Marcel Proust
Marcel Proust

Author: Harold Bloom

Publisher: Infobase Publishing

Published: 2004

Total Pages: 304

ISBN-13: 0791076598

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A collection of essays written by various scholars critically analyzing the life and works of French author Marcel Proust. Includes analyses of characters, themes, and symbolism in Proust's major works. Also contains an annotated bibliography that can be used for finding further information.

Childhood as Memory, Myth and Metaphor
Childhood as Memory, Myth and Metaphor

Author: Catherine Crimp

Publisher: Routledge

Published: 2017-12-02

Total Pages: 368

ISBN-13: 135119237X

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"A fascination with childhood unites the artist Louise Bourgeois (1911-2010) and the writers Samuel Beckett (1906-89) and Marcel Proust (1871-1922). But while many commentators have traced their childhood images back to memories of lived experiences, there is more to their mythologies of childhood that waits to be explored. They invite us to move away from familiar ideas - whether psychological or biographical - about what a child can represent, and even what a child is. The haunting child figures of Bourgeois, Beckett and Proust echo each other as they show how imagining origins- for a life, for a work of art - involves paradoxes that test the limits of our forms of expression. Art meets literature, profusion meets concision, French meets English, and images of childhood reveal new insights in this encounter between three great figures of twentieth- and twenty-first-century culture. Catherine Crimp holds a PhD from the University of Cambridge and is currently Lectrice d'anglais at theEcole Normale Superieure de Lyon."

Ethics and Aesthetics in European Modernist Literature
Ethics and Aesthetics in European Modernist Literature

Author: David Ellison

Publisher: Cambridge University Press

Published: 2001-09-27

Total Pages: 306

ISBN-13: 113943084X

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David Ellison's book is an investigation into the historical origins and textual practice of European literary Modernism. Ellison's study traces the origins of Modernism to the emergence of early German Romanticism from the philosophy of Immanuel Kant, and emphasizes how the passage from Romanticism to Modernism can be followed in the gradual transition from the sublime to the uncanny. Arguing that what we call High Modernism cannot be reduced to a religion of beauty, an experimentation with narrative form, or even a reflection on time and consciousness, Ellison demonstrates that Modernist textuality is characterized by the intersection, overlapping, and crossing of aesthetic and ethical issues. Beauty and morality relate to each other as antagonists struggling for dominance within the related fields of philosophy and theory on the one hand (Kant, Kierkegaard, Nietzsche, Freud) and imaginative literature on the other (Baudelaire, Proust, Gide, Conrad, Woolf, Kafka).