Set in Wyoming and India, the stories in Cowboys and East Indians explore the immigrant experience and collisions of cultures in the American West as seen through the eyes of outsiders. From Indian motel owners to a kleptomaniac foreign exchange student, a cross-dressing sari-wearing cowboy to oil-rig workers, an adopted cowgirl to a medical tourist in India - the characters in these stories are lonely and are looking for connection, and yet they can also be problematic and aggressive in order to survive in an isolated landscape. These stories focus on the not-often-mentioned rural immigrant experience. For these characters, identity is shaped not just by personal history but by place, the very land they live on.
*Winner of the European Union Prize for Literature. There is a liveliness and effervescence to Jana Benová’s prose that is magnetic. Whether addressing the loneliness of relationships or the effectiveness of rat poison, her voice and observations call to mind the verve and sophistication of Renata Adler or Jenny Offill, while remaining utterly singular. Seeing People Off follows Elza and Ian, a young couple living in a humongous apartment complex outside Bratislava where the walls play music and talk, and time is immaterial. Drawing on her memories, everyday interactions, observations of post-socialist realities, and Elza’s attraction to actor, Kalisto Tanzi, Seeing People Off is a kaleidoscopic, poetic, and deeply funny portrait of a relationship.
A New York Times bestseller—over one million copies sold! A National Book Award winner A Boston Globe-Horn Book Award winner Bestselling author Sherman Alexie tells the story of Junior, a budding cartoonist growing up on the Spokane Indian Reservation. Determined to take his future into his own hands, Junior leaves his troubled school on the rez to attend an all-white farm town high school where the only other Indian is the school mascot. Heartbreaking, funny, and beautifully written, The Absolutely True Diary of a Part-Time Indian, which is based on the author's own experiences, coupled with poignant drawings by Ellen Forney that reflect the character's art, chronicles the contemporary adolescence of one Native American boy as he attempts to break away from the life he was destined to live. With a forward by Markus Zusak, interviews with Sherman Alexie and Ellen Forney, and black-and-white interior art throughout, this edition is perfect for fans and collectors alike.
Fiction. Based loosely on a tragic real-life incident in 2014, ONE KIND FAVOR explores the consequences of the lynching of a young black man in rural North Carolina. After the lynching of Lincoln Lennox is discovered and subsequently covered up in the small fictional community of Cord, North Carolina, the ghosts who frequent the all-in-one bar and consignment shop take on the responsibility of unearthing the truth and acting as the memory for the town that longs to forget and continues to hate. A reimagined Kathy Acker, the groundbreaking literary icon, engages Lincoln in a love triangle and brings a transgressive post-punk esthetic to the mission. The down-the-rabbit-hole satirical storytelling of ONE KIND FAVOR, Kevin McIlvoy's sixth novel, echoes Appalachian ghost stories in which haunting presences will, at last, have their way. "In ONE KIND FAVOR, Kevin McIlvoy crafts a novel we haven't seen before: a rare book about race and place that offers a nuanced take on the world we live in. This book feels vital for our times."--Nina McConigley "I describe Cord as 'spirit-haunted,' but is any place in America not haunted by ancestral misdeeds?"--Rion Scott Amilcar
Who owns the West? -- Buffalo Bill and Karl May : the origins of German Western fandom -- A wall runs through it : western fans in the two Germanies -- Little houses on the prairie -- "And then the American Indians came over" : fan responses to indigenous resurgence and political change -- Indians into Confederates : historical fiction fans, reenactors, and living history.
*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.
Gleaned during his voyage along the coasts of India, Marco Polos mystified reports include the story of a giant bird that eats elephants, along with many other tales both reliable and fantastical.
1996 Minnesota Book Award winner — A Native American book The heart of the Native American experience: In this 1996 Minnesota Book Award winner, Kent Nerburn draws the reader deep into the world of an Indian elder known only as Dan. It’s a world of Indian towns, white roadside cafes, and abandoned roads that swirl with the memories of the Ghost Dance and Sitting Bull. Readers meet vivid characters like Jumbo, a 400-pound mechanic, and Annie, an 80-year-old Lakota woman living in a log cabin. Threading through the book is the story of two men struggling to find a common voice. Neither Wolf nor Dog takes readers to the heart of the Native American experience. As the story unfolds, Dan speaks eloquently on the difference between land and property, the power of silence, and the selling of sacred ceremonies. This edition features a new introduction by the author, Kent Nerburn. “This is a sobering, humbling, cleansing, loving book, one that every American should read.” — Yoga Journal If you enjoyed Empire of the Summer Moon, Heart Berries, or You Don’t Have to Say You Love Me, you’ll love owning and reading Neither Wolf nor Dog by Kent Nerburn.
How did cattle drives come about—and why did the cowboy become an iconic American hero? Cattle drives were the largest, longest, and ultimately the last of the great forced animal migrations in human history. Spilling out of Texas, they spread longhorns, cowboys, and the culture that roped the two together throughout the American West. In cities like Abilene, Dodge City, and Wichita, buyers paid off ranchers, ranchers paid off wranglers, and railroad lines took the cattle east to the packing plants of St. Louis and Chicago. The cattle drives of our imagination are filled with colorful cowboys prodding and coaxing a line of bellowing animals along a dusty path through the wilderness. These sturdy cowhands always triumph over stampedes, swollen rivers, and bloodthirsty Indians to deliver their mighty-horned companions to market—but Tim Lehman’s Up the Trail reveals that the gritty reality was vastly different. Far from being rugged individualists, the actual cow herders were itinerant laborers—a proletariat on horseback who connected cattle from the remote prairies of Texas with the nation’s industrial slaughterhouses. Lehman demystifies the cowboy life by describing the origins of the cattle drive and the extensive planning, complicated logistics, great skill, and good luck essential to getting the cows to market. He reveals how drives figured into the larger story of postwar economic development and traces the complex effects the cattle business had on the environment. He also explores how the premodern cowboy became a national hero who personified the manly virtues of rugged individualism and personal independence. Grounded in primary sources, this absorbing book takes advantage of recent scholarship on labor, race, gender, and the environment. The lively narrative will appeal to students of Texas and western history as well as anyone interested in cowboy culture.
Three and a half years ago, Tommy Wyatt was in Las Vegas for the National Finals Rodeo. He had only one thing on his mind—winning another national championship—until he met a beautiful young med student who changed his life. Blake Eden is in the last few months of her general practice residency, interviewing for jobs and eager to move forward. But before she can seize her future, she needs to settle some things from her past—like bringing closure to her impulsive marriage to rodeo champion Tommy Wyatt. When Blake shows up at the Salinas Rodeo demanding Tommy sign their divorce papers, Tommy makes it clear he isn’t interested in signing anything. When he married Blake, he meant his vows. Now Tommy has one week to convince his secret wife they’re meant to be together.
