This work, which forms an important bridge between medieval and Counter-Reformation sanctity and canonization, provides a richly contextualized analysis of the ways in which the last five candidates for sainthood before the Reformation came to be canonized.
This study considers the campaigns for and trials resulting in the beatification and subsequent canonization of the Florentine mystic nun, Maria Maddalena de' Pazzi (1566-1607). It explores the politics of saint-making at a time of particular significance for the history of Roman Catholic canonization.
A companion volume for the usage of medieval miracle collections as a source, offering versatile approaches to the origins, methods, and techniques of various types of miracle narratives, as well as fascinating case studies from across Europe.
Demonic possession was a spiritual state that often had physical symptoms; however, in Demonic Possession and Lived Religion in Later Medieval Europe, Sari Katajala-Peltomaa argues that demonic possession was a social phenomenon which should be understood with regard to the community and culture. She focuses on significant case studies from canonization processes (c. 1240-1450) which show how each set of sources formed its own specific context, in which demonic presence derived from different motivations, reasonings, and methods of categorization. The chosen perspective is that of lived religion, which is both a thematic approach and a methodology: a focus on rituals, symbols, and gestures, as well as sensitivity to nuances and careful contextualizing of the cases are constitutive elements of the argumentation. The analysis contests the hierarchy between the 'learned' and the 'popular' within religion, as well as the existence of a strict polarity between individual and collective religious participation. Demonic presence disclosed negotiations over authority and agency; it shows how the personal affected the communal, and vice versa, and how they were eventually transformed into discourses and institutions of the Church; that is, definitions of the miraculous and the diabolical. Geographically, the volume covers Western Europe, comparing Northern and Southern material and customs. The structure follows the logic of the phenomenon, beginning with the background reasons offered as a cause of demonic possession, continuing with communities' responses and emotions, including construction of sacred caregiving methods. Finally, the ways in which demonic presence contributed to wider societal debates in the fields of politics and spirituality are discussed. Alterity and inversion of identity, gender, and various forms of corporeality and the interplay between the sacred and diabolical are themes that run all through the volume.
A sweeping, authoritative, and entertaining history of the Christian cult of the saints from its origin to the Reformation From its earliest centuries, one of the most notable features of Christianity has been the veneration of the saints—the holy dead. This ambitious history tells the fascinating story of the cult of the saints from its origins in the second-century days of the Christian martyrs to the Protestant Reformation. Robert Bartlett examines all of the most important aspects of the saints—including miracles, relics, pilgrimages, shrines, and the saints' role in the calendar, literature, and art. The book explores the central role played by the bodies and body parts of saints, and the special treatment these relics received. From the routes, dangers, and rewards of pilgrimage, to the saints' impact on everyday life, Bartlett's account is an unmatched examination of an important and intriguing part of the religious life of the past—as well as the present.
The thirteen chapters in this collection open up new horizons for the study of biblical drama by putting special emphasis on multitemporality, the intersections of biblical narrative and performance, and the strategies employed by playwrights to rework and adapt the biblical source material in Catholic, Protestant and Jewish culture. Aspects under scrutiny include dramatic traditions, confessional and religious rites, dogmas and debates, conceptualisations of performance, and audience response. The contributors stress the co-presence of biblical and contemporary concerns in the periods under discussion, conceiving of biblical drama as a central participant in the dynamic struggle to both interpret and translate the Bible.
As part of the process of consideration for sainthood, the body of Filippo Neri, "the apostle of Rome," was dissected shortly after he died in 1595. The finest doctors of the papal court were brought in to ensure that the procedure was completed with the utmost care. These physicians found that Neri exhibited a most unusual anatomy. His fourth and fifth ribs had somehow been broken to make room for his strangely enormous and extraordinarily muscular heart. The physicians used this evidence to conclude that Neri had been touched by God, his enlarged heart a mark of his sanctity. In Pious Postmortems, Bradford A. Bouley considers the dozens of examinations performed on reputedly holy corpses in the sixteenth and seventeenth centuries at the request of the Catholic Church. Contemporary theologians, physicians, and laymen believed that normal human bodies were anatomically different from those of both very holy and very sinful individuals. Attempting to demonstrate the reality of miracles in the bodies of its saints, the Church introduced expert testimony from medical practitioners and increased the role granted to university-trained physicians in the search for signs of sanctity such as incorruption. The practitioners and physicians engaged in these postmortem examinations to further their study of human anatomy and irregularity in nature, even if their judgments regarding the viability of the miraculous may have been compromised by political expediency. Tracing the complicated relationship between the Catholic Church and medicine, Bouley concludes that neither religious nor scientific truths were self-evident but rather negotiated through a complex array of local and broader interests.
"Profiling Saints" follows and expands the papers presented at the homonym online international conference (December 2021), which focused on cultural, theological, artistic, and social aspects of models of sanctity and their importance in the modern world up to the post-revolutionary period. This volume aims thus to shed light on the cultural value of canonizations and models of sanctity as models of Christian perfection, including the role of iconography and artworks, in the broader context of modern, global Catholicism. The topics presented by the authors include veneration to, and canonization and representations of, saint theologians, missionaries, martyrs, mystics, and reformers, men and women. "Profiling Saints" looks at modern sanctity and saints from multidisciplinary perspectives, ranging from liturgy, theology, and Church history up to history of ideas, cultural history, history of emotions, and art history, and contributes to shed light on such a complex phenomenon of Christian history in its modern developments.
A Fake Saint and the True Church uncovers the remarkable story of a fake saint to tell a tale about truth. It begins at the end of the 1650s, when a large quantity of forged documents suddenly appeared throughout the Kingdom of Naples. Narrating the life and deeds of a previously unknown medieval saint named Giovanni Calà, the trove generated much excitement around the kingdom. No one was more delighted by the news than Carlo Calà, Giovanni's wealthy and politically influential seventeenth-century descendant. Attracted by the prospect of adding a saint to the family tree, Carlo presented Giovanni's case to the Roman Curia. The Catholic authorities, however, immediately realized that the sources were forged, and that Giovanni was not real (let alone holy). Yet, it took more than two decades before the forgery was exposed: why? Vividly reconstructing the intricate case of the supposed saint, Stefania Tutino explores the tensions between historical and theological truth. How much could the truth of doctrine depend on the truth of the facts before religion lost its connection with the supernatural? To what extent could the truth of doctrine ignore the truth of the facts without ending up engulfed in falsity and deceit? How could the absolute truth of theology relate to the far less absolute certainty of human affairs? This story of a fake saint illuminates early modern tensions. But the struggles to distinguish between facts, opinions, and beliefs remain with us. Examining, as this book does, how our predecessors dealt with the relationship between truth and authenticity guides us too in thinking through what is true and what is not.