First in the New York Times–bestselling series and winner of the Edgar Award: A new rabbi in a small New England town investigates the murder of a nanny. David Small is the new rabbi in the small Massachusetts town of Barnard’s Crossing. Although he’d rather spend his days engaged in Torah study and theological debate, the daily chores of synagogue life are all-consuming—that is, until the day a nanny’s body is found on the rain-soaked asphalt of the temple’s parking lot. When the young woman’s purse is discovered in Rabbi Small’s car, he will have to use his scholarly skills and Talmudic wisdom—and collaborate with the Irish-Catholic police chief—to exonerate himself and find the real killer. Blending this unorthodox sleuth’s quick intellect with thrilling action, Friday the Rabbi Slept Late is the exciting first installment of the beloved bestselling mystery series that offers a Jewish twist on the clerical mystery, a delightful discovery for fans of Father Brown and Father Dowling or readers of Faye Kellerman’s suspense novels set in the Orthodox community.
As he counsels a woman considering conversion to Judaism, Rabbi Small takes a break from murder mysteries to discuss the mysteries of his religion. In Conversations with Rabbi Small, the rabbi finds himself taking a well-deserved vacation at a Jewish retreat in the mountains, where he reads, plays cards, and furthers his studies, which have been languishing for too long. When the rabbi’s wife is called back to the city to deal with an illness in the family, the rabbi meets a curious young woman in the midst of a life-changing moment. Joan is a gentile who is about to marry a Jewish man, and she is desperate for answers as she determines whether or not to convert to her betrothed’s religion. In Rabbi Small, she finds an ideal teacher. In a series of impassioned conversations, the rabbi guides her through the ancient mysteries and wonders of Judaism, giving guidance to both her and her husband-to-be. With humor and compassion, the rabbi shares the history, beliefs, and traditions that have linked Jewish people across the world for millennia.
Rabbi Small has left the synagogue, but he’s not done with sleuthing, in this “engaging” mystery from the New York Times–bestselling author (New York Newsday). After three decades of dealing with temple politics and getting involved with more than a handful of murder investigations, Rabbi David Small is ready to retire from his synagogue in the cozy Boston suburb of Barnard’s Crossing. For years, his secret desire has been to permanently take up teaching, but when he finally leaves the synagogue to pursue that dream, life at a university proves more dangerous than he thought. Late at night, a notoriously ambitious college professor dies in a car wreck. The academic had been drinking heavily, but evidence suggests that the crash might not have been an accident. The local police are stumped and enlist the only detective they know whose astute eye and quick mind come from a higher power: Rabbi Small.
The rabbi looks into a professor’s death, in the New York Times–bestselling series that’s “the American equivalent of the British cozy” (Booklist). Retired from his job at the synagogue in Barnard’s Crossing, Massachusetts, Rabbi Small now teaches Judaic studies at a Boston college. Finally able to enjoy theological contemplation without the annoyance of temple politics, the rabbi is shocked when one of his colleagues is found dead in his car—and the clues at the scene point to murder. The deceased English professor was notoriously selfish and held long-standing grudges against other members of the faculty, so the list of suspects is long. But when the rabbi who took over Small’s position in Barnard’s Crossing is implicated, it falls to Small to clear his name and find the true killer, one last time.
“I like the surprise of the curtain going up, revealing what’s behind it.” –John Schlesinger The British director John Schlesinger was one of the cinema’s most dynamic and influential artists. Now, in Conversations with John Schlesinger, acclaimed writer Ian Buruma, Schlesinger’s nephew, reveals the director’s private world in a series of in-depth interviews conducted in the later years of the director’s life. Here they discuss the impact of Schlesinger’s personal life on his art. As his films so readily demonstrate, Schlesinger is a wonderful storyteller, and he serves up fascinating and provocative recollections of growing up in a Jewish family during World War II, his sexual coming-of-age as a gay man in conformist 1950s England, his emergence as an artist in the “Swinging 60s,” and the roller-coaster ride of his career as one of the most prominent Hollywood directors of his time. Schlesinger also discusses his artistic philosophy and approach to filmmaking, recounting stories from the sets of his masterpieces, including Midnight Cowboy; Sunday, Bloody Sunday; Marathon Man; and The Day of the Locust. He shares what it was like to direct such stars as Dustin Hoffman, John Voight, Sean Penn, Madonna, and Julie Christie (whom Schlesinger is credited with discovering) and offers his thoughts on the fickle nature of fame and success in Hollywood. Packed with wit and keen insight into the artistic mind, Conversations with John Schlesinger is not just the candid story of a dynamic and eventful life but the true measure of an extraordinary person.
"Writing at its best is an exalted state, an unlocking of the unconscious and imagination and a contact with sanctity." One of America's most popular Jewish writers, Chaim Potok (b. 1929) is the author of such novels as The Chosen (1967), The Promise (1969), The Book of Lights (1981), and Davita's Harp (1985). Each of his novels explores the tension between tradition and modernity, and the clash between Jewish culture and contemporary Western civilization, which he calls "core-to-core culture confrontation." Although primarily known as a novelist, Potok is an ordained Conservative rabbi and a world-class Judaic scholar who has also published children's books, theological discourses, biographies, and histories. Conversations with Chaim Potok presents interviews ranging from 1976 to 1999. Potok discusses the broad range of his writing and the deep influence of non-Jewish novels-in particular, Evelyn Waugh's Brideshead Revisited and James Joyce's Portrait of the Artist as a Young Man-on his work. Interviews bear witness to Potok's many other influences-Orthodox Jewish doctrine, Freudian psychoanalytical theory, Picasso's Guernica, and Jewish kabbalah mysticism. Though labeled an American Jewish writer, Potok argues that Flannery O'Connor should then be called an American Catholic writer and John Updike an American Protestant writer. "In his mind," editor Daniel Walden writes, "just as Faulkner was a writer focused on a particular place, Oxford, Mississippi, . . . so Potok's territory was a small section of New York City." Potok often explores conflict in his writings and in his interviews. Strict Jewish teachings deem fiction an artifice and therefore unnecessary, yet since the age of sixteen Potok has been driven to write novels. At the root of all of these conversations is Potok's intense interest in the turmoil between Jewish culture, religion, and tradition and what he calls "Western secular humanism." As he discusses his work, he continually includes broader issues, such as the state of Jewish literature and art, pointing out with pride and enthusiasm his belief that Jewish culture, in the twentieth century, has finally begun to have a significant role in producing and shaping the world's art and literature. Whether discussing the finer details of Talmudic textual analysis or his period of chaplaincy during the Korean War, Potok is articulate and philosophical, bringing deep consideration into what may seem small subjects. Although his novels and histories take place primarily in the recent past, the Chaim Potok that emerges from this collection is a writer deeply rooted in the tensions of the present. Daniel Walden is Professor Emeritus of American Studies, English and Comparative Literature at Penn State University. He has written or edited several books, including On Being Jewish (1974), Twentieth Century American Jewish Writers (1984), The World of Chaim Potok (1985), and American Jewish Poets: The Roots and the Stems (1990).
In this second volume of his long-anticipated five-volume collection of parashat hashavua commentaries, Rabbi Sir Jonathan Sacks explores these intersections as they relate to universal concerns of freedom, love, responsibility, identity, and destiny. Chief Rabbi Sacks fuses Jewish tradition, Western philosophy, and literature to present a highly developed understanding of the human condition under Gods sovereignty. Erudite and eloquent, Covenant Conversation allows us to experience Chief Rabbi Sacks sophisticated approach to life lived in an ongoing dialogue with the Torah.
It may fairly be said that religion plays virtually no part in the lives of most American Jews. So begins Daniel Friedman's provocative discussion of American Judaism. Friedman, a rabbi for almost forty years, has counseled thousands of Jews on the meaning of being Jewish. From this wealth of experience he has created this fascinating series of fictional conversations, each of them a distillation of many actual conversations. Should Jews marry outside the faith, and if so, what are the likely consequences? How should Jews cope with anti-Semitism, or evaluate their tense historical relationship with Christianity? Can one be Jewish without being religious; without belief in God; indeed, without Judaism? Are all values relative if one does not believe in God? In contemporary society these timely questions are of great importance to both practicing and nonpracticing Jews. Each of the fictional conversations thoroughly explores these issues with sensitivity and offers much valuable advice culled from Rabbi Friedman's many years of thinking about what it means to be Jewish in a secular age.
Congregation Beth Abraham expected their newest rabbi to "sing some songs and go to an environmental rally." But Vivian Green has other ideas. She wants her flock to engage meaningfully with their city-special mayoral elections, interfaith breakfasts, fights for affordable housing and all. Also, she would like just one night off to go dancing in the leather boots that make her look like her finest gay self. Taking on the city's old boys' club is already proving difficult...but then Beth Abraham bursts into flames. Fingers get pointed, and everyone's biases rise to the surface. It turns out that wasn't the only fire burning in town. Vivian sticks to her instincts, raising tensions with her boss, her community, and a certain hottie in a power suit. And she learns that knowing whodunnit is only half the battle.
