Conversations with Billy Collins

Conversations with Billy Collins

Author: John Cusatis

Publisher: Univ. Press of Mississippi

Published: 2022-07-27

Total Pages: 149

ISBN-13: 1496840682

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Billy Collins “puts the ‘fun’ back in profundity,” says poet Alice Fulton. Known for what he has called “hospitable” poems, which deftly blend wit and erudition, Collins (b. 1941) is a poet of nearly unprecedented popularity. His work is also critically esteemed and well represented in The Norton Anthology of American Literature. An English professor for five decades, Collins was fifty-seven when his poetry began gathering considerable international attention. Conversations with Billy Collins chronicles the poet’s career beginning with his 1998 interview with Terry Gross on Fresh Air, which exponentially expanded his readership, three years prior to his being named United States Poet Laureate. Other interviewers range from George Plimpton, founder of the Paris Review, to Pulitzer Prize–winning poet Henry Taylor to a Presbyterian pastor, a physics professor, and a class of AP English Literature students. Over the course of the twenty-one interviews included in the volume, Collins discusses such topics as discovering his persona, that consistently affable voice that narrates his often wildly imaginative poems; why poetry is so loved by children but often met with anxiety by high school students; and his experience composing a poem to be recited during a joint session of Congress on the first anniversary of 9/11, a tragedy that occurred during his tenure as poet laureate. He also explores his love of jazz, his distaste for gratuitously difficult poetry and autobiographical poems, and his beguiling invention of a mock poetic form: the paradelle. Irreverent, incisive, and deeply life-affirming—like his twelve volumes of poetry—these interviews, gathered for the first time in one volume, will edify and entertain readers in the way his sold-out readings have done for the past quarter century.


Talk Poetry

Talk Poetry

Author: David Baker

Publisher: University of Arkansas Press

Published: 2012-01-01

Total Pages: 221

ISBN-13: 1610754972

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What is more direct and intimate than one-to-one conversation? Here two forces in American poetry, the Kenyon Review and the University of Arkansas Press, bring together discussions between one of America's leading poets and editors, David Baker, and nine of the most exciting poets of our day. The poets, who represent a wide array of vocations and aesthetic positions, open up about their writing processes, their reading and education, their hopes for and discontents with the contemporary scene, and much more, treating readers to a view of the range and capacity of contemporary American poetry.


12 X 12

12 X 12

Author: Christina Mengert

Publisher: University of Iowa Press

Published: 2009-04-16

Total Pages: 295

ISBN-13: 1587297914

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This book includes the poetry by and interviews with : Jennifer K. Dick, Laura Mullen, Jon Woodward, Rae Armantrout, Sabrina Orah Mark, Claudia Rankine, Christina Hawkey,Tomaž Šalamun, Christine Hume, Rosemarie Waldrop, Srinkath Reddy, Mark Levine, Karen Volkman, Allen Grossman, Paul Fattaruso, Dara Wier, Mark Yakich, Mary Leader, Michelle Robinson, Paul Auster, Sawako Nakayasu, Carla Harryman, Ben Lerner, and Aaron Kunin.


Don't Call Us Dead

Don't Call Us Dead

Author: Danez Smith

Publisher:

Published: 2017-09-05

Total Pages: 101

ISBN-13: 1555977855

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Digte. Addresses race, class, sexuality, faith, social justice, mortality, and the challenges of living HIV positive at the intersection of black and queer identity


Poetry in Person

Poetry in Person

Author: Alexander Neubauer

Publisher: National Geographic Books

Published: 2011-09-06

Total Pages: 0

ISBN-13: 0375711759

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“In the fall of 1970, at the New School in Greenwich Village, a new teacher posted a flyer on the wall,” begins Alexander Neubauer’s introduction to this remarkable book. “It read ‘Meet Poets and Poetry, with Pearl London and Guests.’” Few students responded. No one knew Pearl London, the daughter of M. Lincoln Schuster, cofounder of Simon & Schuster. But the seminar’s first guests turned out to be John Ashbery, Adrienne Rich, and Robert Creely. Soon W. S. Merwin followed, then Mark Strand and Galway Kinnell. London invited poets to bring their drafts to class, to discuss their work in progress and the details of vision and revision that brought a poem to its final version. From Maxine Kumin in 1973 to Eamon Grennan in 1996, including Amy Clampitt, Marilyn Hacker, Paul Muldoon, Nobel laureate Derek Walcott, and U.S. poet laureates Robert Hass, Robert Pinsky, Louise Glück, and Charles Simic, the book follows an extraordinary range of poets as they create their poems and offers numerous illustrations of the original drafts, which bring their processes to light. With James Merrill, London discusses autobiography and subterfuge; with Galway Kinnell, his influential notion that the new nature poem must include the city and not exclude man; with June Jordan, “Poem in Honor of South African Women” and the question of political poetry and its uses. Published here for the first time, the conversations are intimate, funny, irreverent, and deeply revealing. Many of the drafts under discussion—Robert Hass’s “Meditation at Lagunitas,” Edward Hirsch’s “Wild Gratitude,” Robert Pinsky’s “The Want Bone”—turned into seminal works in the poets’ careers. There has never been a gathering like Poetry in Person, which brings us a wealth of understanding and unparalleled access to poets and their drafts, unraveling how a great poem is actually made.


Poetry Unbound: 50 Poems to Open Your World

Poetry Unbound: 50 Poems to Open Your World

Author: Pádraig Ó. Tuama

Publisher: W. W. Norton & Company

Published: 2022-12-06

Total Pages: 198

ISBN-13: 132403548X

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“Mesmerizing, magical, deeply moving.” —Elif Shafak Expanding on the popular podcast of the same name from On Being Studios, Poetry Unbound offers immersive reflections on fifty powerful poems. In the tumult of our contemporary moment, poetry has emerged as an inviting, consoling outlet with a unique power to move and connect us, to inspire fury, tears, joy, laughter, and surprise. This generous anthology pairs fifty illuminating poems with poet and podcast host Pádraig Ó Tuama’s appealing, unhurried reflections. With keen insight and warm personal anecdotes, Ó Tuama considers each poem’s artistry and explores how its meaning can reach into our own lives. Focusing mainly on poets writing today, Ó Tuama engages with a diverse array of voices that includes Ada Limón, Ilya Kaminsky, Margaret Atwood, Ocean Vuong, Layli Long Soldier, and Reginald Dwayne Betts. Natasha Trethewey meditates on miscegenation and Mississippi; Raymond Antrobus makes poetry out of the questions shot at him by an immigration officer; Martín Espada mourns his father; Marie Howe remembers and blesses her mother’s body; Aimee Nezhukumatathil offers comfort to her child-self. Through these wide-ranging poems, Ó Tuama guides us on an inspiring journey to reckon with self-acceptance, history, independence, parenthood, identity, joy, and resilience. For anyone who has wanted to try their hand at a conversation with poetry but doesn’t know where to start, Poetry Unbound presents a window through which to celebrate the art of being alive.


Haiku Love

Haiku Love

Author: Alan Cummings

Publisher: Harry N. Abrams

Published: 2014-01-09

Total Pages: 0

ISBN-13: 9781468308600

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Haiku poems about the natural world and the seasons are well known, but many poets have also used the haiku genre to capture the fleeting human experience.


The Striped World

The Striped World

Author: Emma Jones

Publisher: Faber & Faber

Published: 2010-12-09

Total Pages: 73

ISBN-13: 0571263135

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With their tidal imagination, the poems in this debut collection sweep between old worlds and new, seeking the lost and recovering the found among shipwrecks, underwater zoos and discovered lands. Emma Jones brings her inventive worlds dramatically to life in a series of vividly distilled meetings - of settlers and indigenous peoples, of seawaters and shore, of humanity and the wilds of nature. Here, tigers stalk the captive and the free, while Death encounters his own double and Daphne tells of her new leaves, 'They sing, and make the world.' The same might be said of the poems themselves in this restless and memorable search for belonging.


Sympathetic Little Monster

Sympathetic Little Monster

Author: Cameron Awkward-Rich

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9781938900174

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Poetry. African American Studies. LGBT Studies. 2017 Lambda Literary Award Finalist in Transgender Poetry. Through a combination of lyric, narrative, & fractured essay, SYMPATHETIC LITTLE MONSTER attempts to make a space & a shape for the little girl who haunts our cultural/ personal narratives about blackness & transmasculinity. As a trans coming-of-age text the work is intensely inward-focused, but it resists the imperative of linear autobiography. Instead, it uses the personal as a tool to explore what kind of thing a "self" is, its relation to trauma & objectification, & its capacity to be multiple.


A Village Life

A Village Life

Author: Louise Glück

Publisher: Farrar, Straus and Giroux

Published: 2014-07-08

Total Pages: 87

ISBN-13: 1466875631

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WINNER OF THE NOBEL PRIZE IN LITERATURE A dreamlike collection from the Nobel Prize-winning poet A Village Life, Louise Glück's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place: All the roads in the village unite at the fountain. Avenue of Liberty, Avenue of the Acacia Trees— The fountain rises at the center of the plaza; on sunny days, rainbows in the piss of the cherub. —from "tributaries" Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed. Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as "the type of describing, supervising intelligence found in novels rather than poetry," as Langdon Hammer has written of her long lines—expansive, fluent, and full—manifesting a calm omniscience. While Glück's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.