Cornelis Cort
Author: Huigen Leeflang
Publisher:
Published: 2000
Total Pages: 306
ISBN-13:
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Painted Prints
Author: Susan Dackerman
Publisher: Penn State Press
Published: 2002
Total Pages: 324
ISBN-13: 9780271022352
DOWNLOAD EBOOKBetr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).
Copyright in the Renaissance
Author: Christopher L. C. E. Witcombe
Publisher: BRILL
Published: 2004-01-01
Total Pages: 447
ISBN-13: 9004137483
DOWNLOAD EBOOKThis richly documented study of copyright in sixteenth-century Venice and Rome provides valuable new information about the "privilegio" and the printers, engravers, painters, mapmakers, and others who used it to protect their commercial interests in various types of printed images.
Caravaggio
Author: John Varriano
Publisher: Penn State Press
Published: 2010-11-01
Total Pages: 304
ISBN-13: 9780271047034
DOWNLOAD EBOOKIn Caravaggio, Varriano uncovers the principles and practices that guided Caravaggio's brush as he made some of the most controversial paintings in the history of art. He sheds an important new light on these disputes by tracing the autobiographical threads in Caravaggio's paintings, framing these within the context of contemporary Italian culture.
The Authority of the Word
Author: Celeste Brusati
Publisher: BRILL
Published: 2011-11-11
Total Pages: 773
ISBN-13: 9004215158
DOWNLOAD EBOOKThis book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700.
Federico Barocci and the Oratorians
Author: Ian F. Verstegen
Publisher: Penn State Press
Published: 2015-07-01
Total Pages: 357
ISBN-13: 1612481337
DOWNLOAD EBOOKIn 1586, Federico Barocci delivered his Visitation of the Virgin and St. Elizabeth to the Chiesa Nuova in Rome. For the next quarter century, Barocci dominated the art scene in Rome; there was no other artist from whom it was harder to get work and no other artist charged such high prices. Having two important altarpieces in the Chiesa Nuova and two additional commissions discussed was an impressive feat for an artist living exclusively in Urbino. Why did the Oratorians monopolize Barocci’s talents in Rome and why does it seem that Barocci was their first choice when considering artists to decorate their church? What was it about Barocci’s art that appealed to Oratorian sensibilities and their vision of the artistic program for decoration of their church? This book examines the relationship between Barocci and the Congregation of the Oratory, arguing for a distinct physiognomy of Oratorian patronage and exposing the function the Oratorians expected of religious imagery in contrast to other groups of their time. While explaining Oratorian patronage, it thus deals with a thorny question in social science: how can a collective body have unified intentions and actions? The result is a contribution both to the history of Italian painting and to art historical methodology.
Dawn of the Golden Age
Author: Wouter T. Kloek
Publisher: Yale University Press
Published: 1993-01-01
Total Pages: 732
ISBN-13: 0300060165
DOWNLOAD EBOOKDesigned as a catalogue for an exhibition at the Rijksmuseum in 1994, this offers a survey of the paintings, drawings, prints, sculpture and applied art produced 1580-1620. The book contains five essays followed by a catalogue which reproduces work from the era along with data on the artists.
Print Publishing in Sixteenth-century Rome
Author: Christopher L. C. E. Witcombe
Publisher: Harvey Miller
Published: 2008
Total Pages: 480
ISBN-13:
DOWNLOAD EBOOKThis volume brings formal coherence to the overwhelming mass of prints published in 16th century Rome. The aim is to provide an overview of who was publishing what prints and when over the course of the period.
The Renaissance Print, 1470-1550
Author: David Landau
Publisher: Yale University Press
Published: 1994-01-01
Total Pages: 453
ISBN-13: 0300068832
DOWNLOAD EBOOKThrough an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
The Life of Lambert Lombard (1565); and Effigies of Several Famous Painters from the Low Countries (1572)
Author: Dominicus Lampsonius
Publisher: Getty Publications
Published: 2021-11-23
Total Pages: 178
ISBN-13: 1606067400
DOWNLOAD EBOOKAmong the earliest written texts on the history and theory of Netherlandish art, these two key writings are now available together in an English translation. Dominicus Lampsonius’s The Life of Lambert Lombard (1565) is the earliest published biography of a Netherlandish artist. This neo-Latin account of the life of the painter, architect, and draftsman Lambert Lombard of Liège offers a theoretical exposition on the nature and ideal practice of Netherlandish art, emphasizing Lombard’s intellectual curiosity, interest in antiquity, attentive study of the human body, and exemplary generosity as a teacher. This volume offers the first English edition of The Life of Lambert Lombard, complemented by a new translation of the inscriptions Lampsonius composed to accompany the Effigies of Several Famous Painters from the Low Countries (1572), a cycle of twenty-three engraved portraits of Netherlandish artists developed in collaboration with the print publisher Hieronymus Cock. Together, The Life of Lambert Lombard and the Effigies established frameworks for a distinctly Netherlandish history of art. Responding to a growing sense of Netherlandish cultural and political identity on the eve of the Dutch Revolt, these texts proposed a critical alternative to Giorgio Vasari’s Lives of the Artists and its Italian model of art historical development, celebrating local ingenuity and skill. They remain the starting point for any history of the northern Renaissance.
