From Kazu Kibuishi, creator of AMULET, comes an irresistibly charming pair of characters! Copper is curious, Fred is fearful. And together boy and dog are off on a series of adventures through marvelous worlds, powered by Copper's limitless enthusiasm and imagination. Each Copper and Fred story in this graphic novel collection is a complete vignette, filled with richly detailed settings and told with a wry sense of humor. These two enormously likable characters build ships and planes to travel to surprising destinations and have a knack for getting into all sorts of odd situations.
Excerpt from Art of Coppersmithing: A Practical Treatise on Working Sheet Copper Into All Forms And while the aspirations of my youth died away amid the busy' turmoil of mechanical life, and smoldered for years (with an occasional burst of warmth), the thoughts were still cherished, and I began without any preparation, save my memory, to give the helpless boys of the trade reliable instruction in things they should know in starting out to acquire the Art of Coppersmithing. I did my best to tell from my own experience, in the most lucid manner, that which is being called for in everyday life, in three separate branches of the copper trade, sup posing with each lesson there was a good boy at my side. I am pleased with the result of my first effort, which was in a measure impromptu. It will not, however, make Coppersmiths of any one without effort and application, but I trust it will be a help to all who have need of assist ance, and be an incentive to boys to exercise whatever talents they may possess for their own benefit and that of others less fortunate. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Concentrating on technology, economics, labor, and social history, Cradle to Grave documents the full life cycle of one of America's great mineral ranges from the 1840s to the 1960s. Lankton examines the workers' world underground, but is equally concerned with the mining communities on the surface. For the first fifty years of development, these mining communities remained remarkably harmonious, even while new, large companies obliterated traditional forms of organization and work within the industry. By 1890, however, the Lake Superior copper industry of upper Michigan started facing many challenges, including strong economic competition and a declining profit margin; growing worker dissatisfaction with both living and working conditions; and erosion of the companies' hegemony in a district they once controlled. Lankton traces technological changes within the mines and provides a thorough investigation of mine accidents and safety. He then focuses on social and labor history, dealing especially with the issue of how company paternalism exerted social control over the work force. A social history of technology, Cradle to Grave will appeal to labor, social and business historians.
Inexpensive and readily available, copper is soaring in popularity as a jewelry-making material! This book is a unique collection of copper jewelry techniques and projects from Art Jewelry magazine. With tips, techniques, and projects assembled in a way that makes them easily accessible to beginning crafters, the skills showcased here include wireworking, metalworking, adding colors and patinas, etching, combining copper with metal or polymer clay, and more. Perfect for jewelry makers of all stripes, Copper Jewelry Collection is a must-have for the crafting room bookshelf.
This is a review of 190 years of literature on copper and its alloys. It integrates information on pigments, corrosion and minerals, and discusses environmental conditions, conservation methods, ancient and historical technologies.
Copper Work is a fascinating technical manual based on the profitable and, at times, highly artistic activity of manipulating copper to create things from tools to jewelry. Contents: "Problems, Escutcheons, and Hinge Tail, Drawer and Door Pull and Hinge, Finger Plates, Pad Corners, Box Corners, Stamp Box and Match Box, Sconce, Picture Frame, Soldering, Repousse or Embossing..."
Bisbee, Arizona...July 12, 1917...6:30 a.m.... Just after dawn, two thousand armed vigilantes took to the streets of this remote Arizona mining town to round up members and sympathizers of the radical Industrial Workers of the World. Before the morning was over, nearly twelve hundred alleged Wobblies had been herded onto waiting boxcars. By day's end, they had been hauled off to New Mexico. While the Bisbee Deportation was the most notorious of many vigilante actions of its day, it was more than the climax of a labor-management war—it was the point at which Arizona donned the copper collar. That such an event could occur, James Byrkit contends, was not attributable so much to the marshaling of public sentiment against the I.W.W. as to the outright manipulation of the state's political and social climate by Eastern business interests. In Forging the Copper Collar, Byrkit paints a vivid picture of Arizona in the early part of this century. He demonstrates how isolated mining communities were no more than mercantilistic colonies controlled by Eastern power, and how that power wielded control over all the Arizona's affairs—holding back unionism, creating a self-serving tax structure, and summarily expelling dissidents. Because the years have obscured this incident and its background, the writing of Copper Collar involved extensive research and verification of facts. The result is a book that captures not only the turbulence of an era, but also the political heritage of a state.
“Art Of Coppersmithing” is a detailed and interesting treatise on the subject, exploring its history and development and giving precise, illustrated instructions as to how various results are achieved. Written with the beginner in mind, this volume is ideal for students and those new to metalwork, especially to coppersmithing. Contents include: “Metal Work”, “Preface To First Edition”, “Preface To Fourth Edition”, “Historical Sketch Of Copper”, “The Brazier’s Art, Or Light”, “Coppersmithing”, “First Year’s Experience”, “Repairing And Tinning”, “The Boy’s Second Year”, “Making Washing-Coppers”, “Making Brewing-Coppers”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new introduction on metal work.
“The convertors would spew it out,” employee Arturo Hernandez recalled, referring to molten metal. “You’d see the ground, the dirt, catch on fire. . . . If you slip, you’d be like a little pat of butter, melting away.” Hernandez was describing work at ASARCO El Paso, a smelter and onetime economic powerhouse situated in the city’s heart just a few yards north of the Mexican border. For more than a century the smelter produced vast quantities of copper—along with millions of tons of toxins. During six of those years, the smelter also burned highly toxic industrial waste under the guise of processing copper, with dire consequences for worker and community health. Copper Stain is a history of environmental injustice, corporate malfeasance, political treachery, and a community fighting for its life. The book gives voice to nearly one hundred Mexican Americans directly affected by these events. Their frank and often heartrending stories, published here for the first time, evoke the grim reality of laboring under giant machines and lava-spewing furnaces while turning mountains of rock into copper ingots, all in service to an employer largely indifferent to workers’ welfare. With horror and humor, anger, courage, and sorrow, the authors and their interviewees reveal how ASARCO subjected its employees and an unsuspecting public to pollution, diseases, and early death—with little in the way of compensation. Elaine Hampton and Cynthia C. Ontiveros weave this eloquent testimony into a cautionary tale of toxic exposure, community activism, and a corporate employer’s dubious relationship with ethics—set against the political tug-of-war between industry’s demands and government’s obligation to protect the health of its people and the environment.
