Tarzan of the silver screen, Lord of the Jungle. This book gives an indepth look at the major and some of the minor filming locations in California. Profusely illustrated.
The winner of four Academy Awards for directing, John Ford is considered by many to be America’s greatest native-born director. Ford helmed some of the most memorable films in American cinema, including The Grapes of Wrath, How Green Was My Valley, and The Quiet Man, as well as such iconic westerns as Stagecoach, My Darling Clementine, She Wore a Yellow Ribbon, The Searchers, and The Man Who Shot Liberty Valance. In The John Ford Encyclopedia, Sue Matheson provides readers with detailed information about the acclaimed director’s films from the silent era to the 1960s. In more than 400 entries, this volume covers not only the films Ford directed and produced but also the studios for which he worked; his preferred shooting sites; his World War II documentaries; and the men and women with whom he collaborated, including actors, screenwriters, technicians, and stuntmen. Eleven newly discovered members of the John Ford Stock Company are also included. Encompassing the entire range of the director’s career—from his start in early cinema to his frequent work with national treasure John Wayne—this is a comprehensive overview of one of the most highly regarded filmmakers in history. The John Ford Encyclopedia will be of interest to professors, students, and the many fans of the director’s work.
The true story of the American West on film, through its shooting stars and the directors who shot them...Howard Hughes explores the Western, running from John Ford's "Stagecoach" to the revisionary "Tombstone". Writing with panache and fresh insight, he explores 27 key films, and draws on production notes, cast and crew biographies, and the films' box-office success, to reveal their place in western history. He shows how through reinvention and resurrection, this genre continually postpones the big adios and avoids ending up in Boot Hill...permanently. Major films covered include the best from genre giants John Ford, Howard Hawks and John Wayne, plus classics "High Noon", "Shane", "The Magnificent Seven" and "Butch Cassidy and the Sundance Kid". "Stagecoach to Tombstone" makes many more stops along the way, examining well-known blockbusters and lowly B-movie oaters alike. It examines comedy westerns, adventures 'south of the border', singing cowboys and the varied depiction of Native Americans on screen. Hughes also engagingly charts the genre's timely renovation by Sam Peckinpah ("Ride the High Country" and "The Wild Bunch"), Sergio Leone ("Once Upon a Time in the West") and Clint Eastwood ("The Outlaw Josey Wales" and "Unforgiven"). Presented too are the best of western trivia, a filmography of essential films - and ten aficionados and critics, including Alex Cox, Christopher Frayling, Philip French and Ed Buscombe, give their verdict on the best in the west.
Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting Stars of the Small Screen is a comprehensive encyclopedia of more than 450 actors who received star billing or played a recurring character role in a TV Western series or a made-for-TV Western movie or miniseries from the late 1940s up to 2008. Douglas Brode covers the highlights of each actor's career, including Western movie work, if significant, to give a full sense of the actor's screen persona(s). Within the entries are discussions of scores of popular Western TV shows that explore how these programs both reflected and impacted the social world in which they aired. Brode opens the encyclopedia with a fascinating history of the TV Western that traces its roots in B Western movies, while also showing how TV Westerns developed their own unique storytelling conventions.
John Ford's classic films—such as Stagecoach, The Grapes of Wrath, How Green Was My Valley, The Quiet Man, and The Searchers—have earned him worldwide admiration as America's foremost filmmaker, a director whose rich visual imagination conjures up indelible, deeply moving images of our collective past. Joseph McBride's Searching for John Ford, described as definitive by both the New York Times and the Irish Times, surpasses all other biographies of the filmmaker in its depth, originality, and insight. Encompassing and illuminating Ford's myriad complexities and contradictions, McBride traces the trajectory of Ford's life from his beginnings as “Bull” Feeney, the nearsighted, football-playing son of Irish immigrants in Portland, Maine, to his recognition, after a long, controversial, and much-honored career, as America's national mythmaker. Blending lively and penetrating analyses of Ford's films with an impeccably documented narrative of the historical and psychological contexts in which those films were created, McBride has at long last given John Ford the biography his stature demands.
Los Angeles has reigned for more than a century as the world capital of the film industry, a unique and ever-changing city that has been molded and recast thousands of times through the artistic visions and cinematic dreams of Hollywoods elite. As early as 1907, filmmakers migrated west to avoid lengthy eastern winters. In Los Angeles, they discovered an ideal world of abundant and diverse locales blessed with a mild and sunny climate ideal for filming. Location Filming in Los Angeles provides a historic view of the diversity of locations that provided the backdrop for Hollywoods greatest films, from the silent era to the modern age.
Veteran stuntman Fred "Krunch" Krone, Stuntmen's Assn. co-founder and first secretary, treasurer, said "Jesse has written what no one has ever said or would dare say. It's a must read."Jesse's attention to detail made this book hard to put down. As a youngster, I grew up visiting the sets watching Jesse work with my father (a veteran stuntman himself). Now being a stuntman myself for many years, it has been a pleasure to relive a lot of those historic days through Jesse's words. I've read all of the books by stunt performers and Jesse's is the best. Great job Jesse! Veteran stuntman Vince Deadrick, Jr."If you would like to take a book trip through a day to day and year to year life of a stuntman, this is the real deal. The path is laden with egos, conditions, danger, personalities, talent, and lack of talent. I'm a thirty-two year veteran stuntman and Jesse took my mind out of retirement, and back on the set with this book." Jack Verbois SAMP Lifetime MemberNot all stunt men are six-feet tall. Confessions of a Hollywood Stunt Man is the thrilling saga of a five-foot-four, 18 year old kid who became a stunt double for Hollywood's most famous short men, women and children. In an adventurous, daring career spanning 40 years, Jesse Wayne details the many comedic and tragic incidents in front & behind the cameras, including a vicious murder of an 8 year old black kid on a New Orleans film location. When the Stuntmen's Association of Motion Pictures was formulated in 1961, he documented its history as secretary, treasurer and board member. Jesse appeared in over 500 TV productions and feature films, in addition to hundreds of live stunt shows. If this seems like a lot, it's because he began in the early days of Los Angeles' live television, when he was eight years old. His most exhilarating experiences was meeting and working with the greatest actors, writers, producers and directors of the 20th Century.In 1959, Jesse became Mickey Rooney's stunt double at MGM. Continuing, he doubled small men, women, and virtually every child actor in Tinseltown. Jesse performed Fights, Car Work, Stair Falls, Bicycles, High Work, High Falls and Horse Work. Fire Gags became one of his prime specialties. He quit water stunts after the "Julia Belle Swain" riverboat ran over him in the Missouri River on Tom Sawyer (1973) while doubling Jeff East.Jesse also stunt-doubled The Three Stooges (Moe Howard and Larry Fine), Robert Morse, Kurt Russell, Red Buttons, Sir John Mills, Frankie Avalon, Kay Lenz, David Wayne, Leslie Caron, Barbara Stanwyck, Helen Hayes, Harry Morgan, Arte Johnson, José Feliciano, Johnny Crawford, George Gobel, Robin Williams, Gary Burghoff, Strother Martin, John Hillerman, Donald Pleasence, Mel Brooks, Don Johnson, Billie Hayes (aka "WitcheePoo"), Brenda Vaccaro, Barbara Rhoades, Pamela Austin, Lurene Tuttle, Eddie Hodges, Michael Burns, Buck Kartalian, William 'Billy' Benedict, Richard Bakalyan, Michael J. Pollard, and Mel Tormé and so many more.Jesse has also performed behind the camera as a first assistant director, cinematographer, videographer, director, gun coach, and just about every other job on a movie set.
This book explores the relationship between tourism and the moving image, from the early era of silent moving pictures through to cinema as mass entertainment. It examines how our active and emotional engagement with moving images provides meaning and connection to a place that can affect our decision-making when we travel. It also analyses how our touristic experiences can inform our film-viewing. A range of genres and themes are studied including the significance of the western, espionage, road and gangster movies, along with further study of film studio theme parks and an introduction to the relationship between gaming and travel. This book will appeal to tourism scholars as well as film studies professionals, and is written in an accessible manner for a general audience.
When Harry Carey, Sr., died in 1947, director John Ford cast Carey's twenty-six-year-old son, Harry, Jr., in the role of The Abilene Kid in 3 Godfathers. Ford and the elder Carey had filmed an earlier version of the story, and Ford dedicated the Technicolor remake to his memory. Company of Heroes is the story of the making of that film, as well as the eight subsequent Ford classics. In it, Harry Carey, Jr., casts a remarkably observant eye on the process of filming Westerns by one of the true masters of the form. From She Wore a Yellow Ribbon and Wagonmaster to The Searchers and Cheyenne Autumn, he shows the care, tedium, challenge, and exhilaration of movie-making at its highest level. Carey's portrayal of John Ford at work is the most intimate ever written. He also gives us insightful and original portraits of the men and women who were part of Ford's vision of America: John Wayne, Richard Widmark, Henry Fonda, Maureen O'Hara, Ward Bond, Victor McLaglen, and Ben Johnson. Funny, insightful, and brutally honest, Company of Heroes is a rip-roaring good read that presents the remarkable life story of Harry Carey, Jr., and his many fine performances.