Cowboy Western Comics #32Featuring:Jesse JamesDenver MuddAnnie Oakleyand more! During the Golden Age of comics the plots and characters were as close to anything-goes as the comics-buying public would allow. Evil was rampant and good was....well, relative at times. The stories were always exciting and colorful, however, and now you can re-live (or, enjoy for the first time) these great adventures from two generations ago! The comic reprints from Golden Age Reprints and UP History and Hobby are reproduced from actual classic comics, and sometimes reflect the imperfection of books that are decades old. These books are constantly updated with the best version possible - if you are EVER unhappy with the experience or quality of a book, return the book to us to exchange for another title or the upgrade as new files become available. WE1296720143868
Thrilling Tales of Western Legends Favorite western legends: Annie Oakley, Wyatt Earp, Jesse James, Buffalo Bill, Wild Bill Hickok, Calamity Jane, Paul Bunyan, and so many others! It's almost like you're holding the American West in your very hands! Lasso your horse to the post, grab a sarsaparilla, pull your ten-gallon hat down to reduce the glare of the noonday sun, and sit back with COWBOY WESTERN. The comic reprints from ecomicspace.com are reproduced from actual classic comics, and sometimes reflect the imperfection of books that are decades old.
"As the Western began to flourish in literature, it also began to appear in illustrations and early comic strips of the late 19th and early 20th centuries. William Grady charts the history of the genre in comic strips and books from its origins in this period through its mid-century heyday to its gradual decline in the 60s and 70s, ending with a brief look at the current "afterlife" of Western comics over the last few decades. In doing so, he also argues for the importance of comics in the development of the Western alongside both literature and film/television. He explains how the mythic-historical settings of Western comics allowed the young readers at whom they were aimed to explore different aspects of their contemporary society, wrestle with taboo topics, and envision different futures for the US. Grady begins by exploring the origins of the Western genre in the late 19th century and shows the importance of illustrated narratives and cartoons in helping readers visualize the West, thus establishing much of its iconic imagery of frontier life, including racist stereotypes of Indigenous Peoples. He moves forward in time to show how the West became mythologized and fantastic elements were introduced into the real landscape in comic strips such as Gasoline Alley and Krazy Kat, until the Great Depression, where strips emphasized the escapist adventures of the West in Red Ryder, Lone Ranger, and others. The postwar Western spread into comic books and was used alternately as positive and negative commentaries on the Cold War and America's place in the world, but in the era of Vietnam and Watergate, Western comics portrayed darker reflections of American culture and history and eventually more or less died out. Despite the genre's apparent demise, Grady ends by examining its ongoing influence over the last decades as its tropes are used to interrogate and subvert the idea of the mythic West and explore diverse perspectives on the genre"--
The wild, WILD West! Spurs Jackson and his Space Vigilantes bravely defended the frontier against Martians, Venusian spies, Meteor Men, moon bats, and of course, Hitler and his space Nazis. Oh, and dinosaurs! With stories by Walter Gibson, famed creator/writer of The Shadow pulps, and art by John Belfi, Stan Campbell, and Lou Morales, Space Western Comics were one of the weirdest, most fun comics series of the '50s and are collected and restored here, including a "lost" story! Profusely illustrated intro by Eisner-award winning comics historian Craig Yoe. To Arizona . . . and beyond!
And in a series of exhaustive appendixes, he documents their contributions to each medium they worked in. Testifying to both the breadth and the longevity of their careers, the book includes radio logs, discographies, filmographies, and comicographies that will delight historians and collectors alike."--Jacket.
Many associate early western music with the likes of Roy Rogers and Gene Autry, but America’s first western music craze predates these “singing cowboys” by decades. Written by Tin Pan Alley songsters in the era before radio, the first popular cowboy and Indian songs circulated as piano sheet music and as cylinder and disc recordings played on wind-up talking machines. The colorful fantasies of western life depicted in these songs capitalized on popular fascination with the West stoked by Buffalo Bill’s Wild West shows, Owen Wister’s novel The Virginian, and Edwin S. Porter’s film The Great Train Robbery. The talking machine music industry, centered in New York City, used state-of-the-art recording and printing technology to produce and advertise songs about the American West. Talking Machine West brings together for the first time the variety of cowboy, cowgirl, and Indian music recorded and sold for mass consumption between 1902 and 1918. In the book’s introductory chapters, Michael A. Amundson explains how this music reflected the nostalgic passing of the Indian and the frontier while incorporating modern ragtime music and the racial attitudes of Jim Crow America. Hardly Old West ditties, the songs gave voice to changing ideas about Indians and assimilation, cowboys, the frontier, the rise of the New Woman, and ethnic and racial equality. In the book’s second part, a chronological catalogue of fifty-four western recordings provides the full lyrics and history of each song and reproduces in full color the cover art of extant period sheet music. Each entry also describes the song’s composer(s), lyricist(s), and sheet music illustrator and directs readers to online digitized recordings of each song. Gorgeously illustrated throughout, this book is as entertaining as it is informative, offering the first comprehensive account of popular western recorded music in its earliest form.
With more than 30,000 updated prices and over 650 photos and illustrations, "Comics Values Annual" provides an indispensable reference for dealers and collectors of all types of comics. Malloy offers reader-friendly grading and pricing charts, arranged by publisher, plus regional market reports from the nation's top experts and interviews with comics illustrators and writers.
Few genres were as popular and as enduring in twentieth-century Mexico as the Western. Christopher Conway’s lavishly illustrated Heroes of the Borderlands tells the surprising story of the Mexican Western for the first time, exploring how Mexican authors and artists reimagined US film and comic book Westerns to address Mexican politics and culture. Broad in scope, accessible in style, and multidisciplinary in approach, this study examines a variety of Western films and comics, defines their political messaging, and shows how popular Mexican music reinforced their themes. Conway shows how the Mexican Western responds to historical and cultural topics like the trauma of the Conquest, mestizaje, misogyny, the Cult of Santa Muerte, and anti-Americanism. Full of memorable movie stills, posters, lobby cards, comic book covers, and period advertising, Heroes of the Borderlands redefines our understanding of Mexican popular culture by uncovering a vibrant genre that has been hiding in plain sight.
