A fictional story with RIVETING TWISTS. After being brutally raped by her father's friend¿a crowd-pleasing political figure in Gippsland Victoria¿ eighteen-year old Saylor flees from her hometown without a clue where she is going. Once she settles into a new world, life falls into place. She finally has real friends, and her dream of becoming a successful artist is within her reach. Just when life could not be any better, she discovers a tragic family secret. When she delves deeper into the past, she not only comes face to face with the truth, she realises that enemies are out to destroy her. Will Saylor find the strength to triumph over tragedy?
You can't stay young and innocent forever. Journey with Mary, the violet-haired girl, as she comes of age, exploring forbidden desires and searching for the love and beauty which eludes her. With wide-eyed innocence, she gazes at all the world has to offer and discovers a bizarre world of poetry and perversity. Three others are along on a journey of discovery, and find their destinies intertwined. There is Lotus, the long-haired pretty boy, a troubled young man with strange abilities; Jasmine, his twin sister, a raven-haired seductress; and the large-breasted Tina, Mary's best friend. Shall they remain innocent or shall they seek the corruption that beckons them? Now sprouts the tender violet, Now strains the heaving bust, Before the cruel corruption, The onset of lust, And the rose's dewy petals open, Yearning, tempting just Before that sweet corruption, The onslaught of lust.
How did the wife of a prominent surgeon find herself at the death chamber battling the American justice system with the Pope and Mother Teresa in her corner? Lori St John's firebrand, fearless personality is behind this true story of a woman's unwavering determination to expose the truth in a dangerous game of judicial power. In a volunteer position reviewing cases of wrongful conviction, Lori's world is turned upside down when she is assigned the death row case of Joseph O'Dell. Joe is scheduled to die for the brutal rape and murder of a Virginia Beach secretary. But Lori's investigation uncovers lies, the intimidation of witnesses and a trial by am- bush in a system so corrupt she begins to fear for her own life. Her story of turmoil and dangerous choices brings her face-to- face with the jailhouse snitch and Joe's alibi witness. She's determined to find the real killer. Undeterred by the government, Lori brings the world to stand witness to the in- justice she's unearthed, and drives her mission to become a cause c
Internationally renowned, David Lynch is America's premier purveyor of the surreal; an artist whose work in cinema and television has exposed the world to his highly personalized view of society. Examining Lynch's entire body of work—from the cult surrealism of his debut feature Eraserhead to his latest mystery Inland Empire—this book considers the themes, motifs, and stories behind his incredible works. In Lynch's world the mundane and the fantastical collide, often with terrifying consequences. It is a place where the abnormal is normal, the respectable becomes sinister, where innocence is lost, redemption gained at a terrible price, and where there's always music in the air. From the deserts of a distant world to an ordinary backyard, at the breakneck speed of Lost Highway or the sedate determination of The Straight Story, readers will experience amateur sleuths, messiahs, giants and dwarves, chanteuses, psychopaths, cherry pie, and damn fine coffee.
Elizabeth Bowen was a prolific writer; her publishing career spanned five decades and during this time she wrote ten novels, over one hundred short stories and countless reviews and journal articles. While earlier novels are now acknowledged as Modernist texts, her later novels can be read through the lens of postmodernism; they can be considered variously as romantic fiction, marriage novels, war time spy thrillers and psychological drama but, throughout her novels, she consistently questioned notions of identity, sexuality and the loss of innocence. A World of Lost Innocence: The Fiction of Elizabeth Bowen offers a reading of Elizabeth Bowen’s fiction which focuses specifically on this loss, foregrounding the psychological conflicts experienced by her protagonists. It examines the subject not only across the range of her fiction, but also in relation to her unfolding narrative structures through a chronologically based discussion of her novels and selected short stories, interwoven with biographical information and drawing on unpublished letters. This book investigates the dominant kinds of innocence that Bowen represents throughout her fiction: the innocence attributed to childhood, sexual innocence and sexual morality, and political innocence, and argues that the transition from innocence to experience plays an important role in the epistemological journey faced both by Bowen’s characters and her readers.
This rediscovered masterpiece captures a chilling moment in the stifling early days of Communist Czechoslovakia. 1950s Prague is a city of numerous daily terrors, of political tyranny, corruption and surveillance. There is no way of knowing whether one’s neighbor is spying for the government, or what one’s supposed friend will say to a State Security agent under pressure. A loyal Party member might be imprisoned or executed as quickly as a traitor; innocence means nothing for a person caught in a government trap. When a little boy is murdered at the cinema, the ensuing investigation sheds a little too much light on the personal lives of the cinema’s female ushers, each of whom is hiding a dark secret of her own.
Edward Bond's version of Lear's story embraces myth and reality, war and politics, to reveal the violence endemic in all unjust societies. He exposes corrupted innocence as the core of social morality, and this false morality as a source of the aggressive tension which must ultimately destroy that society. In a play in which blindness becomes a dramatic metaphor for insight, Bond warns that 'it is so easy to subordinate justice to power, but when this happens power takes on the dynamics and dialectics of aggression, and then nothing is really changed'.
Papers from a conference organised for undergraduates at Chester College of Higher Education in November 2000. The papers examine four main areas: the role of the media in constructing public perceptions of crime; historical reactions to female deviants in society; social policies to tackle domestic violence; and fear of crime in the community.
On January 20, 1984, Earl Washington—defended for all of forty minutes by a lawyer who had never tried a death penalty case—was found guilty of rape and murder in the state of Virginia and sentenced to death. After nine years on death row, DNA testing cast doubt on his conviction and saved his life. However, he spent another eight years in prison before more sophisticated DNA technology proved his innocence and convicted the guilty man. DNA exonerations have shattered confidence in the criminal justice system by exposing how often we have convicted the innocent and let the guilty walk free. In this unsettling in-depth analysis, Brandon Garrett examines what went wrong in the cases of the first 250 wrongfully convicted people to be exonerated by DNA testing. Based on trial transcripts, Garrett’s investigation into the causes of wrongful convictions reveals larger patterns of incompetence, abuse, and error. Evidence corrupted by suggestive eyewitness procedures, coercive interrogations, unsound and unreliable forensics, shoddy investigative practices, cognitive bias, and poor lawyering illustrates the weaknesses built into our current criminal justice system. Garrett proposes practical reforms that rely more on documented, recorded, and audited evidence, and less on fallible human memory. Very few crimes committed in the United States involve biological evidence that can be tested using DNA. How many unjust convictions are there that we will never discover? Convicting the Innocent makes a powerful case for systemic reforms to improve the accuracy of all criminal cases.
