Conversations with Malcolm Cowley
Conversations with Malcolm Cowley

Author: Malcolm Cowley

Publisher: Univ. Press of Mississippi

Published: 1986

Total Pages: 252

ISBN-13: 9780878052912

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This collection of twenty-one unabridged interviews puts us immediately in the company of one of the presiding literary figures of our times. This revered editor, poet, literary historian, and critic encapsulates seven decades of American literature in these conversations that took place between 1942 and 1985. Full of insights and strong opinions, direct, salty, Cowley converses candidly with his interviewers about himself and about many subjects and personages that have shaped our national literature in the last century. Throughout this volume Cowley gives vivid accounts of his close alliances with such widely diverse and individual authors as William Faulkner, Ernest Hemingway, Hart Crane, John Cheever, Jack Kerouac, and Ken Kesey. From these interviews emerges a literary man who inspires the reader's renewed admiration and gratitude. In the common bond uniting great authors Cowley sees the manifestation of a Republic of Letters with laws, intelligence, and confraternity. These magnificently articulate interviews leave little doubt that Cowley is its elder statesman.

Exile's Return
Exile's Return

Author: Malcolm Cowley

Publisher: Penguin

Published: 1994-12-01

Total Pages: 401

ISBN-13: 1101662670

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The adventures and attitudes shared by the American writers dubbed "The Lost Generation" are brought to life here by one of the group's most notable members. Feeling alienated in the America of the 1920s, Fitzgerald, Crane, Hemingway, Wilder, Dos Passos, Crowley, and many other writers "escaped" to Europe, some forever, some as temporary exiles. As Cowley details in this intimate, anecdotal portrait, in renouncing traditional life and literature, they expanded the boundaries of art.

The Art of Fiction
The Art of Fiction

Author: David Lodge

Publisher: Random House

Published: 2012-04-30

Total Pages: 255

ISBN-13: 1448137799

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In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce. Looking at ideas such as the Intrusive Author, Suspense, the Epistolary Novel, Magic Realism and Symbolism, and illustrating each topic with a passage taken from a classic or modern novel, David Lodge makes the richness and variety of British and American fiction accessible to the general reader. He provides essential reading for students, aspiring writers and anyone who wants to understand how fiction works.

The Long Voyage
The Long Voyage

Author: Malcolm Cowley

Publisher: Harvard University Press

Published: 2014-01-06

Total Pages: 847

ISBN-13: 067472822X

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Critic, poet, editor, chronicler of the Lost Generation, elder statesman of the Republic of Letters, Malcolm Cowley (1898-1989) was an eloquent witness to American literary and political life. His letters, mostly unpublished, provide a self-portrait of Cowley and his time and make possible a full appreciation of his long, varied career.

The View from 80
The View from 80

Author: Malcolm Cowley

Publisher: New York, N.Y. : Penguin Books

Published: 1982

Total Pages: 100

ISBN-13: 9780140060508

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"Malcolm Cowley's account of life in one's ninth decade began as a widely hailed, award-winning article in Life magazine. Enriched and enlarged with further reflections, anecdotes, and readers' responses to the original piece, it has become an elegant and touching contemporary classic"--Back cover.

Black Sun
Black Sun

Author: Geoffrey Wolff

Publisher: New York Review of Books

Published: 2012-04-18

Total Pages: 420

ISBN-13: 159017559X

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Includes an afterword by the author. Harry Crosby was the godson of J. P. Morgan and a friend of Ernest Hemingway. Living in Paris in the twenties and directing the Black Sun Press, which published James Joyce among others, Crosby was at the center of the wild life of the lost generation. Drugs, drink, sex, gambling, the deliberate derangement of the senses in the pursuit of transcendent revelation: these were Crosby’s pastimes until 1929, when he shot his girlfriend, the recent bride of another man, and then himself. Black Sun is novelist and master biographer Geoffrey Wolff’s subtle and striking picture of a man who killed himself to make his life a work of art.

Fiction's Inexhaustible Voice
Fiction's Inexhaustible Voice

Author: Stephen M. Ross

Publisher: University of Georgia Press

Published: 1989

Total Pages: 308

ISBN-13: 9780820313757

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William Faulkner recognized voice as one of the most distinctive and powerful elements in fiction when he delivered his Nobel Prize acceptance speech, describing the last sound at the end of the world as man's "puny inexhaustible voice, still talking." As a testimonial of an artist's faith in his art, the speech raised the value of voice to its highest reach for man, as "one of the props, the pillars to help him endure and prevail." In Fiction's Inexhaustible Voice, Stephen Ross explores the nature of voice in William Faulkner's fiction by examining the various modes of speech and writing that his texts employ. Beginning with the proposition that voice is deeply involved in the experience of reading Faulkner, Ross uses theoretically grounded notions of voice to propose new ways of explaining how Faulkner's novels and stories express meaning, showing how Faulkner used the affective power of voice to induce the reader to forget the silent and originless nature of written fiction. Ross departs from previous Faulkner criticism by proceeding not text-by-text or chronologically but by construction a workable taxonomy which defines the types of voice in Faulkner's fiction: phenomenal voice, a depicted event or object within the represented fictional world; mimetic voice, the illusion that a person is speaking; psychic voice, one heard only in the mind and overheard only through fiction's omniscience; and oratorical voice, an overtly intertextual voice which derives from a discursive practice--Southern oratory--recognizable outside the boundaries of any Faulkner text and identifiable as part of Faulkner's biographical and regional heritage. In Faulkner's own experience, listening was important. As he once confided to Malcolm Cowley, "I listen to the voices, and when I put down what the voices say, it's right." In Fiction's Inexhaustible Voice, Ross conducts a careful analysis of this fundamental source of power in Faulkner's fiction, concluding that the preponderance of voice imagery, represented talking, verbalized thought, and oratorical rhetoric and posturing makes the novels and stories fundamentally vocal. They derive their energy from the play of voices on the imaginative field of written language.

After the Program Era
After the Program Era

Author: Loren Glass

Publisher: University of Iowa Press

Published: 2017-01-04

Total Pages: 288

ISBN-13: 1609384407

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The publication in 2009 of Mark McGurl’s The Program Era provoked a sea change in the study of postwar literature. Even though almost every English department in the United States housed some version of a creative writing program by the time of its publication, literary scholars had not previously considered that this institutional phenomenon was historically significant. McGurl’s groundbreaking book effectively established that “the rise of the creative writing program stands as the most important event in postwar American literary history,” forcing us to revise our understanding not only of the relationship between higher education and literary production, but also of the periodizing terminology we had previously used to structure our understanding of twentieth-century literature. After the Program Era explores the consequences and implications, as well as the lacunae and liabilities, of McGurl’s foundational intervention. Glass focuses only on American fiction and the traditional MFA program, and this collection aims to expand and examine its insights in terms of other genres and sites. Postwar poetry, in particular, has until now been neglected as a product of the Program Era, even though it is, arguably, a “purer” example, since poets now depend almost entirely on the patronage of the university. Similarly, this collection looks beyond the traditional MFA writing program to explore the pre-history of writing programs in American universities, as well as alternatives to the traditionally structured program that have emerged along the way. Taken together, the essays in After the Program Era seek to answer and explore many of these questions and continue the conversations McGurl only began. CONTRIBUTORS Seth Abramson, Greg Barnhisel, Eric Bennett, Matthew Blackwell, Kelly Budruweit, Mike Chasar, Simon During, Donal Harris, Michael Hill, Benjamin Kirbach, Sean McCann, Mark McGurl, Marija Rieff, Juliana Spahr, Stephen Voyce, Stephanie Young