Contemporary Mise en Scène

Contemporary Mise en Scène

Author: Patrice Pavis

Publisher: Routledge

Published: 2013-05-07

Total Pages: 367

ISBN-13: 1136448500

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‘We have good reason to be wary of mise en scène, but that is all the more reason to question this wariness ... it seems that images from a performance come back to haunt us, as if to prolong and transform our experience as spectators, as if to force us to rethink the event, to return to our pleasure or our terror.’ – Patrice Pavis, from the foreword Contemporary Mise en Scène is Patrice Pavis’s masterful analysis of the role that staging has played in the creation and practice of theatre throughout history. This stunningly ambitious study considers: the staged reading, at the frontiers of mise en scène; scenography, which sometimes replaces staging; the reinterpretation of classical and contemporary works; the development of intercultural theatre and ritual; new technologies and their usage live on the stage; the postmodern practice of deconstruction. But it also applies sustained critical attention to the challenges of defining mise en scène, of tracking its development, and of exploring its possible futures. Joel Anderson’s powerful new translation lucidly realises Pavis’s investigation of the changing possibilities for stagecraft in the context of performance art, physical theatre and modern theory.


Men's Cinema

Men's Cinema

Author: Stella Bruzzi

Publisher: Edinburgh University Press

Published: 2013-09-23

Total Pages: 160

ISBN-13: 0748676198

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Men's Cinema offers a fresh theorisation of men in Hollywood cinema via a theoretical discussion of definitions of masculinity and the close textual analysis of classic and contemporary films. Through an examination of mise-en-scene, Men's Cinema moves beyond discussions of representation and narrative to an exploration of the physical or instinctive effects of cinema and how we are invited to engage with, desire or identify with Hollywood's vision of men and masculinity. By delineating how Hollywood has built up and refined the language of men's cinema through a series of recurrent, refined tropes, this book critically explores masculinity and the concept of a male aesthetic within film.Films discussed include: The Deer Hunter, Dirty Harry, Goodfellas, Inception, Mission Impossible: Ghost Protocol, Once Upon a Time in the West, Point Break, Raging Bull, Rebel Without A Cause, Reservoir Dogs, Sherlock Holmes, There's Always Tomorrow, The Wild Bunch.


Theatre at the Crossroads of Culture

Theatre at the Crossroads of Culture

Author: Patrice Pavis

Publisher: Routledge

Published: 2003-09-02

Total Pages: 219

ISBN-13: 1134928106

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Pavis analyses the political and aesthetic consequences of cultures meeting at the crossroads of theatre, looking at productions including Brook's Mahabharata, Cixous/Mnouchkine's Indiande, and Barba's Faust.


The Routledge Dictionary of Performance and Contemporary Theatre

The Routledge Dictionary of Performance and Contemporary Theatre

Author: Patrice Pavis

Publisher: Routledge

Published: 2016-04-28

Total Pages: 313

ISBN-13: 1317521145

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The Routledge Dictionary of Contemporary Theatre and Performance provides the first authoritative alphabetical guide to the theatre and performance of the last 30 years. Conceived and written by one of the foremost scholars and critics of theatre in the world, it literally takes us from Activism to Zapping, analysing everything along the way from Body Art and the Flashmob to Multimedia and the Postdramatic. What we think of as 'performance' and 'drama' has undergone a transformation in recent decades. Similarly how these terms are defined, used and critiqued has also changed, thanks to interventions from a panoply of theorists from Derrida to Ranciere. Patrice Pavis's Dictionary provides an indispensible roadmap for this complex and fascinating terrain; a volume no theatre bookshelf can afford to be without.


La Mise en Scène

La Mise en Scène

Author: Claude Ollier

Publisher:

Published: 2000

Total Pages: 248

ISBN-13: 9781564782328

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The Mise-en-Scene takes place in the mountains of Morocco when the French still controlled North Africa. An engineer named Lassalle has been sent from France to plan a road through the mountains. Although Lassalle seems to be successful, he finds out that another engineer, Lessing, has preceded him, and that Lessing, as well as others, may have been murdered. The novel is a detailed inquiry into the meaning of actions and the impossibility of determining what happens. Lassalle prepares to return home uncertain of whether what he has witnessed is a series of coincidences or part of a sinister plan to keep him ignorant. His uncertainty is shared by the reader, who is kept guessing and wondering at what he thinks he knows but cannot be sure of.


The life of mise-en-scène

The life of mise-en-scène

Author: John Gibbs

Publisher: Manchester University Press

Published: 2015-11-01

Total Pages: 278

ISBN-13: 1526103141

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The life of mise-en-scène offers a critical history of key debates about visual style in British film journals in the post-war period. It reclaims an often-ignored or misrepresented history, including: the concept of film poetry in the journal Sequence, changing attitudes in Sight and Sound during the 1950s, and the battle over the significance of film style which raged between a number of small journals and the national press in the early 1960s. It examines the British school, first associated with Movie in the 1960s, which, in Adrian Martin’s words, is enjoying a ‘widespread, international revival’ – but also other critical movements, more hazily remembered. It explores the role of mise-en-scène in melodrama criticism, and considers what happened to detailed criticism as major theoretical movements emerged in the 1970s. In doing so, it provides a vital context for the contemporary practice of style-based criticism and challenges received notions of critical history, developing our understanding of a range of other key debates and concerns in the study of film.


Jane Campion

Jane Campion

Author: Kathleen McHugh

Publisher: University of Illinois Press

Published: 2007-05

Total Pages: 208

ISBN-13: 0252074475

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Montage, Découpage, Mise en scène

Montage, Découpage, Mise en scène

Author: Laurent Le Forestier

Publisher: Caboose

Published: 2023-05-09

Total Pages: 0

ISBN-13: 9781927852088

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Montage, découpage, mise en scène: these three French terms are central to debates around film history and aesthetics in every language, yet the precise meaning of each and especially their relationship to one another remain a source of confusion for many. In this unique volume, film scholars Laurent Le Forestier, Timothy Barnard and Frank Kessler examine in lively, readable prose the history of these concepts in film theory and criticism and their genesis and development in practice during cinema's foundational first half-century and beyond—from early cinema to the modern mise en scène criticism of the 1950s and 60s by way of silent-era explorations of the theory and practice of montage and the early sound period's counter example of découpage. Each essay serves as an essential guide for students and specialists alike, combining historical overview with fresh ideas about film aesthetics today.


Mise En Scene French Theatre Now

Mise En Scene French Theatre Now

Author: Annie Sparks

Publisher: A&C Black

Published: 2014-05-29

Total Pages: 376

ISBN-13: 1408148889

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A invaluable survey of French theatre since 1968 Mise en Scène is a book in two parts. The first half is a probing look at French theatre now, providing an historical and critical survey of drama and theatre in France since 1968. It explores playwrights such as Samuel Beckett, Marguerite Duras, Michel Vinaver and Bernard-Marie Koltès and directors of international reputation such as Peter Brook, Robert Wilson, Roger Planchon, Antoine Vitez, Patrice Chereau and Ariane Mnouchkine. The second part of Mise en Scène features a comprehensive listings guide to major theatre companies, insitutions, festivals, training schools and invaluable A-Z profiles of contemporary playwrights and directors from France.


Jane Campion

Jane Campion

Author: Hilary Radner

Publisher: Wayne State University Press

Published: 2009

Total Pages: 350

ISBN-13: 9780814334324

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An innovative collection of original essays on Jane Campion, renowned female auteur filmmaker. In Jane Campion: Cinema, Nation, Identity a diverse group of contributors challenge the view that Campion's body of work lacks coherence or unity to instead examine the important characteristics and themes that underlie it. Editors Hilary Radner, Alistair Fox, and Irène Bessière have compiled rich, original scholarship on Campion's oeuvre to probe issues previously neglected by scholars--like her debt to New Zealand sources and her personal views of family dynamics--and those that benefit from additional insight--such as her place in the feminist filmmaking tradition. This volume also investigates Campion's distinct cinematic style in light of these issues to examine the source of her enduring cross-cultural and international appeal. Contributors in the first section explore the creation of subjectivity and identity in Campion's films, which include well-known works like The Piano and Holy Smoke, to trace the unique perspectives of Campion's characters and Campion herself as director. In the second section, essays analyze Campion's close relationship with literature and argue that the singular vision in her literary adaptations stems from her New Zealand background and her personal mythology. Contributors in the third section argue that while Campion devotes considerable attention to the evocation of feminine internal space, she also uses the symbolic potential of her external physical locations to register what is taking place in the inner life of her characters and reflect their search for personal fulfillment. A final group of essays presents a variety of responses to Campion's films, demonstrating that Campion is a highly personal and idiosyncratic director who nonetheless manages to fascinate viewers across a broad cultural spectrum. Taken together, contributors in Jane Campion: Cinema, Nation, Identity present a compelling analysis of Campion's status as a leading female filmmaker with close attention to her distinctive cinematic style and particular mise-en-scène. The collective nature of this volume will appeal to students and teachers of film, literature, and gender studies, as well as fans of Campion's work.