The concept of critical criminology – that crime and the present day processes of criminalization are rooted in the core structures of society – is of more relevance today than it has been at any other time. Written by an internationally renowned scholar, Contemporary Critical Criminology introduces the most up-to-date empirical, theoretical, and political contributions made by critical criminologists around the world. In its exploration of this material, the book also challenges the erroneous but widely held notion that the critical criminological project is restricted to mechanically applying theories to substantive topics, or to simple calling for radical political, economic, cultural, and social transformations. This book is an essential source of reference for both undergraduate and postgraduate students of Criminology, Criminal Theory, Social Policy, Research Methodology, and Penology.
This collection of essays offers students, faculty, policy makers and others an in-depth overview of the most up-to-date empirical, theoretical, and political contributions made by critical criminologists.
An Introduction to Critical Criminology offers an accessible introduction to foundational and contemporary theories and perspectives in critical criminology which introduces students to theories and perspectives about the causes of crime, and the operation of the criminal justice system.
Contemporary Criminological Issues tackles some of today’s most pressing social issues, from the criminalization of Indigenous peoples to interpersonal violence, border control, and armed conflicts. This book advances cutting-edge theories and methods, with the aim of moving beyond the scholarship that reproduces insecurity and exclusion. The breadth of approaches encompasses much of the current critical criminological scholarship, serving as a counterpoint to the growth of managerial and administrative criminologies and the rise of explicitly exclusionary and punitive state policies and practices with respect to ‘crime’ and ‘security.’ This edited collection featuring two books, one in English and one in French, includes important contributions to knowledge and public policy by eminent experts and emerging scholars. This book is published in English.
This book brings together the major Australian and New Zealand theorists in Critical Criminology. The chapters represent the contribution of these authors in both their established work and their recent scholarship. It includes new approaches to theory, methodology, case studies and contemporary issues.
Exploring the key issues and future prospects facing critical criminology, this book brings together leading authorities in the field from the UK, Australasia and the USA.
This book offers a critical introduction to trends and developments in contemporary criminological theory. Designed both as a companion to An Introduction to Criminological Theory – also by Roger Hopkins Burke and published by Routledge – and as a standalone advanced textbook, it develops themes introduced previously in more detail, incorporates new critical and radical concepts and explores cutting-edge advances in theory. Key topics include the following: • Constitutive, anarchist, green and species, bio-critical, cultural, abolitionist and convict criminologies • Globalization and organized crime • Southern theory • Critical race theory • Terrorism and state violence • Gender, feminism and masculinity • Ultra-realism • Radical moral communitarianism These key issues are discussed in the context of debates about the fragmentation of modernity and the postmodern condition; the rise of political populism, risk, surveillance and social control, and speculation about living in post-COVID-19 society and the future of neoliberalism. Written in a clear and direct style, this book will appeal to both undergraduate and postgraduate students of criminology, sociology and politics and is essential reading for advanced students of criminology looking for a way to engage with contemporary themes and concepts in theory.
Rural crime is a fast growing area of interest among scholars in criminology. From studies of agricultural crime in Australia, to violence against women in Appalachia America, to poaching in Uganda, to land theft in Brazil -- the criminology community has come to recognize that crime manifests itself in rural localities in ways that both conform to and challenge conventional theory and research. For the first time, Rural Criminology brings together contemporary research and conceptual considerations to synthesize rural crime studies from a critical perspective. This book dispels four rural crime myths, challenging conventional criminological theories about crime in general. It also examines both the historical development of rural crime scholarship, recent research and conceptual developments. The third chapter recreates the critical in the rural criminology literature through discussions of three important topics: community characteristics and rural crime, drug use, production and trafficking in the rural context, and agricultural crime. Never before has rural crime been examined comprehensively, using any kind of theoretical approach, whether critical or otherwise. Rural Criminology does both, pulling together in one short volume the diverse array of empirical research under the theoretical umbrella of a critical perspective. This book will be of interest to those studying or researching in the fields of rural crime, critical criminology and sociology.
This reader features contributions from the best-known names in criminology today, commenting on modern theories of criminology and how the concept of justice is met (or not met) by our criminal justice system. Based on critical theories of criminology, each author presents a compelling vision of illustrations of the theory and shows how the theoretical framework relates to the nature and structure of our criminal justice system.
At the end of the twentieth century, the bookstores are full of books on crime, though this title will certainly not find a place on the same shelves. In the massive Waterstones bookstore in the city of Manchester, England, where I lived through most of the 1990s, the ground floor display area was rearranged in 1995 so as to accommodate, right at the front of the store, several hundred new titles, on topics like Serial Murderers and Sexual Crimes of the Twentieth Century.l Several of these new books are companion volumes to movies on release in the city's cinemas or, in some instances, are simply the original text on which the movies are based. The movies in question - Shallow Grave, Silence of the Lambs, Reservoir Dogs, Natural Born Killers and others - focus heavily on interpersonal violence and murder and also place great emphasis in the manner of many earlier cinematic genres - on the idea of the 'criminal mind' (not least, as a way of dramatizing the detection of the originating criminal act) but also - to a significant extent, these are movies which emphasize the idea and contemporary social presence of evil. Similar moral and psychologistic preoccupations are now also widely apparent on primetime television - most notably, in Britain, in the extraordinarily powerful Cracker series, produced by Granada Television in 1994 and 1995, watched by over 15 million people, and featuring, inter alia, the forensic investigation' of serial and sexual murders, some of them extremely graphically displayed (Crace 1994).2 The prominence of 'Gothic' themes in movies about violent death is not new in itself: there is a long history of interest in the cinema in horror and, indeed, in 'transgression' and evil. What may be definitive about the present genre of movies as well as the range of fictional and non-fictional titles in the bookstores about crime is the overwhelming focus on murder and killing represented in very contemporary and mundane, ordinary and, indeed, 'respectable' settings, and the powerful suggestion that these movies are a representation of the risks and dangers involved in everyday life at the end of the twentieth century. The bookstore display in Waterstones is straightforwardly called the 'Real Crimes' section.
