transformations, of the status and practice of historical knowledge in an age of theory. Skeptical of the concept of culture but fascinated with cultural forms, the authors take up diverse topics, from debates over sexuality in the contemporary United States to relations between empire, capitalism, and gender in nineteenth-century Britain; from poverty in U.S. inner cities to violence in war-torn Sri Lanka; from the operation of nostalgia on cultural practices in Japan to anthropological forms of state power in Indonesia and the writing of history in India. Linked by a common urge to think through the aesthetics and politics of particular social relations amid a variety of globalizing forces -- revolution, colonialism, nationalism, and the disciplinary institutions of the academy itself -- these writers contribute to the ongoing work of remapping the terrain of cultural analysis and reevaluating the stakes in such a daunting effort.
This exploration of gender and property ownership in eight important novels argues that property is a decisive undercurrent in narrative structures and modes, as well as an important gender signature in society and culture. Tim Dolin suggests that the formal development of nineteenth-century domestic fiction can only be understood in the context of changes in the theory and laws of property: indeed femininity and its representation cannot be considered separately from property relations and their reform. He presents original readings of novels in which a woman owns, acquires or loses property, focusing on exchanges between patriarchal cultural authority, the 'woman question' and narrative form, and on the place of domestic fiction in a culture in which property relations and gender relations are subject to radical review. Each chapter revolves around a representative text, but refers substantially to other material, both other novels and contemporary social, legal, political and feminist commentary.