Craft Artist Membership Organizations, 1978

Craft Artist Membership Organizations, 1978

Author: National Endowment for the Arts. Research Division

Publisher:

Published: 1981

Total Pages: 56

ISBN-13:

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To describe what has been learned about craft membership organizations is the goal of this research report, which utilizes data collected in a nationwide survey of craft organizations. Specific purposes of the study were aimed at developing a better understanding of U.S. craft artists and organizations. Findings indicated that a typical craft organization has existed for 10 years, has 90 local members, is involved in exhibits, sales, and workshops, is a nonprofit corporation, and has an annual budget of $3,500. Not all of its members work in the same medium, but a majority work with clay or fiber mediums. The largest number of the estimated 1,218 U.S. organizations is located in the east north central states, while the highest number of artists resides in New England and the eastern south central states. Over 60 percent of the responding organizations are involved in more than one craft medium. Jury review as a prerequisite to membership is imposed by 30 percent of craft organizations. Provided services and activities are frequently available to the general public, while special functions and publications tend to be oriented toward members. Most of these organizations perceive themselves as having few serious problems; there is also evidence that accelerated formation of crafts organizations occurred 5 to 10 years ago and that the current tendency is toward consolidation, rather than expansion. Figures, tables, and appendices are included. (JHP)


Economic Impact of Arts and Cultural Institutions

Economic Impact of Arts and Cultural Institutions

Author: National Endowment for the Arts, Washington, DC. Research Div

Publisher:

Published: 1981

Total Pages: 108

ISBN-13:

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This report examines the economic impact of cultural institutions on their communities in Columbus (Ohio), Minneapolis/ St. Paul (Minnesota), St. Louis (Missouri), Salt Lake City (Utah), San Antonio (Texas), and Springfield (Illinois). For each city, tables are included which list data in the following categories: (1) audience per capita spending; (2) direct economic effects of examined institutions; (3) government revenues as a percentage of examined institutions' operating budgets; (4) secondary economic effects of examined institutions; and (5) estimated revenues and costs to local government related to examined institutions by city. The report also contains detailed information on Standard Metropolitan Statistical Area (SMSA) demographics including: (1) SMSA selected businesses related to arts and culture; (2) SMSA estimated audiences and spending by examined institutions; (3) SMSA audiences of examined institutions by residence and spending; (4) SMSA nonlocal audiences by examined institutions; (5) SMSA estimated institutions by sources of government support; and (6) SMSA estimated revenues and costs to local government related to examined institutions. (BZ)


Where Artists Live, 1980

Where Artists Live, 1980

Author:

Publisher:

Published: 1987

Total Pages: 80

ISBN-13:

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Information on the number and location of U.S. artists, as reported in the 1980 Census of Population, is examined, and comparisons are made with 1970 Census figures. This document describes national growth trends in specific art occupations and regional changes in comparison to total labor force changes. The impact of migration on the distribution of artists is examined, along with the effects of new labor force entries and occupational changes. Statistical data are presented for 1970 and 1980 individual states' distributions of: (1) actors and directors; (2) announcers; (3) architects; (4) authors; (5) dancers; (6) designers; (7) musicians and composers; (8) painters, sculptors, craft artists, and artist printmakers; (9) photographers; (10) teachers of art, drama, and music (higher education); and (11) other artists. A written summary is provided for each state, and information concerning the concentration of artists in major U.S. Standard Metropolitan Statistical Areas (SMSAs) is provided. Civilian labor force totals, artists in the civilian labor force percentages, the total number of artists, and percentages of U.S. artists for each state and selected large SMSAs are appended. Tables, figures, and maps are included. (JHP)