Full color photos document hundreds of beautiful textiles from the Parisian high fashion houses of the 1950s. Featuring exotic and exquisite designs in silk, rayon, and cotton, these fabrics were used to create elegant women's couture fashions. Of special interest are fabric swatches reflecting seasonal styles, "special effects" photo-engraving and lavish imitation weaves. A valuable resource for designers, historians, and collectors.
More than a footnote to the Second World War, or a foreword to the youth-obsessed exhilaration of the Sixties, the Fifties was a thrilling decade devoted to newness and freshness. The British people, rebuilding their lives and wardrobes, demanded modern materials, vibrant patterns and exciting prints inspired by scientific discoveries and modern art. Despite the influence of glamorous Paris couture led by Dior, home-grown fashion labels including Horrockses and the young Queen Elizabeth's couturier Norman Hartnell had an equally great, if not greater impact on British style. This book, written by an assistant curator at the Victoria and Albert Museum, is a fascinating look back to the days when post-war Britain developed a fresh sense of style.
Fabrics of the 1940s jump off the pages with vibrant colors in florals, stripes, checks, and plaids in full color photos. The war years saw a profusion of designs shown primarily in patriotic colors of red, white, and blue, many of them in patterns of stars and stripes, navy and airplane themes. Fabrics of the peace years reflect colors, bolder florals and geometric graphics that would continue well into the 50s.
Two lifelike paper dolls and 30 haute couture outfits by Chanel, Paquin, Jacques Heim, Mainbocher, Pauline Trigere, Givenchy, Cardin, Norell, other greats. Full Color. Publisher's Note. Captions.
"A tribute to a time when style -- and maybe even life -- felt more straightforward, and however arbitrary, there were definitive answers." -- Sadie Stein, Paris Review As a glance down any street in America quickly reveals, American women have forgotten how to dress. We lack the fashion know-how we need to dress professionally and beautifully. In The Lost Art of Dress, historian and dressmaker Linda Przybyszewski reveals that this wasn't always true. In the first half of the twentieth century, a remarkable group of women -- the so-called Dress Doctors -- taught American women that knowledge, not money, was key to a beautiful wardrobe. They empowered women to design, make, and choose clothing for both the workplace and the home. Armed with the Dress Doctors' simple design principles -- harmony, proportion, balance, rhythm, emphasis -- modern American women from all classes learned to dress for all occasions in ways that made them confident, engaged members of society. A captivating and beautifully illustrated look at the world of the Dress Doctors, The Lost Art of Dress introduces a new audience to their timeless rules of fashion and beauty -- rules which, with a little help, we can certainly learn again.
Arguably the most famous fashion designer of the 20th century, Christian Dior's feminine fashions were desired, worn, and emulated by women around the world. This new publication by ROM Press explores in detail what it was about Dior's dramatic creations-the cuts, textiles and embroideries-that stimulated the entire Paris haute couture industry after the devastation of the Second World War. The book features the Royal Ontario Museum's collection of Christian Dior couture (1947-1957), and is accompanied by sketches and documentary material from Christian Dior Héritage, along with archival images and striking photographs of the museum garments taken by world-renowned Dior photographer Laziz Hamani. The collection features beautiful designs from daytime to evening wear. The publication breaks new ground as it explains key Dior design signatures, based on the use of innovative and historical dressmaking techniques to explain what made the New Look so successful and why his designs were worn and emulated by woman around the world in the 1950s. Christian Dior presents new information drawn from extensive research wedded with close examination of the designs within this catalogue, making it an essential read for those interested in fashion, art, culture, and history.
Conversational prints were a prominent feature in the homes of the 1950s. These large and sometimes splashy print designs were used for drapery, upholstery, slipcover, and tablecloth fabrics, establishing a decorative theme or bringing a splash of color and humor. 250 color photos of vintage conversational prints are accompanied by full descriptions, making this a rich resource for designers and historians.
"Cool" colors were hot for fabrics in the late 1960s. Hundreds of splashy colors and designs from the offerings of 1960s European and American textile manufacturers are presented in full color photos. Full descriptions and fabric content information make this a useful resource for designers and historians.
Horrockses Fashion was one of the most respected ready-to-wear labels of the 1940s and '50s. This book tells the story of the iconic label, illustrating its role in the history of the British high street, while exploring the connections between couture and ready-to-wear fashions in the post-war decades.
