One of the things that makes Fred Craddock's sermons so compelling is his masterful use of storytelling, but, until now, few of his stories have ever been published. This collection offers for the first time hundreds of Craddock stories told in his own words and a glimpse of his life.
No one has had more impact and influence on the craft of preaching in the last several decades than Fred Craddock. After his retirement from a distinguished teaching career, he became free to share his wisdom with a wider audience without the burdens of academic responsibilities. The lectures and workshops show an ever-expanding scholarship beyond that of his published books. This book has gathered the "best of the best" of these lectures/workshops and offers them to preachers and students of preaching for critical reflection and increased effectiveness.
Example in this ebook Chapter I This book might be called also The Triumph of Love. Bertha was looking out of window, at the bleakness of the day. The sky was sombre and the clouds heavy and low; the neglected carriage-drive was swept by the bitter wind, and the elm-trees that bordered it were bare of leaf, their naked branches shivering with horror of the cold. It was the end of November, and the day was utterly cheerless. The dying year seemed to have cast over all Nature the terror of death; the imagination would not bring to the wearied mind thoughts of the merciful sunshine, thoughts of the Spring coming as a maiden to scatter from her baskets the flowers and the green leaves. Bertha turned round and looked at her aunt, cutting the leaves of a new Spectator. Wondering what books to get down from Mudie’s, Miss Ley read the autumn lists and the laudatory expressions which the adroitness of publishers extracts from unfavourable reviews. “You’re very restless this afternoon, Bertha,” she remarked, in answer to the girl’s steady gaze. “I think I shall walk down to the gate.” “You’ve already visited the gate twice in the last hour. Do you find in it something alarmingly novel?” Bertha did not reply, but turned again to the window: the scene in the last two hours had fixed itself upon her mind with monotonous accuracy. “What are you thinking about, Aunt Polly?” she asked suddenly, turning back to her aunt and catching the eyes fixed upon her. “I was thinking that one must be very penetrative to discover a woman’s emotions from the view of her back hair.” Bertha laughed: “I don’t think I have any emotions to discover. I feel ...” she sought for some way of expressing the sensation—“I feel as if I should like to take my hair down.” Miss Ley made no rejoinder, but looked again at her paper. She hardly wondered what her niece meant, having long ceased to be astonished at Bertha’s ways and doings; indeed, her only surprise was that they never sufficiently corroborated the common opinion that Bertha was an independent young woman from whom anything might be expected. In the three years they had spent together since the death of Bertha’s father the two women had learned to tolerate one another extremely well. Their mutual affection was mild and perfectly respectable, in every way becoming to fastidious persons bound together by ties of convenience and decorum.... Miss Ley, called to the deathbed of her brother in Italy, made Bertha’s acquaintance over the dead man’s grave, and the girl was then too old and of too independent character to accept a stranger’s authority; nor had Miss Ley the smallest desire to exert authority over any one. She was a very indolent woman, who wished nothing more than to leave people alone and be left alone by them. But if it was obviously her duty to take charge of an orphan niece, it was also an advantage that Bertha was eighteen, and, but for the conventions of decent society, could very well take charge of herself. Miss Ley was not unthankful to a merciful Providence on the discovery that her ward had every intention of going her own way, and none whatever of hanging about the skirts of a maiden aunt who was passionately devoted to her liberty. They travelled on the Continent, seeing many churches, pictures, and cities, in the examination of which their chief aim appeared to be to conceal from one another the emotions they felt. Like the Red Indian who will suffer the most horrid tortures without wincing, Miss Ley would have thought it highly disgraceful to display feeling at some touching scene. She used polite cynicism as a cloak for sentimentality, laughing that she might not cry—and her want of originality herein, the old repetition of Grimaldi’s doubleness, made her snigger at herself. She felt that tears were unbecoming and foolish. “Weeping makes a fright even of a good-looking woman,” she said, “but if she is ugly they make her simply repulsive.” To be continue in this ebook
An Alchemy of Masques and Mirrors is Curtis Craddock's delightful and engrossing fantasy debut featuring a genius heroine and her guardian, a royal musketeer, which Brandon Sanderson calls, "A great read!" Born with a physical disability, no magical talent, and a precocious intellect, Princess Isabelle des Zephyrs has lived her life being underestimated by her family and her kingdom. The only person who appreciates her true self is Jean-Claude, the fatherly musketeer who had guarded her since birth. All shall change, however, when an unlikely marriage proposal is offered, to the second son of a dying king in an empire collapsing into civil war. But the last two women betrothed to this prince were murdered, and a sorcerer-assassin is bent on making Isabelle the third. Isabelle and Jean-Claude plunge into a great maze of prophecy, intrigue, and betrayal, where everyone wears masks of glamour and lies. Step by dangerous step, Isabelle must unravel the lies of her enemies and discovers a truth more perilous than any deception. “A setting fabulous and strange, heroes to cheer for, villains to detest, a twisty, tricky plot — I love this novel!” —Lawrence Watt Evans “A thrilling adventure full of palace intrigue, mysterious ancient mechanisms, and aerial sailing ships!” —David D. Levine At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This collection of more than fifty of Fred Craddock's sermons provides a glimpse of a master preacher at work. Amazingly, only one of the sermons was preached from a manuscript written in advance, as Craddock considered a sermon to be an event in the world of sound. As a result, the selections here wonderfully reflect and preserve Craddock's "voice" and engage readers with all the immediacy of the spoken word.
Based on extensive original interviews with the Yacht Club Games team, writer David L. Craddock unearths the story of a fledgling group of game developers who worked so well together at WayForward Games that they decided to start their own studio.
Travel with revered preacher and author Fred Craddock through his early years as he considers what made him take to the pulpit. "For some reason, I felt I had to say 'Yes' or 'No' to the ministry so I could feel free again. My siblings and friends talked almost casually about options and preferences as to careers, but with no evident sense of urgency. Not so with me. I did not then, nor do I now know whether the burden of choice was a trait of personality, a kind of super-conscientiousness, whether the calling to ministry itself carried a weight, a burden, peculiar to the task itself. Rightly or wrongly, when I thought of possibly becoming a journalist, that would be a choice, 100 percent mine. When I considered becoming a minister, that was not totally my decision; I was responding to God's will for me. Of course, I had been told that journalists, lawyers, teachers, merchants, farmers-all could understand their lives as a vocation, a calling, but what I am telling you is that I perceived, I felt, I experienced the idea of being a preacher as different, and that difference was sobering, even burdensome. That's why advice about not being in a hurry, taking my time, was not helpful even if wise. If it was my decision, why could I not make it now; if it was God's decision, why did not God tell me, or at least tell my father or my mother? I prayed for the ache to leave me." -Excerpt from Reflections on My Call to Preach.
The church does not cope very well with dying. Instead of using its own resources to mount a positive end-of-life ministry for the terminally ill, it outsources care to secular models, providers, and services. A terminal diagnosis typically triggers denial of impending death and placing faith in the techniques and resources of modern medicine. If a cure is not forthcoming, the patient and his or her loved ones experience a sense of failure and bitter disappointment. This book offers a critical analysis of the church's failure to communicate constructively about dying, reminding the church of its considerable liturgical, scriptural, and pastoral resources when it ministers to the terminally ill. The authors, who have all been personally and professionally involved in end-of-life issues, suggest practical, theological bases for speaking about dying, communicating with those facing death, and preaching about dying. They explore how dying--in baptism--begins and informs the Christian's life story. They also emphasize that the narrative of faith embraces dying, and they remind readers of scriptural and christological resources that can lead toward a "good dying." In addition, they present current best practices from health professionals for communication among caregivers and those facing death. The book includes a foreword by Stanley Hauerwas.