How does a writer approach a novel about a real person? In this new collection of interviews, authors such as Emma Donoghue, David Ebershoff, David Lodge, Colum McCann, Colm Tóibín, and Olga Tokarczuk sit down with literary scholars to discuss the relationship of history, truth, and fiction. Taken together, these conversations clarify how the biographical novel encourages cross-cultural dialogue, promotes new ways of thinking about history, politics, and social justice, and allows us to journey into the interior world of influential and remarkable people.
How does a writer approach a novel about a real person? In this new collection of interviews, authors such as Emma Donoghue, David Ebershoff, David Lodge, Colum McCann, Colm Tóibín, and Olga Tokarczuk sit down with literary scholars to discuss the relationship of history, truth, and fiction. Taken together, these conversations clarify how the biographical novel encourages cross-cultural dialogue, promotes new ways of thinking about history, politics, and social justice, and allows us to journey into the interior world of influential and remarkable people.
Biofiction: An Introduction provides readers with the history, origins, evolution, and legitimization of biofiction, suggesting potential lines of inquiry, exploring criticisms of the literary form, and modeling the process of analyzing and interpreting individual texts. Written for undergraduate and graduate students, this volume combines comprehensive coverage of the core foundations of biofiction with contemporary and lively debates within the subject. The volume aims to confront and illuminate the following questions: • When did biofiction come into being? • What forces gave birth to it? • How does it uniquely function and signify? • Why has it become such a dominant aesthetic form in recent years? This introduction will give readers a framework for evaluating specific biofictions from writers as varied as Friedrich Nietzsche, George Moore, Zora Neale Hurston, William Styron, Angela Carter, Joyce Carol Oates, and Colm Tóibín, thus enabling readers to assess the value and impact of individual works on the culture at large. Spanning nineteenth-century origins to contemporary debates and adaptations, this book not only equips the reader with a firm grounding in the fundamentals of biofiction but also provides a valuable guide to the uncanny power of the biographical novel to transform cultural attitudes, perspectives, and beliefs.
The twelve essays collected in this work explore the afterlives of nineteenth- and twentieth-century writers in biographical fiction, or biofiction, and its sister genre, the biopic. The essays situate these genres in relation to their generic, cultural, and ideological contexts, and are organised into four groups. The first locates the origins of biofiction in the historical novel, and in Modernist experiments in life writing, while the second consists of case studies of biofiction about writers from the long nineteenth century: Charlotte Brontë, Henry James, Constance Fenimore Woolson, and Rupert Brooke. A guest essay by novelist Maggie Gee opens the third group, which analyses the fertile sub-genre of biographical novels about Woolf, while the fourth and final part of the book concerns the related genre of the biopic. The volume is comprised entirely of original commissions, whose authors include postgraduate students, practitioners and specialists in biographical writing. It will appeal to undergraduates and postgraduates on life writing and contemporary literature modules, as well as fans of the featured biographical novelists and their subjects.
In this new collection of interviews, some of America's most prominent novelists identify the key intellectual developments that led to the rise of the contemporary biographical novel, discuss the kind of historical 'truth' this novel communicates, indicate why this narrative form is superior to the traditional historical novel, and reflect on the ideas and characters central to their individual works. These interviews do more than just define an innovative genre of contemporary fiction. They provide a precise way of understanding the complicated relationship and pregnant tensions between contextualized thinking and historical representation, interdisciplinary studies and 'truth' production, and fictional reality and factual constructions. By focusing on classical and contemporary debates regarding the nature of the historical novel, this volume charts the forces that gave birth to a new incarnation of this genre.
The first biography of Chilean novelist Roberto Bolaño, the author of the international bestsellers The Savage Detectives and 2666 How to know the man behind works of fiction so prone to extravagance? In the first biography of Chilean novelist and poet Roberto Bolaño, journalist Mónica Maristain tracks Bolaño from his childhood in Chile to his youth in Mexico and his early infatuation with literature, to years of tremendous literary productivity in Spain, and to his untimely death and the posthumous and unprecedented stardom that came with the international publication of his novels The Savage Detectives and 2666. Bolaño: A Biography in Conversations is assembled from a series of rich interviews with the people who knew Bolaño best: we meet Bolaño's first publisher, who printed 225 copies of his first book of poetry; are introduced to his parents and an array of childhood friends, who watched a precocious young man turn into an obsessive writer who barely left the house; and witness the birth of Bolaño's famed Infrarealist literary movement. The book also sheds new light on aspects of Bolaño's life taht have long been shrouded in mystery: for the first time, we learn the details of his final illness and the drama of his final days. Throughout the book, Maristain present an image far removed from the stereotypes that have been created over the years, with the aim of reintroducing the man whose works grabbed readers worldwide. Maristain writes as a journalist and admirer, impressed with the power of Bolaño’s prose and the cool irony with which he faced the literary world.
Sigmund Freud was no stranger to controversy. He shocked many with his revolutionary theories on human development, desires and sexuality, and transformed the way we think about ourselves today. Starting with a brilliant foreword from renowned psychologist Edward de Bono, the book is then divided into two parts: a biographical essay that provides a concise overview of Freud's life, achievements, theories and controversies; and a Q&A dialogue based on rigorous research and incorporating Freud's actual spoken or written words whenever possible. D.M. Thomas carefully guides us through Freud's life and theories that would lead to him become the father of psychoanalysis. In frank conversation, full of energy and spiced with cynicism and wit, he'll interpret your wildest fantasies and strangest dreams, and even let you in on a few family secrets.
Joanna Scott (b. 1960) has been one of America’s leading writers since the 1990s. Both critically acclaimed and winner of numerous prestigious awards, Scott’s unique and probing vision and masterful writing has inspired readers to adjust their perceptions of life and of themselves. Her fiction jolts and illuminates, frequently exposing the degree to which the perverse is natural and the ordinary is twisted and demented. Conversations with Joanna Scott presents eighteen interviews that span two decades and are as much about the process of reading as they are about writing. Witty, probing, wide-ranging, and insightful, Scott’s off-the-cuff observations about literature and life are as thought-provoking as some of the most memorable lines and scenes in her fiction. Not only shedding new light on Scott’s fiction, Conversations with Joanna Scott also illuminates enduring areas of inquiry, like the challenge of trying to make art out of sentences; the effort to recover and imagine lost stories from the past; the changing status of the literary imagination; fictional portraiture and the productive possibilities that come from blending biography and fiction; and concerns about literacy. Joanna Scott has made her name through brilliant, award-winning novels, but this volume clarifies why she is also one of America’s leading public intellectuals and an astute critic of literature and culture.
Before the 1970s, there were only a few acclaimed biographical novels. But starting in the 1980s, there was a veritable explosion of this genre of fiction, leading to the publication of spectacular biographical novels about figures as varied as Abraham Lincoln, Ludwig Wittgenstein, Friedrich Nietzsche, Emily Dickinson, Virginia Woolf, Henry James, and Marilyn Monroe, just to mention a notable few. This publication frenzy culminated in 1999 when two biographical novels (Michael Cunningham's The Hours and Russell Banks' Cloudsplitter) were nominated for the Pulitzer Prize, and Cunningham's novel won the award. In The American Biographical Novel, Michael Lackey charts the shifts in intellectual history that made the biographical novel acceptable to the literary establishment and popular with the general reading public. More specifically, Lackey clarifies the origin and evolution of this genre of fiction, specifies the kind of 'truth' it communicates, provides a framework for identifying how this genre uniquely engages the political, and demonstrates how it gives readers new access to history.
Literary Criticism -- Biography Conversations with F. Scott Fitzgerald assembles over thirty interviews with one of America's greatest novelists, the author of The Great Gatsby and Tender Is the Night. Although most of these are not standard interviews in the modern sense, the quotes from Fitzgerald and the contemporary journalistic reaction to him reveal much about his writing techniques, artistic wisdom, and life. Editors Matthew J. Bruccoli, the foremost Fitzgerald scholar, and Judith S. Baughman have collected the most usable and articulate pieces on Fitzgerald, including a three-part 1922 interview conducted for the St. Paul Daily News. Fitzgerald (1896-1940) died before the authorial interview became a literary subgenre after World War II. Although Fitzgerald enjoyed his celebrity, as is clear in these pieces, he had a poor sense of public relations and provided interviewers with opportunities to trivialize him. As a result, Fitzgerald was often treated condescendingly in the press. Seven of his interviews-five printed before 1924-have flapper in their headlines. In the Jazz Age-a term Fitzgerald coined-he was regarded as a spokesman for rebellious youth, as a playboy, as an authority on sex and marriage, as an expert on Prohibition, and as an immensely popular writer for his work published in the Saturday Evening Post. Yet his literary ambitions were sizable and his impact on American fiction immeasurable. Matthew J. Bruccoli is Jefferies Professor of English at the University of South Carolina. He has written or edited thirty volumes on Fitzgerald, including the standard biography, Some Sort of Epic Grandeur: The Life of F. Scott Fitzgerald. Judith S. Baughman, who works in the department of English at the University of South Carolina, has written the F. Scott Fitzgerald volume in the Gale Study Guides series and has edited American Decades: 1920-1929.
