"Alaskans experience isolation of two kinds: Physical landscapes that keep us apart and intangible separations of culture and race. Because of these distances, both literal and metaphoric, conversations about issues that affect our entire state happen too infrequently and exclude many people. This thesis project provides a space for that dialogue in museums and other public spaces."--Back cover
Dive into a captivating tale where love is woven through the threads of time in "Traited by the History." Follow on an epic journey through the ages, where destiny and passion intertwine against the backdrop of history's defining moments. As the past casts its shadow on the present, navigate a love that transcends centuries, bound by an unbreakable connection. Will their love story rewrite the pages of history, or will the echoes of the past shape their destiny? Why choose "Traited by the History"? 🌟 Immerse yourself in a love story that defies the boundaries of time. 🌟 Explore the richness of history intertwined with the passion of an epic romance. 🌟 Crafted by Prof: Don Newton, a master storyteller known for weaving tales that captivate the heart and mind. In "Traited by the History," love becomes a force that echoes through time, leaving an indelible mark on the souls of those who dare to defy fate. Grab your copy now and embark on a journey where love transcends time and history is rewritten in the name of passion.
In 1931 Grey Owl published his first book, The Men of the Last Frontier, a work that is part memoir, part history of the vanishing wilderness in Canada, and part compendium of animal and First Nations tales and lore. A passionate, compelling appeal for the protection and preservation of the natural environment pervades Grey Owls words and makes his literary debut still ring with great relevance in the 21st century. By the 1920s, Canadas outposts of adventure had been thrust farther and farther north to the remote margins of the country. Lumbermen, miners, and trappers invaded the primeval forests, seizing on natures wealth with soulless efficiency. Grey Owl himself fled before the assault as he witnessed his valleys polluted with sawmills, his hills dug up for hidden treasure, and wildlife, particularly his beloved beavers, exterminated for quick fortunes.
Americans have long cherished romantic images of the frontier and its colorful cast of characters, where the cowboys are always rugged and the ladies always fragile. But in this book, Peter Boag opens an extraordinary window onto the real Old West. Delving into countless primary sources and surveying sexological and literary sources, Boag paints a vivid picture of a West where cross-dressing—for both men and women—was pervasive, and where easterners as well as Mexicans and even Indians could redefine their gender and sexual identities. Boag asks, why has this history been forgotten and erased? Citing a cultural moment at the turn of the twentieth century—when the frontier ended, the United States entered the modern era, and homosexuality was created as a category—Boag shows how the American people, and thus the American nation, were bequeathed an unambiguous heterosexual identity.
In his present fifth suite, A Journey through Mourning, Sean Gaffney offers a celebration with love and gratitude of the life, death and legacy of Dara Gaffney, May 9, 1972, Dublin, Ireland -- August 9, 1986, Stockholm, Sweden as of August 2021 and counting... Read on...
Today messages are sent with the click of a mouse. Few of us have time anymore to sit down and hand write a letter. E-mail is in and with the press of a key the written words disappear as if they had never been. Sadly the handwritten letter is becoming a thing of the past.In 1955 when two young starry-eyed Americans left to take up their post in northeast Thailand with the United States Information Agency there was no such thing as E-mail. Had there been this memoir would not exist. In Korat, Thailand communication by means other than a letter required advance planning, practice and patience. An overseas call had to be reserved in advance. The call was made from a radio station via short wave. It was a frustrating exercise in speak, stop, over and listen, speak, stop, over and listen. Letters took two, sometimes three weeks to arrive; thus answers to questions came six weeks after the fact. Despite the time lapse our weekly letters home were treasured, passed around and saved. Today these letters tell the story of a different time, a distant place and a forgotten era.
Digital storytelling for brands has become a non-negotiable skill in the 21st century, due to the need to connect and communicate with diverse audiences across multiple channels and platforms. The ability to understand narrative(s) is now a prerequisite for many business, communication, marketing and public relations professionals, as well as content creators and journalists. This book teaches essential skills in deconstructing the traditional narrative and how to adapt narrative to fit contemporary platforms. Co-creative methods are emphasised and provide readers with a theoretical underpinning of participatory culture, and narrative. For the first time ever, this book brings together extant arts and humanities-based models with business theory. It provides learners with a clear understanding of the creative and persuasive form of narrative within a digital context, whilst building brand. Contemporary case studies highlight challenges faced in the digital world, including implications for reputation management, considerations associated with mis- and disinformation and the crucial role of the collective narrative. A key principle guiding this book is: ‘the more digital we become, the more we crave to feel human’ and it is this very space where digital storytelling can cut through the (digital) noise to provide an authentic connection. Bridget Tombleson is an academic at Curtin University, Perth, Western Australia, with more than twenty years’ experience in public relations and the communication industry. Katharina Wolf is an Associate Professor at Curtin University in Perth, Western Australia, and Lead of the Faculty of Business and Law’s public relations program.
This new edition of The Routledge Companion to Landscape Studies contains an updated and expanded selection of original chapters which explore research directions in an array of disciplines sharing a concern for ‘landscape’, a term which has many uses and meanings. It features 33 revised and/or updated chapters and 14 entirely new chapters on topics such as the Anthropocene, Indigenous landscapes, challenging landscape Eurocentrisms, photography and green infrastructure planning. The volume is divided into four parts: Experiencing landscape; Landscape, heritage and culture; Landscape, society and justice; and Design and planning for landscape. Collectively, the book provides a critical review of the various fields related to the study of landscapes, including the future development of conceptual and theoretical approaches, as well as current empirical knowledge and understanding. It encourages dialogue across disciplinary barriers and between academics and practitioners, and reflects upon the implications of research findings for local, national and international policy in relation to landscape. The Companion provides a comprehensive and up-to-date guide to current thinking about landscapes, and serves as an invaluable point of reference for scholars, researchers and graduate students alike.
Knowledge of the afterlife can trigger dazzling transformations in body, mind, and spirit. It unleashes our authentic selves, radically resets our values, and deepens our sense of life purpose. From it we discover that the real nature of the universe is the very essence of benevolence. In this comprehensive work, Julia Assante probes what happens when we die, approaching with scholarly precision historical and religious accounts, near-death experiences, and after-death communication. She then presents convincing evidence of discarnate existence and communication with the dead and offers practical ways to make contact with departed loved ones to heal and overcome guilt, fear, and grief.
The book contains 64 monologues designed specifically for use in the audition process. These monologues were derived from the Last Frontier Theatre Conference, one of the longest running theater conferences of its kind, held every year in Valdez, Alaska from 2009 to 2012. The monologues are honed for freshness, length, and effect and are designed for actors who are taking an audition/monologue workshop. Also included are some tips on creating monologues by Last Frontier Director Dawson Moore and for acting with the monologues by actor and mentor, Laura Gardner, both of whom selected and edited the monologues. The monologues are catagorized by gender and sorted by age of the speaker.
