Worker-writer in America

Worker-writer in America

Author: Douglas Wixson

Publisher: University of Illinois Press

Published: 1994

Total Pages: 724

ISBN-13: 9780252067853

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Conroy, a coal miner's son who apprenticed at age thirteen in a railroad shop, later migrated to factory cities and experienced the privation and labor struggles of the 1930s. As worker and writer he composed The Disinherited, one of the most important working-class novels of the thirties. As editor of a radical literary journal, The Anvil, he nurtured the early careers of Richard Wright, Nelson Algren, and Meridel LeSueur before his own literary work was eclipsed in the cold war years. Douglas Wixson draws upon a wealth of letters and manuscripts made available to him as Conroy's literary executor, as well as numerous interviews with Conroy and his former contributors and colleagues. Wixson explores the origins and development of worker-writing and the numerous "little magazines" it generated. He examines the differences between the midwestern and East Coast literary worlds and the milieu in which Conroy and others like him worked - the Depression, job layoffs, factory closings, homelessness, and migration.


A Staggering Revolution

A Staggering Revolution

Author: John Raeburn

Publisher: University of Illinois Press

Published: 2010-10-01

Total Pages: 422

ISBN-13: 0252092198

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During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's A Staggering Revolution recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed public's imagination. While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League.


Sherman

Sherman

Author: Vetter, Ph.D., Charles Edmund

Publisher: Pelican Publishing

Published: 1992

Total Pages: 360

ISBN-13: 9781455611898

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